本文選題：動畫色彩 + 民族性表現(xiàn)�。� 參考：《武漢理工大學(xué)》2015年碩士論文

【摘要】：色彩是動畫創(chuàng)作中是最為直觀一個的視覺元素,它有其獨到的魅力,是影片中信息傳達(dá),情感表達(dá)以及推動劇情發(fā)展的重要手段。色彩在動畫創(chuàng)作中的經(jīng)營主要來源于現(xiàn)實生活中對客觀色彩的經(jīng)驗認(rèn)知和對主觀色彩的審美情趣,在動畫創(chuàng)作中,利用客觀色彩還原客觀真實性,運用主觀色彩創(chuàng)造主觀藝術(shù)性。不同國家或民族對色彩的體驗和認(rèn)知是不同的,會引起不同的色彩心理,影響其對色彩的審美和應(yīng)用,動畫色彩的民族性表現(xiàn)也由此產(chǎn)生。本文將“色彩地理學(xué)”這一學(xué)說引入動畫色彩民族性表現(xiàn)的研究中,作為動畫色彩民族性表現(xiàn)研究的科學(xué)理論依據(jù),本文第一章緒論闡述了課題研究背景、選題來源和研究的目的及意義等,為本文課題研究打下基礎(chǔ)。本文第二章梳理了動畫色彩的基本概念及動畫影片中色彩的心理效應(yīng)的運用,論述色彩在動畫中的表現(xiàn)和作用。本文從第三章開始引入“色彩地理學(xué)”理論學(xué)說,簡述“色彩地理學(xué)”的研究方法和結(jié)論,提取其中“自然地理和人文地理這兩方面的因素能夠決定一個地區(qū)或城市建筑的色彩”的觀點,引申到動畫色彩民族性表現(xiàn)的成因研究中,以此為切入點,分析兩個因素對動畫色彩民族性表現(xiàn)的影響。本文著重分析人文地理中文化和審美,列舉不同文化下動畫色彩的表現(xiàn)。景觀建筑作為影響動畫場景色彩民族性表現(xiàn)的重要因素,在本文中將這一因素提取出來進(jìn)行分析。從對動畫色彩民族性表現(xiàn)成因的探析中,歸納總結(jié)動畫色彩民族性表現(xiàn)的特點。第五章對動畫色彩的民族性表現(xiàn)進(jìn)行具體分析。分析動畫創(chuàng)作的兩大主體“角色”和“場景”中色彩運用的具體表現(xiàn),列舉分析經(jīng)典動畫案例,分析客觀色彩和主觀色彩在色彩純度和明度上的不同選擇及色彩的不同搭配方法�，F(xiàn)階段文化交流越來越來頻繁,動畫作品題材的國際性越來越強(qiáng),表現(xiàn)異國風(fēng)情和題材的動畫作品愈來愈多,成功表現(xiàn)異國風(fēng)情的動畫作品中在還原異國色彩風(fēng)格的同時也融入本國對色彩的理解和審美,受其影響但仍保持自己獨特的色彩風(fēng)格。作者希望通過研究動畫色彩的民族性表現(xiàn),分析其影響因素,得出動畫色彩民族性表現(xiàn)的特性,使其運用到中國的動畫創(chuàng)作中,促進(jìn)中國動畫產(chǎn)業(yè)在國際上的向上發(fā)展,幫助中國動畫形成自己特色的色彩風(fēng)格,在不同題材的動畫作品中能夠有更好的色彩表現(xiàn)。
[Abstract]:Color is the most intuitive visual element in animation creation, it has its unique charm, and it is an important means to convey information, express emotion and promote the development of plot in the film. The management of color in animation creation mainly comes from the experience cognition of objective color and aesthetic interest of subjective color in real life. In animation creation, objective color is used to restore objective authenticity. Use subjective color to create subjective artistry. Different countries or nations have different experience and cognition of color, which will cause different color psychology, affect its aesthetic and application to color, and the national expression of animation color will also come into being. In this paper, the theory of "color geography" is introduced into the study of animation color nationality performance, as the scientific theoretical basis of animation color nationality performance research. The first chapter of this paper describes the background of the subject. The origin of the topic and the purpose and significance of the study lay the foundation for the research of this paper. The second chapter combs the basic concept of animation color and the application of psychological effect of color in animation film, discusses the expression and function of color in animation. In this paper, the theory of "color geography" is introduced from the third chapter, and the research methods and conclusions of "color geography" are briefly introduced. The viewpoint that "the natural geography and the human geography can determine the color of a region or city building" is extracted, which is extended to the study of the origin of the national expression of animation color, which is regarded as a breakthrough point. This paper analyzes the influence of two factors on the performance of animation color nationality. This paper focuses on the cultural and aesthetic analysis of human geography, enumerating the color of animation under different cultures. Landscape architecture is an important factor to affect the performance of color nationality of animated scenes, which is extracted from this paper for analysis. This paper sums up the characteristics of animation color nationality from the analysis of the causes of animation color nationality expression. The fifth chapter of the animation color of the national performance of a specific analysis. This paper analyzes the concrete performance of color application in the two main bodies of animation creation, "role" and "scene", and enumerates and analyzes classic animation cases. This paper analyzes the different choice of objective color and subjective color in color purity and brightness, and the different collocation method of color. At this stage, cultural exchanges are becoming more and more frequent, and the subject matter of animation works is becoming more and more international, and there are more and more animated works that express exotic customs and themes. The successful performance of exotic animation works in the restoration of foreign color style, but also into the national understanding of color and aesthetic, affected by it, but still maintain their own unique color style. The author hopes to study the national characteristics of animation color, analyze its influencing factors, and obtain the characteristics of animation color nationality, so that it can be applied to the animation creation of China, and promote the international development of Chinese animation industry. Help Chinese animation to form their own color style, in different subjects of animation works can have better color performance.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J954

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本文編號：2108966