本文選題：魯迅　切入點：多樣性　出處：《上海大學(xué)》2015年博士論文

【摘要】：隨著改革開放的深入和發(fā)展,魯迅先生的精神的力量逐漸從神壇上走下來,卻又帶著他批判與反思的本色,重新回歸學(xué)術(shù)界和民間,他的思想和精神,又開始渲染滌蕩在中國當(dāng)代藝術(shù)的實踐中。同時,文化語境及情境的轉(zhuǎn)移逐漸呈現(xiàn)多元化的發(fā)展趨勢,達(dá)成對魯迅的當(dāng)代價值和意義進(jìn)行體認(rèn)、反思和發(fā)掘的學(xué)術(shù)界共識。我們知道一直以來,魯迅被稱為文學(xué)家、革命家,以及思想家,同時也被認(rèn)為是中國現(xiàn)代文學(xué)的奠基者之一,并且作為一名藝術(shù)家,他的藝術(shù)造詣、思想和獨特的審美觀念、審美意象和審美情趣對于中國現(xiàn)代藝術(shù)具有深遠(yuǎn)的影響意義,尤其是對中國的現(xiàn)代版畫藝術(shù)具有極大的貢獻(xiàn)。當(dāng)然,魯迅先生作為中國新文學(xué)的靈魂,他在文學(xué)界的造詣和貢獻(xiàn)有目共睹,且在上個世紀(jì),他象征著一種精神和力量。但是,事實上,長期以來,學(xué)術(shù)界頗為關(guān)注魯迅作為文學(xué)家、思想家對中國現(xiàn)代文學(xué)、文化以及藝術(shù)思想所做的貢獻(xiàn),然而,對于魯迅作為具有復(fù)雜的多重身份的藝術(shù)家,他所進(jìn)行的一系列的藝術(shù)實踐對中國現(xiàn)代版畫以及中國現(xiàn)當(dāng)代藝術(shù)所做的貢獻(xiàn)缺乏較為全面、系統(tǒng)的研究�；谝陨媳尘�,本文針對魯迅先生的復(fù)雜的藝術(shù)身份的及其藝術(shù)實踐,展開了較為全面的研究,主要從魯迅先生的藝術(shù)思想、藝術(shù)實踐為主線進(jìn)行探討,全方位、多角度地去研究魯迅先生作為具有多重藝術(shù)身份的藝術(shù)家展開論述,研究并著重分析魯迅先生的復(fù)雜的藝術(shù)身份是如何一步一步逐漸形成并相互促進(jìn),完善并最終體現(xiàn)出他的人生追求的。作為身兼多重復(fù)雜身份的藝術(shù)家,他無論是作為偉大的文學(xué)家,還是藏品豐富的藝術(shù)品收藏家,亦或是具有獨特審美情趣和創(chuàng)新意識的美術(shù)家,甚或是作為當(dāng)今社會都覺得是非常時髦的藝術(shù)管理者,他都可以說是專職的,而不是兼職的；是職業(yè)的,而不是業(yè)余的。筆者在研究并分析他的復(fù)雜而龐大的藝術(shù)實踐體系中,發(fā)現(xiàn)其內(nèi)在精神和思想上及藝術(shù)表現(xiàn)形式上所體現(xiàn)出來的一致性,相通性和前衛(wèi)性。魯迅的精神世界博大精深,豐富多彩,魯迅與他所深深喜愛的畫家進(jìn)行著密切的對話和溝通的精神交流。這種溝通的實質(zhì)是源自他們對于人生意義的思考、生命價值的追問以及現(xiàn)實生活的藝術(shù)化反映方式,也包括他們對于藝術(shù)功能的定義。他的多種藝術(shù)身份的自然轉(zhuǎn)換以及魯迅先生的復(fù)雜的藝術(shù)實踐推動了我國現(xiàn)代美術(shù)及新興版畫藝術(shù)的發(fā)展,及其對我國現(xiàn)實主義繪畫的發(fā)展和中國當(dāng)代藝術(shù)的啟迪做出了的巨大貢獻(xiàn)。本文研究的重點是主要從魯迅先生的藝術(shù)實踐的角度對魯迅先生藝術(shù)思想所蘊含的豐富性及其多重性藝術(shù)身份給予系統(tǒng)的解讀和闡釋,這一研究角度的多樣性,從全方位、多角度的視角對魯迅先生作為文學(xué)巨匠、藏家及贊助人、藝術(shù)管理者、評論家,畫者及設(shè)計師等藝術(shù)身份展開闡述,并著重分析魯迅先生作為藝術(shù)家,他是如何創(chuàng)造了他的藝術(shù)世界?他的文藝觀又是受到了何種藝術(shù)的影響,是如何形成的?本論文從分析他的藝術(shù)作品和藝術(shù)思想所表現(xiàn)出來的魯迅的藝術(shù)精神,來體現(xiàn)魯迅先生作為藝術(shù)家為現(xiàn)代版畫所做的貢獻(xiàn)以及對現(xiàn)當(dāng)代藝術(shù)的影響和反思。眾所周知,我們今天的藝術(shù)的發(fā)展趨勢是多元化的,并且現(xiàn)代藝術(shù)融入的技術(shù)符碼和模式對傳統(tǒng)造型語言的沖擊所帶來了前所未有的碰撞,面對這一潛在的危機和現(xiàn)象,我們是否應(yīng)該借鑒魯迅先生的批判性思想以及對危機的設(shè)問,反思如何通過對魯迅先生批判性思想以及對危機設(shè)問意識的借鑒,尋找現(xiàn)當(dāng)代藝術(shù)發(fā)展的新的出路?魯迅的自覺的選擇背后所蘊含的文化思考是否可以成為指導(dǎo)當(dāng)代藝術(shù)發(fā)展的思想引領(lǐng)?筆者通過對魯迅先生特定的社會背景環(huán)境與人生發(fā)展過程中復(fù)雜的藝術(shù)道路以及他作為思想家、革命家及藝術(shù)家的曲折性和前衛(wèi)性的揭示,實現(xiàn)對魯迅先生藝術(shù)家形象與精神形象的新的構(gòu)建。
[Abstract]:With the deepening of reform and opening-up and development, Mr. Lu Xun's spirit gradually walked down from the altar, but with his criticism and Reflection on the nature, return to academia and civil, his thought and spirit, and began to wash China rendering in practice in contemporary art. At the same time, the transfer of cultural context and context gradually diversified development trend, a contemporary value and significance of Lu Xun's understanding of the academic consensus to reflect and discover. We know that Lu Xun has been known as the writer and thinker, revolutionist, and is considered one of the founders of Chinese of modern literature, and as an artist his thoughts, artistic attainments, and unique aesthetic ideas, aesthetic image and aesthetic taste has the far-reaching influence on modern art China, especially for Chinese modern printmaking art has great Contribution. Of course, Mr. Lu Xun as China new literature of the soul, in his literary attainments and contribution is obvious to people, and in the last century, he is a symbol of the spirit and strength. But, in fact, a long time, the academic circles are quite concerned about Lu Xun as a writer, thinker of modern literature and culture China, however what contribution, art thought, for Lu Xun as a multiple identity of the artist, he carried