本文關(guān)鍵詞： 南北朝 朝鮮朝前期 抒情賦 比較　出處：《延邊大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：抒情賦是以抒發(fā)作者感情為主要目的,講究語言的精致簡約,表現(xiàn)手法的熟練運(yùn)用,一般體制短小,不超過1500字,故也稱為抒情小賦。它不同于大賦的鴻篇巨制、鋪采d[文,而是借景抒情,或體物寫志、或詠史懷古,短小精美,猶如璀璨的明珠讓人醉心其中。由于時代的動亂變遷、作家審美情趣的個人化轉(zhuǎn)變、文學(xué)自身的審美化發(fā)展以及賦家創(chuàng)作環(huán)境和創(chuàng)作方式變化等諸多因素,使得抒情賦這一文學(xué)體裁在魏晉南北朝時期蓬勃發(fā)展,其中,南北朝時期的抒情賦作品頗具特色,可謂新變與魅力齊頭并進(jìn),引人注意、發(fā)人深思。文化是多向發(fā)展的,既有按時間脈絡(luò)的延伸縱向發(fā)展,也有按空間跨度的橫向擴(kuò)展傳播。中國自古就和古代朝鮮交流密切,文化交流更是源遠(yuǎn)流長,中國各種文學(xué)形式都對他們產(chǎn)生很大的影響,辭賦這一文學(xué)體裁自然也被囊括其中,由于之前高麗王朝或更早的時期文學(xué)的相互交流,其結(jié)果就使得抒情賦在朝鮮朝前期時迅猛發(fā)展,不論在數(shù)量上抑或是在質(zhì)量上。鑒于朝鮮朝前期與南北朝時期相似的動亂社會、良好的文化氛圍,加上前者受到了后者文學(xué)上的諸多影響,故把兩個時期的抒情賦放在一起,比較異同、探究規(guī)律。論文首先敘述研究目的和意義、研究現(xiàn)狀、研究的范圍和方法。對南北朝時期以及朝鮮朝前期的抒情賦創(chuàng)作概況進(jìn)行介紹,從社會背景、文學(xué)思潮以及作家作品方面入手。然后介紹南北朝抒情賦在朝鮮朝前期的傳播與影響。接著將兩個時期的抒情賦在內(nèi)容上進(jìn)行對比。內(nèi)容上的相同點是抒發(fā)理想抱負(fù)、感嘆時光易逝、傾訴離愁別緒、批判社會黑暗。內(nèi)容上的不同點是南北朝抒情賦常借時事以抒懷而朝鮮朝前期抒情賦常借古事以抒懷、南北朝抒情賦常抒發(fā)文人士大夫的志向情感而朝鮮朝前期抒情賦常抒發(fā)百姓的生活疾苦。論文的最后把南北朝抒情賦和朝鮮朝前期抒情賦在藝術(shù)形式上進(jìn)行對比。二者都是體制短小、鋪陳遞進(jìn),同時又用典精切、辯麗可喜、詞約義豐。不同點在于南北朝抒情賦常抒情議論相融合而朝鮮朝前期抒情賦常卒章顯志、南北朝抒情賦句式整飭而朝鮮朝前期抒情賦句式自由等等。
[Abstract]:Lyric Fu is to express the author's feelings as the main purpose, pay attention to the exquisite simplicity of language, the skillful use of expression, the general system is short, not more than 1500 words, so it is also called lyric Fu. It is to use scenery to express feelings, or to write chronicles, or to recount history, short and beautiful, as if the bright pearl were intoxicating. Due to the turbulent changes of the times, the personal changes in the writers' aesthetic tastes, The aesthetic development of literature itself, as well as the changes in the creation environment and the way of creation of the Fu family, make the lyric Fu literary genre flourish in the Wei, Jin and Southern and Northern dynasties, among which the lyric Fu works of the Southern and Northern dynasties are quite characteristic. It can be said that new changes go hand in hand with charm, attracting attention and thought-provoking. Culture has developed in many directions, both vertical and vertical development according to time context and horizontal spread according to space span. China has had close exchanges with ancient Korea since ancient times. Cultural exchanges have a long history, and various forms of Chinese literature have a great influence on them, and the literary genre of ci Fu is naturally included in it, because of the exchange of literature between the Koryo Dynasty and the earlier period. As a result, lyric Fu developed rapidly in the early days of the DPRK, both quantitatively and qualitatively. In view of the turbulent society similar to that of the Southern and Northern dynasties, the DPRK had a good cultural atmosphere. In addition, the former is influenced by the latter literature, so it puts the lyric Fu of the two periods together, compares the similarities and differences, and probes into the law. First, the paper narrates the purpose and significance of the research, the present situation of the research, The scope and method of the study. The general situation of lyric creation in the period of the Southern and Northern dynasties and the early period of the Korean Dynasty, from the social background, The article introduces the spread and influence of lyric Fu of the Southern and Northern dynasties in the early period of the Korean Dynasty, and then compares the lyric Fu of the two periods on the content. The similarity of the content is to express the ideal and ambition. The difference in content is that the lyric Fu of the Southern and Northern dynasties often borrowed current affairs to express his feelings, while the lyric Fu of the early Korean Dynasty often borrowed ancient things to express his feelings. The lyric Fu of the Southern and Northern dynasties often expresses the aspirations of literati and officials, while the lyric Fu of the early stage of the DPRK often expresses the life ailments of the people. At the end of the thesis, the lyric Fu of the Southern and Northern dynasties is compared with the lyric Fu of the early stage of the Korean Dynasty in terms of artistic forms. Both are short institutions, The difference is that the lyric Fu of the Southern and Northern dynasties is often lyrical and argumentative, while the lyric Fu of the early stage of the DPRK often shows its ambition. The South and North dynasties lyric Fu sentence style is neat and the North Korea early stage lyric Fu sentence style freedom and so on.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22

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