本文關(guān)鍵詞：莫扎特圓號(hào)作品《~bE大調(diào)圓號(hào)與弦樂(lè)五重奏》之風(fēng)格把握及藝術(shù)表現(xiàn)　出處：《華南理工大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

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【摘要】：圓號(hào)，是莫扎特最喜歡的樂(lè)器之一，他曾經(jīng)為圓號(hào)譜寫過(guò)四首圓號(hào)協(xié)奏曲、一首回旋曲、及一首圓號(hào)與弦樂(lè)五重奏作品。而他的這些圓號(hào)作品都是為了他的朋友洛特格布而作，通過(guò)多年的學(xué)習(xí)以及演奏其他作曲家圓號(hào)作品后，我發(fā)現(xiàn)了莫扎特圓號(hào)作品有著獨(dú)特的“洛特格布式”的風(fēng)格，這與洛特格布的性格有著直接的關(guān)系，更為重要的是洛特格布精湛的圓號(hào)演奏技巧，成為莫扎特圓號(hào)作品創(chuàng)作的源泉。莫扎特的圓號(hào)作品大多都是用圓號(hào)展現(xiàn)柔美恬靜的旋律，例如第一樂(lè)章的輕盈柔和的快板風(fēng)，第二樂(lè)章的舒緩柔美的行板風(fēng)、第三樂(lè)章6/8拍固有的歡快的節(jié)奏，這里面既有莫扎特創(chuàng)作風(fēng)格的體現(xiàn)，也更多的是體現(xiàn)了“洛特格布式”的風(fēng)格，而《bE大調(diào)圓號(hào)與弦樂(lè)五重奏》是莫扎特為圓號(hào)也是為洛特格布寫的唯一一部室內(nèi)樂(lè)作品，，也是最早為洛特格布寫的，這部作品與四首圓號(hào)協(xié)奏曲有著很多相關(guān)的聯(lián)系，雖然創(chuàng)作的時(shí)間不同，但由于都是為洛特格布而寫，因此作品的風(fēng)格與四首協(xié)奏曲基本相同，但由于當(dāng)時(shí)的時(shí)代背景，以及各種樂(lè)器間的發(fā)展特點(diǎn)又使得這部作品的創(chuàng)作早于四首協(xié)奏曲，更為后面四部圓號(hào)協(xié)奏曲的創(chuàng)作奠定了一定的風(fēng)格基礎(chǔ)。同時(shí)這部作品除了風(fēng)格上的把握外，與另外四部協(xié)奏曲作品的不同之處就在于圓號(hào)與弦樂(lè)之間的完美配合，兩組完全不同發(fā)音原理的樂(lè)器在這部作品里卻表現(xiàn)出十分融洽的關(guān)系。此曲中圓號(hào)不再是唯一的主角，而是和其他各聲部之間穿插演繹著樂(lè)曲中的每一部主題。尤其是和小提琴完美的對(duì)話。這也是筆者想要探討在這部圓號(hào)與弦樂(lè)五重奏作品中，洛特格布式圓號(hào)的風(fēng)格是如何通過(guò)與弦樂(lè)的配合而體現(xiàn)的主要目的。 于是筆者從莫扎特的介紹開(kāi)始，簡(jiǎn)要介紹一下莫扎特的生平以及他其他作品里圓號(hào)的運(yùn)用進(jìn)而體現(xiàn)他對(duì)圓號(hào)的喜愛(ài)；第二章則會(huì)通過(guò)介紹《bE大調(diào)圓號(hào)與弦樂(lè)五重奏》與另外四首協(xié)奏曲間的關(guān)聯(lián)，分析出莫扎特圓號(hào)作品風(fēng)格的形成，以及選擇該作品研究的原因。第三章則會(huì)重點(diǎn)分析一下《bE大調(diào)圓號(hào)與弦樂(lè)五重奏》這部作品，包括曲式結(jié)構(gòu)的介紹，以及每一樂(lè)章風(fēng)格的界定。第四章則會(huì)通過(guò)圓號(hào)與弦樂(lè)的結(jié)合及圓號(hào)自身演奏技術(shù)上的闡述來(lái)體味出對(duì)于這部作品風(fēng)格的藝術(shù)表現(xiàn)如何體現(xiàn)。
[Abstract]:Horn, Mozart is one of the instruments most love, he once wrote four songs for horn Horn Concerto, a song and a song Rondo, five horns and String Quartet works. These works are his horn to his friend Lott G Bbu, through years of learning and playing with other composers of horn works, I found Mozart horn works have a unique "Lotte cloth" style, the character and Lotte cloth has a direct relationship, more important is the Lotte exquisite horn playing skills, become a source of Mozart horn works. Mozart's works are mostly with the horn horn show soft and quiet for example, the first movement of the melody, light soft wind in the second movement Allegro, Andante soothing gentle wind, the third movement 6/8 beat the inherent lively rhythm, which is a style of Mozart Lattice reflected, also more embodies the "Lotte cloth" style, and the horns and strings in Lott G Bbu wrote for the horn is only one chamber music, is also the first to write the Lotte cloth, works with four first Horn Concerto with many related, although the creation time is different, but are written for the Lotte style of work and therefore, four concertos are basically the same, but because of the historical background, as well as a variety of musical instruments between the characteristics of the development and the works of creation as early as the four Concerto for some of the more basic style behind the four Horn Concerto creation. And this works in addition to master the style, different from other four concerto is the perfect match between the horns and strings, two different pronunciation The principle of the instrument in this work has shown a very harmonious relationship. The horn is no longer the only protagonist, but among the other voices with every interpretation of theme music. Especially the violin and the perfect dialogue. This is also the author wants to discuss the horns and String Quartet op. five in the horn type style Lott is how the main purpose and strings with and reflect.
So the author from Mozart introduction, brief introduction about Mozart's life and his other works by the horns and show his love for the horn; the second chapter through the introduction of relevance for horn and strings in four concertos with the addition of the analysis of the formation of Mozart horn style, as well as the choice of the work study reasons. The third chapter will focus on the analysis of five works, including the introduction of formal structure, and every movement style definition. The fourth chapter will be through a combination of round number and string and horn their playing technique elaboration on how to embody the artistic expression for this work style to appreciate.

【學(xué)位授予單位】：華南理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J647.18

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