out a series of art practice of modern prints and Chinese China contemporary art contribute to the lack of a more comprehensive, systematic research. Based on the above background, according to Mr. Lu Xun's artistic identity and its complex the art practice, launched a comprehensive research, mainly from Lu Xun's artistic thought, artistic practice as the main line of all-round, multi angle to study Mr. Lu Xun as a The identity of the artist artistic exposition, and the research focuses on Mr. Lu Xun's identity is a complex art step by step how to gradually form and promote each other, improve and ultimately reflects the pursuit of his life. As a complex identity of the artist, he is both as a great writer, or rich collections of art collectors, or has a unique aesthetic taste and creative artists, even as the social thought is a very trendy Art Manager, he can be said to be a professional, not a part-time; is the occupation, not amateur. The research and analysis of his complicated artistic practice in the system, consistency is found the inner spirit and thought and art form the similarities and the vanguard. Lu Xun's spiritual world is broad and profound, rich Color, Lu Xun and his beloved artist close dialogue and communication exchanges. The essence of the spirit of communication is from their thinking about the meaning of life, art life and the questioning of the value reflection of the real life, including their definition of the artistic function. A variety of natural conversion of his artistic identity and Mr Lu Xun's complex art practice to promote the development of China's modern art and new print art, and its great contribution to China's development of realistic painting and contemporary art China enlightenment made. The focus of this thesis is explained mainly from the art practice of Mr. Lu Xun's perspective on the richness and the multiplicity of artistic identity of Mr. Lu Xun's artistic ideas contained in the given system, the diversity of the research perspective, from the all-round, multi angle view of Mr. Lu Xun As a literary giant, collectors and art patron, manager, critic, artist and designer of art such as identity are discussed, and on the analysis of Mr. Lu Xun as an artist, how he created his art world? His view of literature and art by what kind of impact, how to form this paper from the analysis of his? Works of art and artistic ideas exhibited by Lu Xun's artistic spirit, to reflect Mr. Lu Xun as an artist for the modern print contributions and influence on Contemporary Art and reflection. As everyone knows, the development trend of today's art is diversified, and modern art into the technical codes and mode of traditional style the impact of the hitherto unknown language collision, in the face of a potential crisis and phenomenon, whether we should learn from Mr. Lu Xun's critical thinking and crisis The question for Mr. Lu Xun to reflect on how to through critical thinking and referring to the crisis question consciousness, looking for the development of contemporary art's new way? Whether the cultural thinking behind Lu Xun's conscious choice which can become the guidance of the development of contemporary art thought? The author of the Mr. Lu Xun complex social background environment and life development process in particular the road of art and he as a thinker, revolutionary and artist twists and the vanguard reveals that the construct of Mr. Lu Xun's image and mental image of the artist.

【學(xué)位授予單位】：上海大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2015
【分類號】：J217

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本文編號：1663590