本文關(guān)鍵詞：李斯特四首交響詩的詩意體現(xiàn)　出處：《中央音樂學院》2011年碩士論文　論文類型：學位論文

  更多相關(guān)文章： 李斯特 交響詩 標題 詩意理念 結(jié)構(gòu)主義

【摘要】：在西方音樂史上,交響詩這一體裁盛行于19世紀下半葉及20世紀初,是由李斯特首創(chuàng)的,作為貝多芬之后交響音樂領(lǐng)域最重要的創(chuàng)新體裁,交響詩既繼承了序曲的傳統(tǒng),又融合了交響曲的特征,成為19世紀舉足輕重的音樂體裁形式。同時,李斯特提出“標題音樂”這一術(shù)語,并通過交響詩的創(chuàng)作,證明了他所理解的標題音樂,從而使交響詩成為標題音樂的典范。李斯特交響詩所表現(xiàn)的標題性和詩意理念,是19世紀標題音樂最豐富的體現(xiàn)。 第一章,追溯了交響詩的發(fā)展歷史,并簡要的介紹了李斯特交響詩的創(chuàng)作。第二章,在李斯特的十三首交響詩中選取了不同類型的四首交響詩,解讀了標題的由來并對其進行了形式分析。第三章,根據(jù)李斯特提出的詩意理念,探討了這些交響詩的動機類型或主題發(fā)展、形式結(jié)構(gòu)與標題性敘述之間的互動關(guān)系,并嘗試了一種結(jié)構(gòu)主義的解讀。在余論中介紹了李斯特的同時代乃至后代作曲家的交響詩創(chuàng)作。 李斯特的交響詩不僅是19世紀的一種重要的交響樂體裁,它的凝煉的形式結(jié)構(gòu)和詩意的內(nèi)涵,為我們了解19世紀浪漫主義音樂的理想具有重要意義。
[Abstract]:In the history of western music, symphonic poetry prevailed in the second half of 19th century and the beginning of 20th century. It was first created by Liszt, as the most important creative genre in the field of symphony music after Beethoven. Symphonic poetry not only inherits the tradition of prelude, but also merges the characteristics of symphony, and becomes the important genre of music in 19th century. At the same time, Liszt put forward the term "title music". And through the creation of symphonic poems, he proved that he understood the title music, so that symphonic poems become a model of title music, Liszt symphonic poems show the title and poetic ideas. In 19th century, title music is the most abundant embodiment. The first chapter traces the development history of symphonic poems and briefly introduces the creation of Liszt's symphonic poems. Chapter two selects four different types of symphonic poems in Liszt's 13 symphonic poems. The third chapter, according to the poetic idea put forward by Liszt, discusses the motive types or the development of the theme of these symphonic poems. The interaction between formal structure and title narration, and try to interpret a structuralism. In the conclusion, it introduces Liszt's symphonic poems of his contemporaries and even future composers. Liszt's symphonic poetry is not only an important symphony genre in 19th century, but also the formal structure and poetic connotation of its condensation, which is of great significance for us to understand the ideal of romantic music in 19th century.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J605

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本文編號：1430759