本文關(guān)鍵詞： 主題性繪畫 歷史環(huán)境 政治 經(jīng)濟(jì) 文化　出處：《曲阜師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：在人類對自我意識不斷解放、對精神文明要求不斷提升的過程中,繪畫藝術(shù)作為一部精神范疇的歷史,自然也成為了研究人類文明歷程演進(jìn)的重要內(nèi)容之一。主題性繪畫是繪畫歷史中重要的組成部分,它不僅凝結(jié)著作者的個人風(fēng)格,更是一個時代風(fēng)貌的體現(xiàn)。廣義上來說,但凡是傾注了作者的一定的思想感情的繪畫創(chuàng)作,都可以被看作是具有主題的。但是繪畫的主題和主題性繪畫各有其內(nèi)涵,是兩個不同的概念。我們今天所說的主題性繪畫,一般是指具有強(qiáng)烈的政治色彩,具有一定的政治立場的作品。與拘泥于個人小情感的作品區(qū)別開,主題性繪畫蘊(yùn)含的是一種“大情感”。每個時代都有屬于自己時代的主題。當(dāng)代社會不同于以前,藝術(shù)家們有著一個輕松、良好的創(chuàng)作環(huán)境,但安逸的條件卻使得許多畫家忽略了這個時代真正需要的主題。在享受著充裕的物質(zhì)條件的狀態(tài)下,許多畫家開始追求浮華,去追求市場,追求獎項(xiàng)上的榮譽(yù),這就在對藝術(shù)追求的觀念上出現(xiàn)了偏差,依附于這樣帶有功利性目的的心理出來的作品,是不具有一絲藝術(shù)價值可言的。本文基于對主題性繪畫與歷史環(huán)境這兩方面進(jìn)行的淺拙研究,對當(dāng)代社會如何正確進(jìn)行主題性繪畫創(chuàng)作,表述了自己的一些見解。西方繪畫歷史悠長,走過了中世紀(jì)、文藝復(fù)興、巴洛克、洛可可、新古典主義、浪漫主義、現(xiàn)實(shí)主義直至如今的漫遠(yuǎn)歷程,這其中的每一步都深烙著時代的印記,每個階段內(nèi)的主題性美術(shù)作品的表現(xiàn)形式均不同,但內(nèi)容卻都是以追求解放、贊揚(yáng)人的力量,爭取平等和批判殘酷現(xiàn)實(shí)為主。本篇論文就西方繪畫發(fā)展的以上幾個重要?dú)v史階段,選取了其中每個不同時期的重要地區(qū)、國家和占社會主流的階級政黨的繪畫藝術(shù)為研究對象,以時間為脈絡(luò),對當(dāng)時典型的主題性繪畫做出分析,結(jié)合政治經(jīng)濟(jì)史為研究載體,以小見大,并結(jié)合自己的研究方向,能相對明晰的闡述主題性繪畫一步步傳承發(fā)展的過程,由此重申主題性繪畫與歷史環(huán)境的相互影響性。主題性繪畫記錄著社會發(fā)展變遷的歷程,在整個人類文明史上都是一個不可磨滅的存在。
[Abstract]:In the process of human being's liberation of self-consciousness and the requirement of spiritual civilization, painting art is a history of spiritual category. Nature has also become one of the important contents of the evolution of human civilization. Thematic painting is an important part of the history of painting. It not only condenses the author's personal style, but also reflects the style of the times. In a broad sense, But the theme of painting and thematic painting have their own connotations, they are two different concepts. Generally speaking, a work with a strong political color and a certain political position is distinguished from a work that is bound to one's own small feelings. Thematic painting contains a kind of "big emotion". Each era has its own theme. The contemporary society is different from before, artists have a relaxed, good creative environment, But the conditions of ease have made many painters ignore the true needs of the times. While enjoying the abundant material conditions, many painters have begun to pursue splendor, the market, the honor of awards, This is a deviation in the concept of the pursuit of art, which is attached to such works of psychology with utilitarian purposes. Based on the shallow research on thematic painting and historical environment, this paper makes a thorough study on how to correctly create thematic painting in contemporary society. The long history of Western painting, the Middle Ages, the Renaissance, Baroque, Rococo, Neo-classicism, Romanticism, realism until now, Each of these steps is deeply branded with the mark of the times, each stage of thematic art works of expression are different, but the content is the pursuit of liberation, praise the strength of people, Striving for equality and criticizing cruel reality. This paper selects the important regions of each of the different periods in the development of western painting. The painting art of the state and the class political parties that occupy the mainstream of society as the research object, taking the time as the thread, making an analysis of the typical thematic painting at that time, combining the political and economic history as the research carrier, seeing the whole through a small part, and combining the research direction of his own. It can explain the process of succession and development of thematic painting step by step, thus reaffirming the interaction between thematic painting and historical environment. Thematic painting records the course of social development and change. In the entire history of human civilization is an indelible existence.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J205
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本文編號：1533025