本文選題：張煒小說 + 魔幻特征　； 參考：《西南大學(xué)》2017年碩士論文

【摘要】：張煒是當(dāng)代中國的一位重要作家,他勤奮多產(chǎn),自1975年登上文壇至今,40余年筆耕不輟,已發(fā)表作品一千多萬字,張煒的文學(xué)創(chuàng)作涉及小說、散文、詩歌多種體裁,其中小說成就最高、影響最大,迄今為止有中長篇小說38部,短篇小說130多篇。在小說創(chuàng)作上,他不僅成就巨大,而且功力非凡。張煒注重對(duì)當(dāng)代社會(huì)發(fā)展進(jìn)程的反映與思考,也注重藝術(shù)上的探索與創(chuàng)新,其小說既有深刻的思想意蘊(yùn)和特有的道德精神內(nèi)涵,又有獨(dú)特的藝術(shù)趣味、審美追求和浪漫的詩性特質(zhì)。值得注意的是,魔幻敘事也是張煒小說創(chuàng)作的一個(gè)重要特征。從《古船》始,魔幻特征在《九月寓言》《蘑菇七種》《刺猬歌》,以及《你在高原》等作品中得到了連續(xù)性體現(xiàn),借助魔幻敘事,張煒更好地完成了對(duì)歷史的反思、對(duì)當(dāng)下社會(huì)和人類生存問題的思考及其對(duì)文化的審視。20世紀(jì)80年代初,拉美魔幻現(xiàn)實(shí)主義傳入中國,引發(fā)了中國文壇的魔幻寫作熱潮。在拉美魔幻現(xiàn)實(shí)主義的啟示下,中國作家開始重新審視民族文化,試圖通過對(duì)本土文化的開掘與外來文學(xué)技法的借鑒,一走拉美魔幻現(xiàn)實(shí)主義文學(xué)的成功之路。扎西達(dá)娃對(duì)藏族文化的挖掘,韓少功對(duì)巫楚文化的表現(xiàn),賈平凹對(duì)商洛文化的書寫,張煒對(duì)齊文化的弘揚(yáng)等,都是較有代表性的嘗試。本文所要討論的是張煒小說對(duì)膠東地區(qū)神秘的自然界與獨(dú)特的文化的呈現(xiàn),進(jìn)而分析探討其魔幻特征。本文主要論述張煒小說魔幻特征的體現(xiàn),揭示這一特征形成的原因,并探討張煒魔幻敘事所具有的價(jià)值意義以及存在的問題。除緒論、結(jié)語之外,本文共分為四章。第一章主要從人鬼混雜的展現(xiàn),以及精怪與神秘自然環(huán)境的描摹等幾方面入手,解析張煒筆下的魔幻世界。第二章著力從神話傳說故事的運(yùn)用上,包括神話傳說的直接引用、對(duì)神話傳說的模擬、變形和神話敘事方式的運(yùn)用等方面,來論述張煒小說的魔幻特征。張煒對(duì)神話傳說資源的廣泛運(yùn)用,增加了作品的文化內(nèi)涵與魔幻性。第三章主要考察張煒小說魔幻敘事的技法,包括夸張、荒誕等技法。張煒通過對(duì)人與物的外形、特性,事件以及人物主觀感覺的夸張荒誕化處理,增加了作品的魔幻意味。第四章論說張煒小說魔幻特征的成因及其價(jià)值意義。張煒是在中外文學(xué)文化資源的影響下形成其作品的魔幻特征的,拉美魔幻現(xiàn)實(shí)主義影響到張煒小說的表現(xiàn)技巧與創(chuàng)作理念,中國本土的道家文化與齊文化的影響也是造成其小說魔幻特征的重要原因。魔幻在張煒小說中既涉及表現(xiàn)內(nèi)容,也體現(xiàn)為表達(dá)方式。張煒小說的魔幻敘事既具有反思?xì)v史與現(xiàn)實(shí)的思想指向,也使其作品體現(xiàn)出獨(dú)特的審美價(jià)值。此外,張煒在處理外國與本土文學(xué)、傳統(tǒng)與當(dāng)下文學(xué)的關(guān)系上,對(duì)其他作家也具有重要啟示意義。而為魔幻而魔幻等問題,則暴露出了張煒小說魔幻敘事的局限。
[Abstract]:Zhang Wei is an important writer in contemporary China. He is industrious and productive. He has been working hard for more than 40 years since he entered the literary world in 1975. He has published more than 10 million words. Zhang Wei's literary creation involves novels, prose, and poetry of various genres. Among them, the achievement of novels is the highest and the influence is the greatest. So far, there are 38 novels and 130 short stories. In the creation of novels, he not only achieved great success, but also extraordinary ability. Zhang Wei pays attention to the reflection and thinking of the development process of contemporary society, and also pays attention to the exploration and innovation of art. His novels not only have profound ideological connotation and special moral and spiritual connotation, but also have unique artistic interest. Aesthetic pursuit and poetic characteristics of romance. It is worth noting that magic narrative is also an important feature of Zhang Wei's novel creation. From the beginning of "Ancient ship", magic features are reflected in "September Fables", "Seven kinds of mushrooms", "hedgehog songs", and "you in the Plateau" and other works. With magic narration, Zhang Wei has better completed the reflection on history. Reflections on the problems of current Society and Human existence and its Cultural Survey. In the early 1980s, Latin American magic realism was introduced into China, which led to the magic writing craze in Chinese literary world. Under the inspiration of magic realism in Latin America, Chinese writers began to re-examine the national culture, trying to explore local culture and foreign literary techniques, a successful road to Latin American magic realism literature. Zasidawa's excavation of Tibetan culture, Han Shaogong's expression of Wichu-culture, Jia Pingao's writing of Shangluo culture, and Zhang Wei's carrying forward of Qi culture are all representative attempts. This paper discusses the presentation of the mysterious nature and unique culture in Jiaodong by Zhang Wei's novels, and then analyzes its magical features. This paper mainly discusses the embodiment of the magic features of Zhang Wei's novels, reveals the reasons for the formation of this feature, and probes into the value significance and existing problems of Zhang Wei magic narration. In addition to the introduction and conclusion, this paper is divided into four chapters. The first chapter mainly analyzes the magic world in Zhang Wei's works from the aspects of the hybrid of man and ghost, and the description of magic and mysterious natural environment. The second chapter mainly discusses the magic features of Zhang Wei novels from the aspects of the use of mythological legends, including the direct quotation of myths and legends, the simulation of myths and legends, the transformation of myths and the use of mythical narrative methods. Zhang Wei's extensive use of myths and legends increases the cultural connotation and magic of the works. The third chapter mainly examines the magic narrative techniques of Zhang Wei novels, including exaggeration, absurdity and other techniques. Zhang Wei increases the magical meaning of the works by dealing with the exaggerated absurdity of the appearance, characteristics, events and subjective feelings of people and objects. Chapter four discusses the causes and value significance of the magic features of Zhang Wei's novels. Under the influence of Chinese and foreign literary and cultural resources, Zhang Wei forms the magical features of his works. Latin American magic realism influences the expressive skills and creative ideas of Zhang Wei's novels. The influence of Taoist culture and Qi culture is also an important reason for the magic features of Chinese novels. Magic in Zhang Wei novels involves not only the content of expression, but also the way of expression. The magic narration of Zhang Wei's novels not only reflects the historical and realistic ideological orientation, but also makes his works embody the unique aesthetic value. In addition, Zhang Wei has important implications for other writers in dealing with the relationship between foreign and native literature, tradition and present literature. However, the problems of magic for magic reveal the limitation of magic narration in Zhang Wei's novels.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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