【摘要】：在信息時(shí)代的影響下,當(dāng)代建筑呈現(xiàn)多元化、包容性的特征,各地文化和風(fēng)俗不斷交融,原有的城市區(qū)域特色也隨之日漸模糊,出現(xiàn)了建筑風(fēng)格混雜的局面,地標(biāo)景觀建筑逐步走向追求體量和形式感的誤區(qū),出現(xiàn)趨同化面貌,地域文化急需復(fù)興。我們需要從底蘊(yùn)深厚的古老文明中探索,在傳統(tǒng)中尋根,喚醒地標(biāo)景觀建筑造型中的傳統(tǒng)文化特色,重塑建筑文化親和性,提升人們對傳統(tǒng)文化的歸屬感和保護(hù)意識。本文通過對考古發(fā)現(xiàn)的楚文化遺存載體(包括器皿、刺繡繪畫、文學(xué)典籍、建筑遺址等)進(jìn)行調(diào)研,探尋荊楚地區(qū)的文化潛力,對楚文化資源進(jìn)行歸納分析,總結(jié)出所蘊(yùn)含的意蘊(yùn)特征:崇尚自然、浪漫空靈、張揚(yáng)奔放;以及人文精神:不拘傳統(tǒng),敢于突破,堅(jiān)韌不拔。本文從荊楚傳統(tǒng)文化的本源形態(tài)開始演變研究,解脫出傳統(tǒng)建筑形式的束縛,從形態(tài)、色彩、裝飾紋樣等多個(gè)方面進(jìn)行解讀,分析造型特點(diǎn):楚建筑重檐層闕、高臺基、深出檐、重視對自然因素的因借;而器皿和紋樣造型曲線優(yōu)美、浪漫空靈,奔放張揚(yáng),形態(tài)組合大膽創(chuàng)新,傾向于對比鮮明的色彩裝飾,這些都是當(dāng)代建筑造型中所缺少的。在對楚文化進(jìn)行詳盡研究的基礎(chǔ)上,提出應(yīng)用的兩個(gè)原則:地域性原則和時(shí)代性原則。從代表原型中分析出意蘊(yùn)風(fēng)格及造型特點(diǎn),對傳統(tǒng)文化元素進(jìn)行簡約化提煉,從四個(gè)方面進(jìn)行創(chuàng)新重構(gòu):形態(tài)樣式、布局組合、色彩再現(xiàn)和意蘊(yùn)融合,應(yīng)用于景觀建筑造型設(shè)計(jì)上,實(shí)現(xiàn)由“形”取“神”,由“神”化“形”的轉(zhuǎn)變。同時(shí)還要將繁復(fù)華麗、氣勢恢宏的楚文化與現(xiàn)代建筑結(jié)合起來,融合各地的特色文化背景,運(yùn)用現(xiàn)代材料和創(chuàng)新方法,設(shè)計(jì)出一批既能展現(xiàn)荊楚傳統(tǒng)文化大氣、絢麗、張揚(yáng)的神韻特點(diǎn),同時(shí)又能滿足現(xiàn)代建筑需求的地標(biāo)景觀建筑。對傳統(tǒng)元素進(jìn)行傳承與創(chuàng)新,提取代表性元素,在文化意蘊(yùn)風(fēng)格的引導(dǎo)下進(jìn)行演變設(shè)計(jì),最終得到造型方法。并在文章部分章節(jié)進(jìn)行具體展示,以此說明本文研究方法的適用性和可行性,同時(shí)是不同于其他荊楚風(fēng)格的建筑研究,是獨(dú)具創(chuàng)新意義的。本文旨在充分利用荊楚傳統(tǒng)文化,力圖傳承文化特色,融合時(shí)代特征,突出地域文化特點(diǎn),賦予傳統(tǒng)新的活力。
[Abstract]:Under the influence of the information age, contemporary architecture presents the characteristics of diversity and inclusiveness, local cultures and customs constantly blend, and the original urban regional characteristics become increasingly blurred, resulting in a mixed architectural style. The landmark landscape architecture gradually moves toward the misconception of the pursuit of volume and sense of form, which leads to the appearance of assimilation, and the regional culture is in urgent need of revival. We need to explore from the profound ancient civilization, to find roots in the tradition, to awaken the traditional cultural characteristics in the architectural modeling of landmarks, to reshape the affinity of architectural culture, to promote people's sense of belonging to traditional culture and to protect their consciousness of protection. Through the investigation of the remains of Chu culture (including utensils, embroidered paintings, literary classics, architectural sites, etc.), this paper explores the cultural potential of Jingchu region, and summarizes and analyzes the Chu cultural resources. Summed up the implied characteristics: advocating nature, romantic emptiness, publicity; and humanistic spirit: regardless of tradition, dare to break through, perseverance. This paper begins to study the evolution of the origin of Jingchu traditional culture, frees itself from the bondage of traditional architectural form, interprets it from many aspects, such as form, color, decorative pattern and so on, and analyzes the characteristics of the modeling: Chu architecture with heavy eaves, high base, and so on. Deep out eaves, attach importance to the natural factors of borrowing; and vessels and patterns modeling curve beautiful, romantic empty, bold and bold form combination innovation, tend to contrast bright color decoration, these are the lack of contemporary architectural modeling. On the basis of the detailed study of Chu culture, two principles of application are put forward: regional principle and epochal principle. This paper analyzes the meaning style and modeling characteristics from the representative archetype, refines the traditional cultural elements and reconstructs them from four aspects: form style, layout combination, color reproduction and implication fusion. Applied to the design of landscape architecture, the transformation from "form" to "god" and from "god" to "shape" is realized. At the same time, we should combine the complex and magnificent Chu culture with the modern architecture, integrate the local characteristic cultural backgrounds, use modern materials and innovative methods, and design a group that can not only display the atmosphere of Jingchu traditional culture, but also be gorgeous. At the same time, it can meet the needs of modern architecture landscape architecture. Inheritance and innovation of traditional elements, extraction of representative elements, evolution of design under the guidance of cultural connotation style, and finally get the modeling method. And in some chapters of the article to show the applicability and feasibility of this research method, at the same time is different from other Jingchu style of architectural research, is unique innovative significance. The purpose of this paper is to make full use of Jingchu traditional culture, to inherit the cultural characteristics, to merge the characteristics of the times, to highlight the regional cultural characteristics, and to give new vitality to the traditional culture.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU201;TU-05

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