【摘要】：中國(guó)的剪紙藝術(shù)歷史悠久，題材豐富，種類(lèi)繁多，是民間最為流行的傳統(tǒng)藝術(shù)形式之一。一把剪刀或刻刀，以各色彩紙為主要材料，再加上熟練的雙手，就能夠創(chuàng)造出各種生動(dòng)的剪紙形象，給予一種別樣的審美體驗(yàn)，同時(shí)又寄予深切的文化感情。民間剪紙作為民間藝術(shù)的重要流派，它以視覺(jué)的審美形式展現(xiàn)出蘊(yùn)含于其中的深刻的文化內(nèi)涵，是一種無(wú)形的文化遺產(chǎn)，越來(lái)越受到各界的廣泛關(guān)注，成為國(guó)家重點(diǎn)保護(hù)和創(chuàng)新發(fā)展的新項(xiàng)目。 煙臺(tái)剪紙目前成功入選聯(lián)合國(guó)教科文組織非物質(zhì)文化遺產(chǎn)名錄，煙臺(tái)也成立了非物質(zhì)文化遺產(chǎn)保護(hù)中心，剪紙得到了前所未有的保護(hù)和重視。在此前提下，本文主要研究了古稱(chēng)“福地”的煙臺(tái)福山區(qū)的剪紙藝術(shù)特色。福山區(qū)民間剪紙作為煙臺(tái)剪紙藝術(shù)的一部分，有著其自身獨(dú)特的藝術(shù)特點(diǎn)，不但展現(xiàn)了當(dāng)?shù)厝嗣竦膶徝栏惺�，同時(shí)也可以了解到福山區(qū)當(dāng)?shù)鬲?dú)有的民間習(xí)俗和文化特征，從這其中闡述和分析剪紙藝術(shù)與民俗、藝術(shù)的關(guān)系，，對(duì)挖掘、研究、保護(hù)、傳承和發(fā)展煙臺(tái)福山剪紙起到重要的參考作用。 本文由第一部分緒論、第二部分煙臺(tái)福山剪紙概況、第三部分福山剪紙藝術(shù)的技法特色、第四部分福山剪紙藝術(shù)的傳承、第五部分結(jié)論組成。 緒論中，交代了研究福山剪紙的選題緣由、研究目的及意義、研究現(xiàn)狀，研究方法。第二部分又分為五方面，先闡述了福山區(qū)地理、歷史、人文環(huán)境等狀況作為研究福山剪紙藝術(shù)的大背景；再較為詳細(xì)的研究了福山剪紙藝術(shù)形成的淵源、歷史發(fā)展情況及目前剪紙藝術(shù)在福山的生存發(fā)展現(xiàn)狀；第三方面調(diào)查研究了地域分布及其特色；第四方面介紹了福山剪紙藝術(shù)與周邊地區(qū)的聯(lián)系；第五方面詳細(xì)介紹了福山剪紙藝術(shù)與當(dāng)?shù)厝松蠲芮新?lián)系的表現(xiàn)。論文第三部分主要研究福山剪紙的技法特色。第四部分介紹福山區(qū)剪紙藝術(shù)的傳承狀況，包括對(duì)剪紙的傳承方式和傳承人的調(diào)查。最后一部分結(jié)論與建議，對(duì)本文的內(nèi)容進(jìn)行簡(jiǎn)要的總結(jié)概括，并提出合理化建議，希望能夠?qū)ΩＩ絽^(qū)剪紙藝術(shù)的可持續(xù)發(fā)展提供助力。 通過(guò)對(duì)煙臺(tái)福山剪紙調(diào)查與研究，可以了解煙臺(tái)福山剪紙藝術(shù)大致發(fā)展的歷程和福山剪紙藝術(shù)的典型特色，重點(diǎn)了解這其中蘊(yùn)含的民俗文化內(nèi)涵，同時(shí)喚起人們對(duì)于剪紙藝術(shù)的重新重視。本論文的選題就是通過(guò)對(duì)其深入研究，引起相關(guān)部門(mén)和群眾加強(qiáng)對(duì)于剪紙藝術(shù)的保護(hù)和傳承，以此希望流派眾多的剪紙藝術(shù)能夠歷久彌新，再現(xiàn)輝煌。
[Abstract]:Paper-cut art in China has a long history, rich themes and various kinds. It is one of the most popular traditional art forms. A pair of scissors or engraved knives, with colorful paper as the main material and skilled hands, can create various vivid paper-cut images, give a different aesthetic experience, and at the same time place deep cultural feelings. As an important school of folk art, folk paper-cut shows the profound cultural connotation contained in it in the form of visual aesthetics, and it is an intangible cultural heritage, which has attracted more and more attention from all walks of life. Become the national key protection and innovative development of new projects. At present, Yantai paper-cut has been successfully selected into the UNESCO Intangible Cultural Heritage list, and Yantai has also established the Intangible Cultural Heritage Protection Center, which has received unprecedented protection and attention. On this premise, the paper mainly studies the characteristics of paper-cut in Fushan District of Yantai. As a part of Yantai paper-cut art, Folk Paper-cut in Fushan District has its own unique artistic characteristics. It not only shows the aesthetic feelings of the local people, but also understands the unique folk customs and cultural characteristics of Fushan District. This paper expounds and analyzes the relationship between paper-cut art and folklore, art, and plays an important reference role in excavating, researching, protecting, inheriting and developing Fushan paper-cut in Yantai. This paper consists of the first part of the introduction, the second part of Yantai Fushan paper-cut overview, the third part of the Fushan paper-cut art technical characteristics, the fourth part of the Fushan paper-cut art heritage, the fifth part of the conclusion. In the introduction, it explains the reason, purpose and significance of the research on Fushan paper-cut. The second part is divided into five aspects, first elaborated the Fushan area geography, the history, the humanities environment and so on the condition and so on research Fushan paper-cut art big background; Then the formation of Fushan paper-cut art origin, historical development and the current survival and development of paper-cut art in Fushan, the third aspect of the investigation and study of regional distribution and characteristics; The fourth aspect introduces the relationship between Fushan paper-cut art and surrounding areas, and the fifth aspect introduces the performance of Fushan paper-cut art closely related to the local life. The third part of the thesis mainly studies the Fushan paper-cut technique characteristic. The fourth part introduces the inheritance of paper-cut art in Fushan, including the inheritance of paper-cut and the survey of inheritors. In the last part of the paper, the author makes a brief summary of the contents of this paper, and puts forward some reasonable suggestions in order to help the sustainable development of paper-cut art in Fushan District. Through the investigation and research on Fushan paper-cut in Yantai, we can understand the general development course of Fushan paper-cut art and the typical characteristics of Fushan paper-cut art. At the same time, to arouse people to the art of paper-cutting re-emphasis. The topic of this paper is through the in-depth study, causing the relevant departments and the masses to strengthen the protection and inheritance of paper-cut art, so as to hope that many schools of paper-cut art can last forever and reproduce brilliance.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J528.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李克敏;;山東福山東留公村漢墓清理簡(jiǎn)報(bào)[J];考古通訊;1956年05期

本文編號(hào)：2305349