本文關(guān)鍵詞： 中國環(huán)境陶藝 現(xiàn)代陶藝 改革開放 社會文化　出處：《中國藝術(shù)研究院》2017年博士論文　論文類型：學(xué)位論文

【摘要】：在中國,雖然陶瓷藝術(shù)早在幾個世紀(jì)前就作用于建筑等環(huán)境空間,但環(huán)境陶藝概念的提出及受到重視卻是近十幾年才發(fā)生的。究其緣由,這與我國的文化、政治、經(jīng)濟(jì)背景的發(fā)展有著密不可分的關(guān)系。本文以改革開放之后中國環(huán)境陶藝的發(fā)展歷程為研究對象,以各個時期文化政治經(jīng)濟(jì)背景為依托,通過各個階段環(huán)境陶藝的創(chuàng)作觀念、材料以及形式手法的分析,試圖梳理出環(huán)境陶藝在中國由傳統(tǒng)到現(xiàn)代探索與發(fā)展的趨勢過程。改革開放后至1984年間中國文化政策已經(jīng)回歸與調(diào)整,同時1979年北京機(jī)場壁畫的誕生,國內(nèi)壁畫熱的興起都為環(huán)境陶藝的發(fā)展打下了良好的基礎(chǔ)。但由于受制于當(dāng)時的科技水平,中國環(huán)境陶藝依然延續(xù)了以工藝裝飾為特色的發(fā)展。1985年之后隨著東西方文化的交流與合作、科技水平的不斷提高,中國環(huán)境陶藝的創(chuàng)作觀念發(fā)生了明顯的變革與升華。陶藝家們對環(huán)境陶藝實(shí)驗(yàn)性的探進(jìn)使得陶瓷的功能與表現(xiàn)形式進(jìn)一步得到拓展,而且陶瓷藝術(shù)也逐漸從“物”的追求中解放出來,成為精神價(jià)值的需要。2000年之后,隨著社會信息化、全球化的不斷加劇、科學(xué)技術(shù)與經(jīng)濟(jì)水平不斷的提高,人們生活空間的轉(zhuǎn)型、文化功能的轉(zhuǎn)變以及信息與傳媒革命都為環(huán)境陶瓷藝術(shù)帶來前所未有的挑戰(zhàn)與機(jī)遇。本文通過這三個歷史時期的分析得出當(dāng)代中國環(huán)境陶藝發(fā)展過程中面臨的問題并對后現(xiàn)代主義影響下其未來發(fā)展的可能性做出了瞻望。從延續(xù)到探索再到多元開放的闊步前行,中國環(huán)境陶藝的發(fā)展正是中國傳統(tǒng)陶瓷文化藝術(shù)向現(xiàn)代型轉(zhuǎn)型的一個結(jié)果,同時也印證了藝術(shù)的發(fā)展并不是簡單的、憑空的偶然性現(xiàn)象,而是存在于各有特色的時代背景下的一場自我調(diào)整與革命。通過改革開放以來中國環(huán)境陶藝三十多年的發(fā)展歷程研究我們更能深刻的體會到《周易-系辭》中“易,窮則變,變則通,通則久”的意義,也更能明了文化強(qiáng)國、實(shí)現(xiàn)中華民族偉大復(fù)興的中國夢的深刻內(nèi)涵。
[Abstract]:In China, although ceramic art played an important role in environmental space such as architecture as early as a few centuries ago, the concept of environmental ceramic art was put forward and taken seriously only in the last ten years. The reason is that this is related to the culture and politics of our country. The development of the economic background is closely related. This paper takes the development course of China's environmental ceramics after the reform and opening up as the object of study, relies on the cultural, political and economic background of each period, and through the creation ideas of the environmental pottery art in various stages. Through the analysis of materials and methods of form, the author tries to sort out the trend of the exploration and development of environmental ceramics in China from traditional to modern. After the reform and opening up to 1984, China's cultural policy has been returned and adjusted. At the same time, in 1979, the birth of Beijing Airport murals and the rise of domestic mural fever all laid a good foundation for the development of environmental ceramics. Since 1985, with the exchange and cooperation between eastern and western cultures, the level of science and technology has been improved. The creation concept of environmental ceramics in China has undergone obvious changes and sublimations. The experimental exploration of environmental ceramics by ceramic artists has further expanded the functions and forms of ceramics. Moreover, ceramic art is gradually liberated from the pursuit of "things" and becomes the need of spiritual value. After 2000, with the development of information society and globalization, the level of science, technology and economy has been continuously improved. The transformation of people's living space, The transformation of cultural function and the revolution of information and media have brought unprecedented challenges and opportunities to the art of environmental ceramics. Through the analysis of these three historical periods, this paper draws the questions in the process of the development of contemporary environmental ceramics in China. It also looks forward to the possibility of its future development under the influence of postmodernism. The development of Chinese environmental ceramic art is a result of the transformation of Chinese traditional ceramic culture and art to modern type, and it also proves that the development of art is not a simple, accidental phenomenon. It is a self-adjustment and revolution that exists in the background of the times with its own characteristics. Through more than 30 years of research on the development of environmental ceramics in China since the reform and opening up, we can more profoundly realize that "change" in the "Zhouyi", "change in poverty, change in poverty", The meaning of "change and general rule" can also understand the profound connotation of Chinese Dream, who realizes the great rejuvenation of the Chinese nation.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：J527

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