本文選題：媒介　切入點(diǎn)：當(dāng)代藝術(shù)　出處：《魯迅美術(shù)學(xué)院》2017年碩士論文

【摘要】：在當(dāng)代藝術(shù)的語言環(huán)境中,伴隨技術(shù)而質(zhì)變的媒介得以讓文化多元,同時(shí)也豐富了藝術(shù)形式和藝術(shù)的內(nèi)涵,產(chǎn)生變革。藝術(shù)家對表達(dá)個(gè)性和觀念的追求越發(fā)迫切,不斷發(fā)展更新的藝術(shù)大環(huán)境使攝影語言獲得了更大的擴(kuò)展。在當(dāng)代藝術(shù)的語境下,在表達(dá)手段和觀念的承載物上早已不是簡單的單一媒介,還可以有相當(dāng)多的選擇。媒介的發(fā)展趨向多元化,這在本質(zhì)上改變了攝影藝術(shù)傳統(tǒng)的影響創(chuàng)造模式,改變了藝術(shù)家與觀眾的關(guān)系,形成一種全新的觀察世界、感受世界的方式。受媒介多元化的影響,攝影開始向觀念化轉(zhuǎn)型,藝術(shù)家開始注重?cái)z影本身開拓出的精神空間與不同介質(zhì)所帶來的感官空間的互動(dòng)關(guān)系,攝影開始從眼睛的藝術(shù)向思想的藝術(shù)發(fā)展,擔(dān)當(dāng)起人視線和思想的延伸功能。這對進(jìn)一步豐富攝影形態(tài)及視覺表現(xiàn)力有重要的推動(dòng)作用。論文主要重點(diǎn)從媒介的綜合運(yùn)用對攝影理念的影響作為切入點(diǎn),大致分四個(gè)部分,第一部分從當(dāng)代藝術(shù)的大環(huán)境出發(fā),分析當(dāng)下攝影的發(fā)展及媒介綜合化環(huán)境的形成;第二部分通過對當(dāng)代藝術(shù)整體的理解分析材料使用上理念的變化,從攝影的發(fā)展角度闡述不同媒介的背景和發(fā)展現(xiàn)狀;第三部分列舉媒介綜合運(yùn)用在攝影創(chuàng)作中的表現(xiàn)形式;最后總結(jié)媒介對攝影理念最明顯的影響就是在創(chuàng)作活動(dòng)中增加了時(shí)間和空間的維度,強(qiáng)化了藝術(shù)家與作品與觀眾的互動(dòng)性。本文以媒介的綜合使用和攝影藝術(shù)的多元化發(fā)展為線索,梳理當(dāng)代藝術(shù)語境下攝影理念發(fā)展的脈絡(luò),為日后個(gè)人的藝術(shù)創(chuàng)作提供更加開放和全面的思路。
[Abstract]:In the language environment of contemporary art, the medium of qualitative change accompanied by technology can make cultural diversity, at the same time, it enriches the artistic form and the connotation of art, and produces the change.The artist's pursuit of expressing personality and idea is more and more urgent. The continuous development of the artistic environment makes the language of photography more extensive.In the context of contemporary art, the means of expression and the bearing of ideas is no longer a simple single medium, there are still quite a lot of choices.The development of media tends to be diversified, which in essence changes the creative mode of the traditional photography art, changes the relationship between the artist and the audience, and forms a new way to observe and feel the world.Influenced by the diversity of media, photography began to change to conceptualization. Artists began to pay attention to the interactive relationship between the spiritual space opened up by photography itself and the sensory space brought about by different media.Photography began to develop from the art of the eyes to the art of thought, acting as an extension of the human line of sight and thought.This will further enrich the photographic form and visual expression has an important role in promoting.The paper focuses on the impact of the comprehensive use of the media on photography as a starting point, roughly divided into four parts. The first part from the general environment of contemporary art, analysis of the current development of photography and the formation of a comprehensive media environment;The second part, through the understanding of the contemporary art as a whole, analyzes the change of the concept of the use of materials, from the perspective of the development of photography to explain the background and development of different media, the third part enumerates the forms of expression of the media comprehensive use in photography creation;Finally, the most obvious influence of media on photography idea is to increase the dimension of time and space in creative activities, and to strengthen the interaction between artist and work and audience.Taking the comprehensive use of media and the diversified development of photographic art as clues, this paper combs the development of photography ideas in the context of contemporary art, and provides a more open and comprehensive way of thinking for individual artistic creation in the future.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J405

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