本文選題：三維動畫制作技術(shù) + 數(shù)字動畫�。� 參考：《湖北工業(yè)大學(xué)》2017年碩士論文

【摘要】：隨著我國經(jīng)濟全面發(fā)展,人們的生活水平達到空前的高度,除了對物質(zhì)條件的追求以外,對精神上的需求也變得越來越急迫。動畫影片的出現(xiàn)剛好能給人們的精神生活帶來滿足感。在新媒體時代的大環(huán)境下,由于公眾對畫面藝術(shù)的審美要求不斷提高,導(dǎo)致數(shù)字動畫作品在其表現(xiàn)形式上迫切地需要進行創(chuàng)新。傳統(tǒng)繪畫一直被藝術(shù)追求者們奉為無法逾越的藝術(shù)表現(xiàn)形式,其在藝術(shù)領(lǐng)域的地位無法被取代。傳統(tǒng)繪畫語言在動畫行業(yè)中的應(yīng)用也極為廣泛,它深刻地影響著動畫藝術(shù)的創(chuàng)作方向。油畫藝術(shù)作為傳統(tǒng)繪畫中的一個重要畫種,它不僅是傳統(tǒng)概念中的以筆觸構(gòu)型為基礎(chǔ)來塑造形象、表達空間感的媒介,也不僅局限于運用色彩來渲染審美氛圍,最重要在于油畫獨特的繪畫語言。筆觸的運用與色彩的搭配,二者的融合使得作者與觀眾的思想情感,在一個特殊空間領(lǐng)域里產(chǎn)生共鳴,激發(fā)出觀眾們的審美情緒,給他們帶來強烈的視覺沖擊與心靈震撼。在理論知識的基礎(chǔ)上,筆者從動畫與傳統(tǒng)繪畫的關(guān)系出發(fā),分析以動畫技術(shù)和油畫語言相融合的表達方式所創(chuàng)作出來的《老人與�！愤@部作品。希望汲取這部經(jīng)典作品的創(chuàng)作思路和靈感,充分發(fā)揮想象力和創(chuàng)造性,嘗試用三維數(shù)字動畫技術(shù)結(jié)合油畫語言的表現(xiàn)形式,來創(chuàng)作畢業(yè)設(shè)計短片《時過境遷》,驗證三維數(shù)字動畫技術(shù)與油畫語言藝術(shù)相結(jié)合的可行性與發(fā)展趨勢。
[Abstract]:With the overall development of our economy, people's living standard has reached an unprecedented height. Besides the pursuit of material conditions, the spiritual demand has become more and more urgent. The appearance of animation film just can bring satisfaction to people's spiritual life. In the environment of the new media era, the public's aesthetic requirements for the art of painting are constantly improving, which leads to the urgent need for innovation in the expression of digital animation works. Traditional painting has been regarded by art suitors as an insurmountable form of artistic expression, its position in the field of art can not be replaced. Traditional painting language is also widely used in animation industry, which deeply influences the direction of animation creation. As an important kind of painting in traditional painting, oil painting art is not only the medium of creating image and expressing space feeling based on brush structure in traditional concept, but also is not limited to use color to render aesthetic atmosphere. The most important thing is the unique language of painting. The use of brush strokes and collocation of colors make the author and the audience's thoughts and feelings resonate in a special space, arouse the aesthetic emotion of the audience, and bring them a strong visual shock and spiritual shock. On the basis of theoretical knowledge, the author, starting from the relationship between animation and traditional painting, analyzes the work "the Old Man and the Sea", which is composed by the combination of animation technology and oil painting language. I hope to draw on the creative ideas and inspiration of this classic work, give full play to imagination and creativity, try to use three-dimensional digital animation technology combined with the expression of oil painting language, To create graduation design short film "changing circumstances", to verify the feasibility and development trend of the combination of 3D digital animation technology and oil painting language art.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J954;J212

【參考文獻】

相關(guān)期刊論文 前1條

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