本文選題：E.T.A.霍夫曼 + 《金罐》　； 參考：《廣東外語(yǔ)外貿(mào)大學(xué)》2017年碩士論文

【摘要】：E.T.A.霍夫曼是德國(guó)浪漫派晚期重要作家,一生創(chuàng)作了大量作品,尤以藝術(shù)童話最為人所熟知。現(xiàn)有霍夫曼研究多關(guān)注其作品中出現(xiàn)的二元對(duì)立、心理問(wèn)題、荒誕諷刺等主題,對(duì)于其作品中的現(xiàn)代性鮮有研究。本論文從現(xiàn)代性的角度切入,對(duì)《金罐》和《侏儒查核斯》進(jìn)行文本細(xì)讀,探究霍夫曼藝術(shù)童話所蘊(yùn)含的現(xiàn)代危機(jī)及其對(duì)啟蒙理性的批判與反思,并試圖研究這種現(xiàn)代思想是如何通過(guò)童話這一介質(zhì)表現(xiàn)出來(lái)的。文章首先對(duì)現(xiàn)代性的概念作出梳理,區(qū)分了社會(huì)現(xiàn)代性及美學(xué)(文學(xué))現(xiàn)代性。本文研究基于美學(xué)現(xiàn)代性,即對(duì)社會(huì)現(xiàn)代性的批判。鑒于社會(huì)現(xiàn)代性主要以啟蒙運(yùn)動(dòng)的興起為開端,因此文本中的現(xiàn)代性主要體現(xiàn)為對(duì)于啟蒙及理性的批判與反思。霍夫曼生活在世紀(jì)之交的德國(guó)。此時(shí)啟蒙運(yùn)動(dòng)已經(jīng)歷近一個(gè)世紀(jì)的發(fā)展,對(duì)于理性的過(guò)度提倡帶來(lái)了一系列惡果。童話中霍夫曼對(duì)理性的批判分為外在批判及內(nèi)核批判。外在批判指的是對(duì)工具理性所帶來(lái)的消極影響的批判,主要表現(xiàn)為《金罐》中主角安澤爾穆斯所經(jīng)歷的生存問(wèn)題。內(nèi)核批判指的是對(duì)啟蒙的核心“理性”的反思,主要表現(xiàn)為身份認(rèn)同危機(jī)、《侏儒查核斯》中的認(rèn)知危機(jī)及三階段的歷史發(fā)展模式。童話中出現(xiàn)的一系列危機(jī)表明了現(xiàn)代社會(huì)中人所面臨的生存困境,啟蒙理性并未帶來(lái)預(yù)想中的獨(dú)立與自由,反而使人的生存環(huán)境更加惡化�；舴蚵谕捴袑�(duì)理性提出質(zhì)疑,并將藝術(shù)(詩(shī))與情感(愛(ài))看做人類克服危機(jī)走向更高階段的必由之路。通過(guò)文本分析,論文得出結(jié)論:霍夫曼是一位極具現(xiàn)代性的作家,他以敏銳的觸覺(jué)感受到現(xiàn)代性發(fā)展所帶來(lái)的一系列危機(jī),在看似輕松易懂的童話中表達(dá)了其對(duì)啟蒙理性的一系列批判與反思。
[Abstract]:E.T.A. Hoffmann was an important late German Romantic writer who created a lot of works in his life, especially artistic fairy tales. The existing studies of Hoffman focus on the themes of duality, psychological problems and absurd satire in his works, but there is little research on modernity in his works. From the perspective of modernity, this paper makes a close reading of Jin can and Chacons of the gnome, and explores the modern crisis contained in Hoffman's artistic fairy tales and their criticism and reflection on enlightenment rationality. And attempts to study this kind of modern thought through the fairy tale this medium manifests. Firstly, this paper combs the concept of modernity and distinguishes social modernity from aesthetic modernity. This paper studies the criticism of social modernity based on aesthetic modernity. In view of the rise of the Enlightenment, the modernity in the text is mainly reflected in the criticism and reflection of enlightenment and reason. Hoffman lived in Germany at the turn of the century. At this time, the Enlightenment has experienced nearly a century of development, the excessive advocacy of rationality has brought a series of adverse consequences. In fairy tales, Hoffman's criticism of reason is divided into external criticism and inner criticism. External criticism refers to the criticism of the negative influence brought by instrumental rationality, which is mainly manifested in the existence problems experienced by Anselmoth, the protagonist in Gold Tank. The kernel criticism refers to the reflection of the core of enlightenment "rationality", which is mainly manifested in the crisis of identity, the cognitive crisis in "dwarfism" and the three-stage historical development model. The emergence of a series of crises in fairy tales shows the plight of human existence in modern society. Enlightenment reason does not bring the expected independence and freedom, on the contrary, it makes people's living environment worse. Hoffman questioned reason in fairy tales and regarded art (poetry) and emotion (love) as the only way for mankind to overcome the crisis and move to a higher stage. Through text analysis, the paper draws the conclusion that Hoffman is a writer with modernity. He feels a series of crises brought about by the development of modernity with his keen sense of touch. In seemingly easy-to-understand fairy tales, he expresses a series of criticism and reflection on enlightenment reason.
【學(xué)位授予單位】：廣東外語(yǔ)外貿(mào)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I516.078

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 王欣;;從《侏儒查赫斯》看霍夫曼浪漫主義小說(shuō)的本質(zhì)[J];臺(tái)州學(xué)院學(xué)報(bào);2007年04期

2 梁亮;馬步寧;;論霍夫曼藝術(shù)童話《金罐》的兩重性[J];外國(guó)語(yǔ)言文學(xué)研究;2007年01期

3 馮亞琳;;從《金罐》和《沙人》看霍夫曼二元對(duì)立的藝術(shù)觀[J];四川外語(yǔ)學(xué)院學(xué)報(bào);2006年01期

4 張旭春;現(xiàn)代性:浪漫主義研究的新視角[J];國(guó)外文學(xué);1999年04期

，

本文編號(hào)：1850138