發(fā)布時間：2018-05-02 17:29

  本文選題：濱水公園 + 地域文化��； 參考：《東北林業(yè)大學》2015年碩士論文

【摘要】：張鴻雁曾說過：“既給人壓力又給人力量,這是城市創(chuàng)造的痛苦和價值”。這種價值是人類美好生活建設的祈福,這種痛苦也是人類美好生活精神文化的流失。如今城鄉(xiāng)規(guī)劃設計中地域性文化的缺失,一方面是受到全球沖擊下的西化影響,另外國內設計師對本士文化的多樣內涵理解也有所欠缺。在濱水公園設計中,對地域性文化的研究與應用己經不再局限對某一地區(qū)的歷史人物,古老符號與形式上的元素提取。還需要考慮和解決的問題是：在全球一體化加速進程的時代背景下,怎樣處理地域性文化與其周圍各種矛盾之間的關系,在延續(xù)地域歷史文化蘊涵的同時,又要符合現(xiàn)代人多元化的生活方式與審美需求,避免千篇一律,千城一面的局面,做到和而不同,美而迥異。最終創(chuàng)作設計出傳統(tǒng)與現(xiàn)代相結合,人文與自然相結合,獨特性與一體化相結合,地域性與全球性相結合的現(xiàn)代濱水公園形態(tài)。在濱水公園設計進程中尋求本地區(qū)特有的地域文化風貌,對地域性文化載體是十分有意義的。論文按照地域文化—地域文化載體一地域文化載體設計的邏輯順序逐步深入地進行了相關的理論探討。主要包括地域空間載體、行為活動載體、視覺傳達載體等三大部分。第一部分緒論,介紹了背景、目的、意義等。第二部分從地域文化與地域文化載體的研究出發(fā),梳理了地域文化的內涵包括概念、構成要素、特征。闡釋了地域文化載體的定義、特征、影響因素、選取原則、選取方式,第三部分開始對濱水公園中地域文化載體設計研究,從濱水公園與地域文化研究深入到載體構成、再到設計理念、布局方式,最后到設計方法。論文最后以哈爾濱市木蘭縣沿江公園作為實例,進一步驗證了濱水公園中地域文化載體設計的實施步驟與方法,增強了論文的現(xiàn)實意義。本文成果主要包括：歸納了地域文化的內容和基本特征；整理了地域文化載體的選取原則和選取方式及其各自的內容與特征；對濱水公園的地域文化載體內容進行了分類總結；提出了濱水公園中地域文化載體設計的設計方法。
[Abstract]:Zhang Hongyan once said: "give people both pressure and strength, this is the pain and value of urban creation." This value is the blessing of the construction of human life and the loss of spiritual culture of human life. At present, the lack of regional culture in urban and rural planning and design is influenced by the westernization under the global impact, and the understanding of the diverse connotations of the local culture is also lacking. In the design of waterfront park, the research and application of regional culture is no longer limited to the extraction of historical figures, ancient symbols and elements in form. The problems that need to be considered and solved are: how to deal with the relationship between regional culture and its surrounding contradictions in the context of the accelerating process of global integration, and at the same time continuing the historical and cultural implication of the region. To meet the diversified lifestyle and aesthetic needs of modern people, to avoid the same, the situation of one side of the city, to achieve harmony but different, beautiful and completely different. Finally, the author designs a modern waterfront park which combines tradition and modern, humanity and nature, uniqueness and integration, and regional and global. It is of great significance to seek the unique regional cultural features in the design process of waterfront park. According to the logical sequence of the design of regional culture carrier, the paper has carried on the related theory discussion step by step. It mainly includes three parts: regional space carrier, behavioral activity carrier, visual communication carrier and so on. The first part is introduction, which introduces the background, purpose, significance and so on. The second part starts from the research of regional culture and regional culture carrier, combing the connotation of regional culture including concept, constituent elements and characteristics. This paper explains the definition, characteristics, influencing factors, selection principles and methods of regional culture carrier. The third part begins to study the design of regional culture carrier in waterfront park, from the study of waterfront park and regional culture to the composition of carrier. Then to the design concept, layout, and finally to the design method. Finally, taking Mulan County of Harbin as an example, the paper further verifies the implementation steps and methods of the design of regional culture carrier in waterfront park, which enhances the practical significance of the paper. The main achievements of this paper are as follows: the contents and basic characteristics of regional culture are summarized, the selection principles and ways of selecting regional cultural carriers and their respective contents and characteristics are arranged, and the contents of regional cultural carriers of waterfront parks are classified and summarized. The design method of regional culture carrier in waterfront park is put forward.
【學位授予單位】：東北林業(yè)大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TU986.5

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本文編號：1834821