本文選題：克里姆特 + 繪畫　； 參考：《青島大學(xué)》2017年碩士論文

【摘要】：19世紀(jì)下半葉,奧地利首都維也納開啟了繪畫、音樂等藝術(shù)領(lǐng)域的黃金時(shí)代。該時(shí)期各門類藝術(shù)彼此交融、滲透,形成一種綜合性的“整體藝術(shù)”思潮,象征主義畫家古斯塔夫·克里姆特(Gustav Klimt,1862-1918)是該時(shí)期最具代表人物之一�？死锬诽氐睦L畫藝術(shù)往往給人情欲與裝飾的印象,其中蘊(yùn)含的音樂性卻常常被忽視。不同藝術(shù)門類之間存在通感效應(yīng),繪畫與音樂之間也存在共性關(guān)系,這都為本文研究克里姆特繪畫的音樂性提供了理論依據(jù)和可能性。本文將從多個(gè)角度分析克里姆特繪畫中的音樂性。第一章從克里姆特的成長環(huán)境與所處的社會背景兩方面論述他與音樂的不解之緣;第二章著重解析克里姆特的音樂主題類繪畫;第三章通過研究繪畫與音樂外在與內(nèi)在的共性,論述克里姆特繪畫與音樂的聯(lián)系。通過對克里姆特繪畫的音樂性分析,發(fā)掘其獨(dú)特的藝術(shù)價(jià)值。
[Abstract]:In the second half of the 19th century, Vienna, the Austrian capital, opened the golden age of painting and music. In this period, various kinds of art intermingled and infiltrated each other, forming a comprehensive trend of thought of "whole art". Gustav Klimtn Gustav Klimtn (1862-1918), a symbolic painter, was one of the most representative figures of this period. Klimt's painting often gives the impression of sensuality and decoration, but the musicality of it is often ignored. There is synaesthesia effect between different artistic categories and there is a common relationship between painting and music, which provides a theoretical basis and possibility for this paper to study the musicality of Klimt's painting. This article will analyze the musicality of Klimt's paintings from several angles. The first chapter discusses the inextricable relationship between Klimt and music from the two aspects of his growing up environment and his social background; the second chapter focuses on the analysis of Klimt's music-themed paintings; the third chapter studies the external and internal commonalities of painting and music. This paper discusses the relationship between Klimt's painting and music. By analyzing the musicality of Klimt's painting, the author explores its unique artistic value.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205

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相關(guān)期刊論文 前1條

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本文編號：1976568