【摘要】：中國(guó)古典園林集建筑、景觀、詩(shī)畫、文學(xué)等多種藝術(shù)于一身,它是中國(guó)建筑藝術(shù)的瑰寶,在世界園林藝術(shù)史上獨(dú)樹一幟。本文通過(guò)對(duì)框景和它在中國(guó)古典園林中的應(yīng)用進(jìn)行詳細(xì)的闡述,在歸納整理前人研究成果的基礎(chǔ)上,分析總結(jié)新中式建筑中的框景的應(yīng)用情況,從而探討框景在新中式建筑中進(jìn)行現(xiàn)代化表達(dá)的方法和理論,為我國(guó)新中式建筑的發(fā)展開拓新的思路和方法,為以后新中式建筑的多元化發(fā)展提供一定的理論依據(jù)。論文的成果有以下四方面:(1)通過(guò)文獻(xiàn)和實(shí)例對(duì)造景手法框景作了深入解析。分別闡述了框景的起源、構(gòu)成要素和作用,框景的構(gòu)成要素是框、框中景和人,以及框景能起到以小見(jiàn)大、虛實(shí)相生的效果。根據(jù)人對(duì)景物的感知,框中景可以分為框內(nèi)實(shí)景和框內(nèi)虛景;根據(jù)主景與框的相對(duì)距離,框中景可以分為框內(nèi)近景、框內(nèi)中景和框內(nèi)遠(yuǎn)景;框中景的取景方式即是借景,人的賞景方式分為動(dòng)觀與靜觀。(2)通過(guò)中國(guó)古典園林中的具體實(shí)例,解析框景的形式,分為門窗框景、柱間框景、植物框景、假山石洞框景和橋洞框景。不同的框景形式具有不同的功能和特點(diǎn),只有深入掌握了他在中國(guó)古典園林中靈活運(yùn)用的技巧,才能在新中式建筑中給予更好的詮釋與創(chuàng)新。(3)由于現(xiàn)代人的審美變化和環(huán)境的變化,在新中式建筑中對(duì)框景的應(yīng)用,不斷地拓展其屬性,結(jié)合新材料、新技術(shù),創(chuàng)造出與現(xiàn)代建筑相融合而又不失其傳統(tǒng)神韻的新形式。通過(guò)解析框景在香山飯店、蘇州博物館和中國(guó)美院象山校區(qū)中的運(yùn)用實(shí)例,分別從亦框亦景,隔框借景和步移景易三方面來(lái)探討建筑師在新中式建筑中對(duì)框景的詮釋。通過(guò)貝聿銘與王澍兩位對(duì)框景不同的理解與詮釋,展現(xiàn)出了不同的建筑語(yǔ)言,但都是對(duì)我國(guó)傳統(tǒng)文化成功的傳承。(4)結(jié)合實(shí)例總結(jié)出了框景在新中式建筑中所起的空間的界定與滲透、空間轉(zhuǎn)折—引景和豐富空間層次的作用,對(duì)新中式建筑中對(duì)框景重新詮釋的手法進(jìn)行了分析,通過(guò)模仿、簡(jiǎn)化、變化、夸張和影像等手法,是框景在新中式建筑中得到了新的生命力。框景就像一扇窗口,它不僅連接著建筑與自然,也是聯(lián)系著過(guò)去與現(xiàn)在。
[Abstract]:Chinese classical garden is a treasure of Chinese architectural art, which is unique in the history of world garden art. In this paper, the frame landscape and its application in Chinese classical gardens are elaborated in detail, and the application of frame view in new Chinese architecture is analyzed and summarized on the basis of summing up the previous research results. This paper discusses the methods and theories of modern expression in Chinese architecture of frame Jing Zaixin, opens up new ideas and methods for the development of new Chinese architecture in China, and provides certain theoretical basis for the diversified development of new Chinese architecture in the future. The results of this paper are as follows: (1) through the literature and examples, the paper makes a deep analysis of the frame landscape. The origin, elements and functions of frame scenery are expounded respectively. The elements of frame view are frame, frame scene and people, and frame scene can see the whole through a small part. According to people's perception of the scene, the frame view can be divided into the real scene in the frame and the virtual scene in the frame; according to the relative distance between the main scene and the frame, the middle view in the frame can be divided into the close view in the frame, the middle scene in the box and the perspective inside the box; the way of setting the scene in the frame is to borrow the scene. The way of viewing scenery is divided into dynamic view and static view. (2) through the concrete examples of Chinese classical garden, the form of frame view is analyzed, which is divided into window frame view, intercolumn frame view, plant frame view, false rock cave frame scene and bridge hole frame view. Different forms of frame scenery have different functions and characteristics, only he can master the skills of his flexible application in Chinese classical gardens. In order to give a better interpretation and innovation in the new Chinese architecture. (3) because of the modern aesthetic change and the change of environment, the application of frame view in the new Chinese architecture continuously expands its attribute, combines the new material, the new technology, Create a new form of integration with modern architecture without losing its traditional charm. Through analyzing the application examples of frame view in Xiangshan Hotel, Suzhou Museum and Xiangshan Campus of Chinese Academy of Fine Arts, this paper discusses the interpretation of frame view by architects in the new Chinese architecture from three aspects: also frame view, separated frame view and easy to move view. Through Pei and Wang Shu's different understanding and interpretation of frame view, different architectural languages are displayed. However, it is a successful inheritance of Chinese traditional culture. (4) combined with examples, this paper sums up the definition and penetration of space in Chinese architecture of frame Jing Zaixin, the function of space turning point, the introduction of landscape and the enrichment of space level. This paper analyzes the reinterpretation of frame view in the new Chinese architecture. By means of imitation, simplification, change, exaggeration and image, it has gained new vitality in Chinese architecture of frame Jing Zaixin. Frame view is like a window, connecting not only architecture and nature, but also past and present.
【學(xué)位授予單位】：河南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU201;TU986.1

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