本文選題：戀父情結(jié) + 癥候��； 參考：《西南大學(xué)》2017年碩士論文

【摘要】：自我國進入社會轉(zhuǎn)型期以來,離婚率持續(xù)走高,中西部地區(qū)留守兒童的數(shù)量愈發(fā)龐大。由于父母離異或缺席,家庭親情和溫暖缺失,子女在成長過程中的學(xué)習(xí)問題、生活健康問題、心理健康問題都不容忽視。在不利于健康成長的環(huán)境里,女童最基本的女性權(quán)利與尊嚴意識的建立是困難的。她們成人后的個人情感、婚戀狀況值得擔(dān)憂,相比于普通女性,她們更多的會在乎社會認同感,甚至?xí)是蟠頇?quán)威的成熟男性對自己給予肯定。戀父情結(jié)的形成在女性心理成長的過程中是一種較為普遍的現(xiàn)象,只不過區(qū)別在于每個人的境遇不同、性格不同,所以處理這種情結(jié)的方式不同所得到的結(jié)果也不同。生長于社會轉(zhuǎn)型時期的這樣一群女性已經(jīng)長大成人,她們的個人情感、婚戀狀況著實是當今社會不容忽視的一個問題所在。影像作為藝術(shù),勢必會將這類型的角色反映在藝術(shù)作品中。筆者在本次研究中主要結(jié)合影像敘事探討影像中當代都市女性的戀父癥候。首先將古希臘神話與弗洛伊德理論相結(jié)合,從概念上解釋戀父情結(jié)的由來與形成動因。從而結(jié)合我國影像作品以及社會實際情況,指出當代都市女性的戀父是焦慮的一種反映,一種在男權(quán)社會中對男權(quán)的過度依賴。同時指出,個人的精神危機是社會文化危機的體現(xiàn),這也是本論文所研究的重點所在。然后把本文的重心落到對于影像中當代都市女性戀父癥候的分類與解讀上,分為兩部分。第一部分里的女性由于成長時期父愛的缺席,內(nèi)心極度渴求愛的補給。主要分為兩種表現(xiàn)類型,其一表現(xiàn)在對于在生活里能夠充當自己父親角色的這樣一位男人的執(zhí)著愛戀;其二表現(xiàn)在對于自己所建構(gòu)的愛人形象的一種癡迷。第二部分里的女性在渴望愛的補給基礎(chǔ)上,受到社會商業(yè)化的影響而迷失自我,但最終在他人或自己的努力下走出迷霧。主要也分為兩種方式,其一是依靠外界的力量被動救贖;其二是憑借自己強大的力量主動救贖自己,而在這個過程里,每一個人走過的心路歷程卻是不同的,從中得到的感悟也不同,最終都收獲了內(nèi)心的寧靜和幸福。之后,從人物形象塑造的角度來分類探討女性的撕裂掙扎與救贖解脫。其一,依附男權(quán)延伸自我型,她們?nèi)崛跄懬?甘愿用依附男權(quán)的方式來延伸自我,生活在他人設(shè)立的保護屏里。其二,個人主義愛無能型,她們將全部注意力傾注在自己身上,意識不到自己缺乏愛的能力,習(xí)慣帶有偏見的看待他人導(dǎo)致她們難以與他人建立親密關(guān)系。其三,擺脫焦慮堅韌勇敢型,她們精神世界足夠豐富,源于內(nèi)心的強大力量支撐她們擺脫焦慮去追求屬于自己的幸福。筆者也在這里重點展現(xiàn)女性通過自身的獨立自主來喚醒內(nèi)心沉眠已久的女性意識,堅強勇敢走向陽光。最后,把女性在影像中表現(xiàn)出來的戀父癥候與社會實際情況相結(jié)合,從而繼續(xù)探討女性會形成戀父情結(jié)的現(xiàn)實層面原因。可歸納為三大問題,分別是離異單親,社會分層,關(guān)愛失調(diào)。離異單親家庭成長的女性,更多的是在追求純粹的父愛補給;受社會分層問題影響的女性普遍迫切需要依附男權(quán),從而繞了一段彎路才回到正軌;在關(guān)愛失調(diào)家庭中成長的女性,成年后強烈需要得到父親、丈夫、乃至社會的認同。最終在結(jié)語處呼吁社會和家庭能夠重視子女的成長環(huán)境,而有以上問題的女性也要勇于挖掘內(nèi)心的強大力量,勇敢走出困境。
[Abstract]:Since China has entered the social transition period, the divorce rate has continued to go high and the number of children left behind in the central and western regions is becoming more and more large. Because of the divorce or absence of parents, family affection and warmth lack, the problems of learning, health and mental health of the children in the process of growth can not be ignored. It is difficult to establish the basic female rights and dignity consciousness of the children. Their personal feelings and marital status after adults are worth worrying about. Compared with the ordinary women, they will care more about social identity and even craving for the mature male representing the authority to affirm themselves. The formation of the love complex is in the process of female psychological growth. It is a common phenomenon, but the difference is that each person's situation is different and the character is different, so the different ways to deal with this kind of complex are different. This group of women has grown up in the period of social transformation. Their personal feeling, marriage and love situation is not to be ignored in today's society. As an art, the image is bound to reflect this type of role in the works of art. In this study, the author mainly combines the image narrative to explore the love father's syndrome of the contemporary urban women in the image. First, the ancient Greek mythology and Freud theory are combined to explain the origin and motivation of the love complex. Combining with the image works of our country and the actual situation of society, it is pointed out that the love father of contemporary urban women is a reflection of anxiety, a kind of excessive dependence on male rights in the male power society. At the same time, it is pointed out that the personal spiritual crisis is the embodiment of the social and cultural crisis, which is the focus of this paper. The classification and interpretation of the contemporary urban female father's syndrome in the image is divided into two parts. In the first part, the female is desperately thirst for the supply of love because of the absence of father's love in the period of growing up. It is divided into two types of expression, one of which is manifested in the persistence of a man who is able to be his father's role in life. Love, and the second expression is a kind of obsession with the image of his beloved. In the second part, women lose themselves by the influence of social commercialization on the basis of the desire for recharge of love, but finally get out of the fog under the efforts of others or their own. The first is two ways, one is to rely on the external power to redemption; The second is to redeem himself with his powerful force, and in this process, each person's experience is different, and the feeling is different from it. Finally, the inner peace and happiness are harvested. Then, the struggle and salvation of women are discussed from the angle of characterization. Men's rights extend themselves. They are weak and timid. They are willing to extend themselves in the way of men's rights and live in a protective screen set up by others. Secondly, individualism loves incompetence. They pour all their attention on themselves. They are not aware of their lack of love, and the habit of looking at others with prejudice leads them to be difficult to do with him. People build close relationships. Thirdly, they are free from anxiety and bravery. Their spiritual world is rich enough. The strong strength of their hearts supports them to get rid of their anxiety and pursue their own happiness. The author also focuses on the women's consciousness that awakens the long sleep through their own independence, and is strong and brave to go to the sun. Finally, we combine the female parent syndrome displayed in the image with the social reality, and then continue to explore the practical reasons for the female parent complex, which can be summed up as three major problems: divorced single parent, social stratification, care imbalance. Love resupply; women affected by social stratification are generally in urgent need of men's rights, thus turning around a curve to return to the right track; women growing up in a family with care imbalance need to get the identity of their fathers, husbands and even the society. Finally, in the concluding remarks, the society and the family can attach importance to the growth environment of their children. Women with the above problems must also be brave enough to tap their inner strength and brave their way out of the predicament.

