蒙古族皮雕藝術(shù)研究
發(fā)布時間:2018-12-17 14:23
【摘要】:蒙古族皮革雕刻藝術(shù)是生活在草原民族畜牧部落生產(chǎn)生活中存在的一種藝術(shù)形式,它是畜牧業(yè)人民在生產(chǎn)和生活的漫長歷史時期里產(chǎn)生的。它表現(xiàn)了明顯的本民族特點(diǎn)和久遠(yuǎn)的歷史氣息,F(xiàn)在內(nèi)蒙古地區(qū)大力促進(jìn)旅游開發(fā),相關(guān)經(jīng)濟(jì)活動有迅速增長,皮革雕刻藝術(shù)品現(xiàn)在已成為蒙古族旅游業(yè)的重要留念藝術(shù)品。對于皮革雕刻藝術(shù),我們要學(xué)習(xí)傳統(tǒng)的同時又要對皮雕藝術(shù)品進(jìn)行努力創(chuàng)新,要符合現(xiàn)代社會生活市場化要求,對于蒙古族皮雕藝術(shù)的發(fā)展有著很重要的推動作用。本文第一章主要對蒙古族皮雕藝術(shù)進(jìn)行概述,分析蒙古族皮雕藝術(shù)的歷史,闡述蒙古族皮雕藝術(shù)的種類。第二章主要分析蒙古族傳統(tǒng)皮雕藝術(shù),對蒙古族傳統(tǒng)皮雕藝術(shù)分類,主要包括器皿類、服飾類、生活用具類,分析蒙古族傳統(tǒng)皮雕藝術(shù)的造型與審美特征,對蒙古族傳統(tǒng)皮雕藝術(shù)的工藝進(jìn)行研究。第三章主要分析蒙古族現(xiàn)當(dāng)代皮雕藝術(shù),主要包括蒙古族現(xiàn)當(dāng)代皮雕藝術(shù)的分類,蒙古族現(xiàn)當(dāng)代皮雕藝術(shù)的造型與審美特征和蒙古族現(xiàn)當(dāng)代皮雕藝術(shù)的工藝研究。而且隨著蒙古族旅游產(chǎn)業(yè)的不斷發(fā)展,蒙古族的皮雕藝術(shù)在經(jīng)濟(jì)發(fā)展過程中具有非常重要的意義。而且加強(qiáng)蒙古族的皮雕藝術(shù)研究,對保護(hù)我國的非物質(zhì)文化遺產(chǎn)具有非常重要的意義。
[Abstract]:Mongolian leather carving art is a kind of art form existing in the production and life of pastoral tribes of the grasslands. It is produced by the people of animal husbandry in the long historical period of production and life. It shows a distinct national character and a long history. Now the Inner Mongolia region vigorously promotes the tourism development, the related economic activity has the rapid growth, the leather sculpture work of art has now become the Mongolian tourism important memorial work of art. For the leather carving art, we should learn the tradition and make great efforts to innovate the leather carving art at the same time, in order to meet the requirements of the marketization of modern social life, it has a very important role in promoting the development of Mongolian leather carving art. The first chapter of this paper mainly summarizes the art of Mongolian skin carving, analyzes the history of Mongolian skin carving art, and expounds the types of Mongolian skin carving art. The second chapter mainly analyzes the Mongolian traditional leather carving art, to the Mongolian traditional leather carving art classification, mainly includes the vessel class, the clothing class, the life appliance class, the analysis Mongolian traditional leather carving art modelling and the esthetic characteristic, This paper studies the craft of Mongolian traditional leather carving art. The third chapter mainly analyzes the modern and contemporary skin carving art of Mongolian nationality, including the classification of modern and contemporary skin carving art of Mongolian nationality, the modeling and aesthetic characteristics of modern and contemporary skin carving art of Mongolian nationality and the research on the craft of contemporary skin carving art of Mongolian nationality. With the continuous development of Mongolian tourism industry, the art of Mongolian skin carving has a very important significance in the process of economic development. Moreover, it is of great significance to strengthen the research on the fur carving art of Mongolian nationality to protect the intangible cultural heritage of our country.
【學(xué)位授予單位】:內(nèi)蒙古師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:J314.9
本文編號:2384313
[Abstract]:Mongolian leather carving art is a kind of art form existing in the production and life of pastoral tribes of the grasslands. It is produced by the people of animal husbandry in the long historical period of production and life. It shows a distinct national character and a long history. Now the Inner Mongolia region vigorously promotes the tourism development, the related economic activity has the rapid growth, the leather sculpture work of art has now become the Mongolian tourism important memorial work of art. For the leather carving art, we should learn the tradition and make great efforts to innovate the leather carving art at the same time, in order to meet the requirements of the marketization of modern social life, it has a very important role in promoting the development of Mongolian leather carving art. The first chapter of this paper mainly summarizes the art of Mongolian skin carving, analyzes the history of Mongolian skin carving art, and expounds the types of Mongolian skin carving art. The second chapter mainly analyzes the Mongolian traditional leather carving art, to the Mongolian traditional leather carving art classification, mainly includes the vessel class, the clothing class, the life appliance class, the analysis Mongolian traditional leather carving art modelling and the esthetic characteristic, This paper studies the craft of Mongolian traditional leather carving art. The third chapter mainly analyzes the modern and contemporary skin carving art of Mongolian nationality, including the classification of modern and contemporary skin carving art of Mongolian nationality, the modeling and aesthetic characteristics of modern and contemporary skin carving art of Mongolian nationality and the research on the craft of contemporary skin carving art of Mongolian nationality. With the continuous development of Mongolian tourism industry, the art of Mongolian skin carving has a very important significance in the process of economic development. Moreover, it is of great significance to strengthen the research on the fur carving art of Mongolian nationality to protect the intangible cultural heritage of our country.
【學(xué)位授予單位】:內(nèi)蒙古師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2015
【分類號】:J314.9
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 劉海燕;;皮雕藝術(shù)及其技法探索[J];西安文理學(xué)院學(xué)報(社會科學(xué)版);2012年02期
,本文編號:2384313
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