本文關(guān)鍵詞： 回顧 箏史 《臨安遺恨》 展望 前景　出處：《南京師范大學(xué)》2002年碩士論文　論文類型：學(xué)位論文

【摘要】： 《臨安遺恨》是一首由作曲家何占豪先生創(chuàng)作的古箏協(xié)奏曲。它的旋律優(yōu)美動(dòng)聽、飽含情感，令聽眾深深為之感染。1995年，，《臨安遺恨》獲得中國(guó)文化部教育司頒發(fā)的優(yōu)秀創(chuàng)作獎(jiǎng)。一首大型古箏作品在短短幾年時(shí)間里能得到如此廣泛流傳，受到群眾喜愛，這在古箏藝術(shù)發(fā)展史上可謂前所未有、十分難得。 音樂(lè)作品的質(zhì)與量對(duì)一門器樂(lè)藝術(shù)的發(fā)展有著直接的影響。箏樂(lè)也是如此。史料中記載的許多有關(guān)箏的詩(shī)篇和曲譜都可以證明箏樂(lè)在古時(shí)的輝煌。近代，伴隨著長(zhǎng)期的歷史發(fā)展和變遷，箏在全國(guó)流傳很廣。根據(jù)流行地域的不同，逐步形成了各具特點(diǎn)的地方流派。而這些流傳在各地的箏曲為先輩所傳，實(shí)乃珍貴的傳統(tǒng)箏曲。 古箏從五十年代至今的半個(gè)世紀(jì)中，無(wú)論是樂(lè)曲還是演奏技巧都有了飛快發(fā)展，使得古箏藝術(shù)邁進(jìn)嶄新的時(shí)代。這期間，箏樂(lè)創(chuàng)作隊(duì)伍由小到大，創(chuàng)作水平由低到高，創(chuàng)作形式由單一到多元，可以說(shuō)在各個(gè)方面都取得了長(zhǎng)足的進(jìn)步。同時(shí)，這些箏樂(lè)作品也好象一面面鏡子，折射出所處時(shí)代的印記。 當(dāng)代箏曲是由“傳統(tǒng)箏曲”和“創(chuàng)作箏曲”兩部分組成的，多元化是當(dāng)前箏樂(lè)發(fā)展的定勢(shì)。我們一方面要發(fā)揚(yáng)傳統(tǒng)，對(duì)傳統(tǒng)箏曲著力整頓和繼承；另一方面要銳意創(chuàng)新，大力創(chuàng)編新的箏曲。二者是繁榮發(fā)展古箏藝術(shù)不可分割的兩個(gè)方面。 箏是一種古老的樂(lè)器，有著悠久的歷史。同時(shí)它又充滿著生命力，因?yàn)楣~在創(chuàng)作、演技、器制及人才的培養(yǎng)等方面具備著永恒發(fā)展的潛在力量。我們應(yīng)該共同關(guān)心這株奇葩的健康成長(zhǎng)，使古箏能得到更多人的熱愛和參與，愿這門藝術(shù)能有更加美好而光輝的未來(lái)。
[Abstract]:Lin'an enmity is a zither concerto composed by composer He Zhanhao. Its melody is beautiful and full of emotion, which deeply infects the audience. 1995. Lin'an 's regret was awarded the excellent creation Award by the Education Department of the Chinese Ministry of Culture. In just a few years' time, a large guzheng work has been so widely circulated and loved by the masses. This is unprecedented in the history of the development of Zheng art, very rare. The quality and quantity of musical works have a direct impact on the development of an instrumental music art. So is Zheng music. Many poems and compositions about Zheng recorded in historical materials can prove the brilliance of Zheng music in ancient times. Along with the long-term historical development and changes, Zheng spread widely throughout the country. According to the different epidemic regions, gradually formed the local schools with different characteristics. It is a precious traditional zither. Guzheng from 50s to the present half century, both music and performance skills have developed rapidly, making the Zheng art into a new era. During this period, Zheng music creation team from small to large. The creation level is from low to high, and the form of creation is from single to pluralistic, it can be said that great progress has been made in all aspects. At the same time, these Zheng music works are like a mirror, reflecting the imprint of the era in which they live. The contemporary Zheng music is composed of "traditional Zheng music" and "creating Zheng music". Diversification is the fixed trend of the development of Zheng music at present. On the one hand, we should carry forward the tradition and make great efforts to rectify and inherit the traditional Zheng music. On the other hand, we should make great efforts to innovate and create new Zheng music, which are two aspects of the prosperity and development of the art of guzheng. Zheng is an ancient musical instrument, has a long history. At the same time, it is full of vitality, because the Zheng in the creation, acting. There is a potential power for the eternal development in the fields of equipment system and talent cultivation. We should care about the healthy growth of this wonderful flower so that more people can love and participate in the guzheng. May this art have a brighter and brighter future.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2002
【分類號(hào)】：J648.32

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