【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J905

【參考文獻】

相關(guān)期刊論文 前10條

1 武靜;;從女性意識覺醒看《魚缸》中少女的解放[J];電影評介;2015年24期

2 李佳;;從電影《情人》看杜拉斯的女性主義[J];電影文學(xué);2014年13期

3 王莉;;從《天浴》看知青電影敘事策略[J];電影文學(xué);2014年10期

4 刀喊英;;從電影《洛麗塔》看不倫之戀的倫理困境[J];電影文學(xué);2014年05期

5 蓋建平;;“在更安全的世界養(yǎng)育更好的一代”:——再論《洛麗塔》的道德主題[J];俄羅斯文藝;2013年03期

6 張煥梅;;電影《情人》中杜拉斯女性意識的折射[J];電影文學(xué);2012年19期

7 程德桂;余高峰;;呂克·貝松《這個殺手不太冷》中的“戀父情結(jié)”[J];語文學(xué)刊;2012年08期

8 牛麗軍;;生命交響曲——法國傳記電影《情人》的精神分析解讀[J];荊楚理工學(xué)院學(xué)報;2012年01期

9 妥玉娟;;探析電影《魚缸》中的精神頓悟[J];電影評介;2012年02期

10 關(guān)晶;徐德斌;;愛與罪的焦慮——《洛麗塔》中亨伯特的角色轉(zhuǎn)換[J];電影文學(xué);2011年23期

相關(guān)博士學(xué)位論文 前2條

1 唐湘;女性主義與創(chuàng)傷敘事[D];福建師范大學(xué);2014年

2 楊鋮;夢的形態(tài)學(xué)：文學(xué)現(xiàn)代性框架下“夢境敘事”研究[D];武漢大學(xué);2014年

相關(guān)碩士學(xué)位論文 前9條

1 杜萱;徐靜蕾電影的女性形象研究[D];山西師范大學(xué);2015年

2 李潔;張愛玲、鐵凝小說變態(tài)心理書寫的異同[D];湖南師范大學(xué);2014年

3 安艷麗;女性影像的書寫[D];南京師范大學(xué);2014年

4 張悅;徐靜蕾電影的敘事研究[D];吉林大學(xué);2013年

5 毛雯雯;新生代女導(dǎo)演敘事特征研究[D];上海交通大學(xué);2013年

6 呂娜;都市婚戀題材電視劇敘事策略與文化內(nèi)涵研究[D];中國海洋大學(xué);2010年

7 鄭磊;20世紀90年代以來中國女性電影的女性主義解讀[D];廣西民族大學(xué);2010年

8 亢海玲;影像敘事中的“情感困惑與危機”[D];華中師范大學(xué);2009年

9 李帆;弗洛伊德的“癥狀閱讀”與敘事學(xué)理論[D];陜西師范大學(xué);2006年

，

本文編號：1826616