【摘要】：壯劇是根植于壯族地區(qū)的具有地域性和民族性特色的古老劇種,是壯族民間傳統(tǒng)文化的典型代表之一。根據(jù)壯語方言、音樂唱腔、表演風(fēng)格等方面的差異,壯劇可分為廣西南路壯劇、北路壯劇、師公戲和云南富寧壯劇、廣南壯劇等。其中,北路壯劇使用壯語北部方言演唱,是壯族民間戲曲中發(fā)展最完整的一類。本文主要研究對象是長期活躍于廣西田林縣的北路壯劇的傳統(tǒng)劇目。關(guān)于北路壯劇起源于何處在民間有不同的聲音,據(jù)相關(guān)資料考證,"田林源流說"被學(xué)界所普遍認(rèn)可。北路壯劇萌芽于明代,形成于清代,至今已有三百多年的歷史。田林縣獨特的自然環(huán)境和人文環(huán)境對它的產(chǎn)生和傳播產(chǎn)生了重要的影響,經(jīng)過十代藝師的代代傳承和努力追求,以田林壯劇為代表的北路壯劇已達(dá)到了中國少數(shù)民族戲劇中較高的水平。它一方面將壯族的傳統(tǒng)文化、民俗風(fēng)情融入戲劇表演之中,另一方面積極地去適應(yīng)觀眾的審美心理和審美情趣,創(chuàng)作出了愛情婚姻劇、倫理道德劇、歷史劇、神話劇等不同題材的劇目,在民間發(fā)揮著重要的娛樂、教育、認(rèn)知功能等多種作用。但隨著社會經(jīng)濟的不斷發(fā)展,壯劇藝術(shù)也受到了一定的沖擊和挑戰(zhàn)。2006年,壯劇被納入第一批國家級非物質(zhì)文化遺產(chǎn)保護名錄,這是對壯劇的重視,同時也是對它發(fā)展現(xiàn)狀的擔(dān)憂。田林縣政府和廣大群眾積極響應(yīng)國家號召,從2007年開始舉辦一年一度的壯劇藝術(shù)節(jié),吸引了廣西各地的壯劇劇團前來參加匯演。在各方力量的支持下,北路壯劇的保護、發(fā)展、研究工作正逐步向前推進。本文在田野調(diào)查獲取第一手資料的基礎(chǔ)上,從劇本的文學(xué)性角度出發(fā),并將其放置于民俗學(xué)視野下,以分類探討的方式對北路壯劇傳統(tǒng)劇目的題材、文本特點進行研究,揭示北路壯劇傳統(tǒng)劇目中所滲透的思想內(nèi)涵及民俗文化,為北路壯劇劇本的創(chuàng)作提供一定的理論支持和參考借鑒,為北路壯劇在非物質(zhì)文化遺產(chǎn)大背景下繼續(xù)傳承和發(fā)揚添磚加瓦。全文主要有四部分內(nèi)容:第一部分梳理北路壯劇形成與發(fā)展的過程,并對其生存環(huán)境、表演藝術(shù)以及現(xiàn)有的文本形態(tài)進行論述;第二部分首先探討北路壯劇傳統(tǒng)劇目題材的來源,其次從題材內(nèi)容入手,對北路壯劇傳統(tǒng)劇目進行詳細(xì)的分類研究;第三部分從劇目的故事內(nèi)容、情節(jié)結(jié)構(gòu)、人物出場、人物刻畫、對白唱詞以及敘述視角六個方面展開分析;第四部分結(jié)合民俗學(xué)相關(guān)的知識,分析北路壯劇傳統(tǒng)劇目中所蘊含的民間思想,挖掘隱藏在劇目之中的壯族民俗風(fēng)情,并剖析北路壯劇在民間所具有的社會功能。
[Abstract]:Zhuang Opera is an ancient drama with regional and national characteristics rooted in Zhuang nationality area, and it is one of the typical representatives of Zhuang folk traditional culture. According to the differences of Zhuang dialect, music singing and acting style, Zhuang opera can be divided into Guangxi Nanlu Zhuang drama, Beilu Zhuang drama, Shi Gong opera, Yunnan Funing Zhuang drama, Guangnan Zhuang opera and so on. Among them, Beilu Zhuang Opera singing in the northern dialect of Zhuang is the most complete type of folk opera of Zhuang nationality. The main research object of this paper is the traditional drama of Beilu Zhuang Opera, which has been active in Tianlin County of Guangxi for a long time. There are different voices about where the Beilu Zhuang opera originated in the folk. According to the relevant data, Tian Lin's theory of origin and stream is generally recognized by the academic circles. Beilu Zhuang Opera originated in the Ming Dynasty and formed in the Qing Dynasty, and has a history of more than 300 years. Tianlin County's unique natural environment and humanistic environment have had an important impact on its generation and dissemination, and have been inherited and pursued by ten generations of artists. Beilu Zhuang Drama, represented by Tian Lin Zhuang Opera, has reached a higher level in Chinese minority drama. On the one hand, it integrates the traditional culture and folk customs of the Zhuang nationality into the theatrical performances, on the other hand, it actively adapts to the audience's aesthetic psychology and aesthetic tastes, and creates love and marriage drama, ethical and moral drama, and historical drama. Mythology plays an important role in folk entertainment, education, cognition and so on. However, with the continuous development of social economy, the art of Zhuang Opera has also been impacted and challenged. In 2006, Zhuang Opera was included in the first batch of national intangible cultural heritage protection list, which is the emphasis on Zhuang Opera. At the same time, it is also a concern about the status of its development. The Tianlin County government and the broad masses responded positively to the national call to hold the annual Zhuang Opera Art Festival in 2007, which attracted Zhuang opera troupes from all over Guangxi to participate in the performance. With the support of all sides, the protection, development and research of Beilu Zhuang Opera are advancing step by step. Based on the firsthand data obtained from field investigation, this paper, from the literary point of view of the script, puts it in the perspective of folklore, and studies the theme and text characteristics of the traditional drama of Beilu Zhuang Opera in the way of classification and discussion. It reveals the ideological connotation and folk culture permeated in the traditional drama of Beilu Zhuang drama, and provides certain theoretical support and reference for the creation of the drama of Beilu Zhuang opera. For the Beilu Zhuang drama in the context of intangible cultural heritage to continue to inherit and carry forward the building blocks. There are four main parts of the full text: the first part combs the formation and development of Beilu Zhuang Opera, and discusses its living environment, performing arts and the existing text form; The second part first discusses the origin of the traditional drama of Beilu Zhuang Opera, and then starts with the content of the subject matter, and makes a detailed classification study on the traditional drama of Beilu Zhuang Opera. The third part from the drama's story content, the plot structure, the character appearance, the character portrays, the words and the narration angle of view to carry on the analysis from six aspects; The fourth part combines the folklore related knowledge, analyzes the folk thought contained in the traditional repertoire of Beilu Zhuang Opera, excavates the folk customs and customs of Zhuang nationality hidden in the repertoire, and analyzes the social function of Beilu Zhuang Opera in the folk.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J825

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本文編號：2422304