發(fā)布時間：2018-11-06 07:20

【摘要】：隨著現(xiàn)代人類社會的不斷發(fā)展進步,全球范圍內(nèi)能源和環(huán)境危機日益加劇,迫使人們重新審視人與自然、建筑與自然環(huán)境的關(guān)系。各國建筑設(shè)計師都力求創(chuàng)造出環(huán)保而美觀的人類居住環(huán)境,各種新思路、新形態(tài)、新理念層出不窮。隨著環(huán)保意識以及新的藝術(shù)審美觀念的增強,當下建筑觀念正發(fā)生著深刻變革,立體綠化成為當代建筑綠化的突出傾向并不斷發(fā)展。建筑師們在這方面進行不斷的探索,使得建筑立體綠化的新形態(tài)、新理念不斷涌現(xiàn)�！澳：笔墙ㄖⅢw綠化的基本特征,傳統(tǒng)的屋頂、墻面等處綠化讓建筑與綠色植物融為一體,建筑亦是自然景觀,其本身就極具模糊性。隨著新技術(shù)和復(fù)雜科學(xué)的出現(xiàn),使得建筑立體綠化形態(tài)的模糊化也走向復(fù)雜混沌,走向交合。立體綠化不再孤立的被運用到某一個空間中,而是將其在建筑空間中整合使用。穿越在建筑與環(huán)境之間、穿越在建筑內(nèi)外部空間之間、穿越在建筑空間與陳設(shè)之間。建筑與自然景觀、建筑的內(nèi)部外部、建筑的層面等界面得以消解,相互聯(lián)系并融合,構(gòu)成統(tǒng)一的綠色整體。本文對立體綠化形態(tài)的“模糊化”展開研究,首先了解當代建筑設(shè)計中立體綠化的探索情況,研究分析當代立體綠化模糊化的社會文化背景及歷史發(fā)展,深化認識。深入研究立體綠化模糊化的理論基礎(chǔ),系統(tǒng)地探索總結(jié)立體綠化模糊化在當代建筑設(shè)計中的表達。然后通過對國內(nèi)外建筑設(shè)計中立體綠化模糊化的案例分析,探究立體綠化在建筑設(shè)計中模糊化的思想觀念,研究立體綠化模糊化的形態(tài)、基本方式方法、技術(shù)手段以及其生態(tài)性。最后通過分析并揭示了立體綠化的模糊化所具有豐富的空間意味以及其在當代復(fù)雜多元的思潮下對建筑的意義及啟發(fā)。
[Abstract]:With the continuous development and progress of modern human society, the crisis of energy and environment in the world is becoming more and more serious, forcing people to re-examine the relationship between man and nature, architecture and natural environment. Architectural designers all over the world strive to create an environmentally friendly and beautiful human living environment, all kinds of new ideas, new forms, new ideas emerge in endlessly. With the strengthening of the consciousness of environmental protection and the new aesthetic concept of art, the concept of architecture is undergoing profound changes. Three-dimensional greening has become a prominent trend of contemporary architectural greening and has been developing continuously. Architects in this area continue to explore, so that new forms of three-dimensional green architecture, new ideas continue to emerge. "fuzzification" is the basic feature of three-dimensional greening of buildings. Traditional greening of roofs and walls makes buildings and green plants merge into one, and architecture is also a natural landscape, which itself is extremely fuzzy. With the emergence of new technology and complex science, the fuzzification of the building's three-dimensional greening form is also moving towards the complex chaos and the intersection. Stereoscopic greening is no longer used in an isolated space, but integrated in the architectural space. Traversing between architecture and environment, between internal and external space, between architectural space and furnishings. The interface between architecture and natural landscape, the interior and exterior of architecture, the layer of architecture, and so on, is dissolved, connected and integrated, forming a unified green whole. In this paper, the "fuzzification" of the stereoscopic greening form is studied. Firstly, the exploration of the stereoscopic greening in the contemporary architectural design is understood, and the social and cultural background and historical development of the fuzzification of the contemporary stereoscopic greening are studied and analyzed, and the understanding is deepened. The theoretical basis of the fuzzification of stereoscopic greening is deeply studied, and the expression of the fuzzification of stereoscopic greening in contemporary architectural design is systematically explored and summarized. Then through the case analysis of the fuzzification of stereoscopic greening in architectural design at home and abroad, this paper probes into the idea of fuzzification of stereoscopic greening in architectural design, and studies the form, basic ways and methods of the fuzzification of stereoscopic greening. Technical means and its ecology. Finally, by analyzing and revealing the fuzziness of stereoscopic greening, it has rich spatial meaning and its significance and inspiration to architecture under the contemporary complex and plural trend of thought.
【學(xué)位授予單位】：中國礦業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：S731.2

【共引文獻】

相關(guān)期刊論文 前1條

1 蔣琳;唐鳴放;;垂直綠化——建筑表皮的生命符號[J];西部人居環(huán)境學(xué)刊;2015年04期

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本文編號：2313537