【摘要】：紀(jì)念性景觀作為文化景觀的重要組成部分,它承載著人類文明的史記并穿過時(shí)空與時(shí)間將其重要的有著正面影響力的歷史內(nèi)涵展示給當(dāng)代人。城市的形象以及歷史文脈的延續(xù)需要用紀(jì)念性景觀的發(fā)揮正面效用。然而隨著近年來文化建設(shè)的倡導(dǎo),紀(jì)念性景觀工程在各地區(qū)出現(xiàn)大躍進(jìn)建設(shè)的態(tài)勢,批量生產(chǎn)重量不重質(zhì)的弊端隨之未來。因此注重紀(jì)念內(nèi)涵的營造,是我國紀(jì)念性景觀發(fā)展的新趨勢。紀(jì)念性景觀的內(nèi)涵即體驗(yàn)者理解的紀(jì)念性景觀的敘事性意義。意義的傳達(dá)需要以符號作為載體,符號內(nèi)與符號間不同的組織形成不同的語義,引入符號學(xué)正是為符號的生成及表意做理論指導(dǎo),同時(shí)也為紀(jì)念性景觀符號設(shè)計(jì)提供理論指導(dǎo)。在文章的初始部分,研究背景、目的及意義、現(xiàn)狀分析等都得到了解釋,并且筆者將論文中提到的概念做出明確界定——如,紀(jì)念地域歷史事件的紀(jì)念性景觀,進(jìn)而梳理研究框架。第二章部分,從紀(jì)念性景觀以及符號學(xué)的相關(guān)概念入手,對其進(jìn)行了分類研究,其中語言符號理論是由符號學(xué)、語言學(xué)理論發(fā)展而來,其在文章中的符號構(gòu)成原則與與紀(jì)念性景觀符號構(gòu)成有著極強(qiáng)的相似性。具體表現(xiàn)為文章中詞匯——句子——篇章分別對應(yīng)紀(jì)念性景觀元素——同一意義的空間場景——完整的紀(jì)念性景觀。第三章部分,也是設(shè)計(jì)者設(shè)計(jì)前期分析部分:首先重點(diǎn)討論了紀(jì)念性景觀中的主題的生成過程,同時(shí),根據(jù)確立的主題提取代表性符號。第四章是從紀(jì)念性景觀實(shí)體的角度出發(fā),闡釋紀(jì)念性符號如何被組織,并通過實(shí)例分析,幫助闡明紀(jì)念性景觀是由詞匯、句子組織成篇章的結(jié)構(gòu)構(gòu)成。第五章是從體驗(yàn)者的角度出發(fā),解釋紀(jì)念性景觀符號信息的傳播以及行為主體的體驗(yàn),通過理論分析與實(shí)例結(jié)合總結(jié)出設(shè)計(jì)要對行為主體的情感體驗(yàn)引起重視。第六章即項(xiàng)目實(shí)踐部分,在前文分析的基礎(chǔ)上,續(xù)寫盤錦建市三十周年紀(jì)念性景觀設(shè)計(jì)方案的生成過程及生成結(jié)果,獲得了紀(jì)念性景觀的設(shè)計(jì)策略、手法,驗(yàn)證了符號學(xué)作用于紀(jì)念性景觀設(shè)計(jì)的可實(shí)踐性。
[Abstract]:Memorial landscape as an important part of cultural landscape, it bears the history of human civilization and through time and space to display its important historical connotations with positive influence to contemporary people. The image of the city and the continuation of the historical context need to use the memorial landscape to play a positive role. However, with the promotion of cultural construction in recent years, the monumental landscape engineering in various regions of the situation of the Great Leap forward construction, mass production of weight and quality of the defects followed by the future. Therefore, to pay attention to the construction of memorial connotation is the new trend of the development of memorial landscape in China. The connotation of memorial landscape is the narrative meaning of memorial landscape understood by experiencers. The communication of meaning needs to take the symbol as the carrier and the different organizations within the symbol form different semantics. The introduction of semiotics is the theoretical guidance for the generation of symbols and the ideographic meaning as well as the theoretical guidance for the design of commemorative landscape symbols. In the beginning part of the article, the research background, the purpose and the significance, the present situation analysis and so on have been explained, and the author has clearly defined the concept mentioned in the paper-for example, the memorial landscape to commemorate the regional historical events. Then combing the research framework. In the second chapter, the author starts with the concepts of memorial landscape and semiotics, and makes a classification study of them, in which the theory of linguistic symbols is developed from semiotics and linguistic theories. There is a strong similarity between the principle of symbolic composition and the composition of commemorative landscape symbols. The concrete performance is that the lexical, sentence and text in the article correspond to the memorial landscape elements-the spatial scene of the same meaning-the complete memorial landscape. The third chapter is also the part of designer's pre-design analysis: firstly, the process of theme generation in memorial landscape is discussed, and the representative symbols are extracted according to the established theme. The fourth chapter explains how the memorial symbols are organized from the perspective of the memorial landscape entity, and through the analysis of examples, it helps to clarify that the memorial landscape is composed of words and sentences organized into a text. The fifth chapter is from the perspective of the experiencer to explain the communication of commemorative landscape symbol information and the behavior of the experience of the main body through theoretical analysis and examples to sum up the design of emotional experience of the subject should be paid attention to. The sixth chapter is the project practice part, on the basis of the previous analysis, the paper continues to write the generation process and the result of the commemorative landscape design scheme for the 30th anniversary of Panjin City, and obtains the design strategy and method of the memorial landscape. It verifies the practicability of semiotics in memorial landscape design.
【學(xué)位授予單位】：沈陽建筑大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU986

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