本文關鍵詞：贏得生前身后名：秋瑾與秋瑾接受　出處：《南京大學》2015年碩士論文　論文類型：學位論文

  更多相關文章： 秋瑾 晚清女性 西學東漸 接受

【摘要】：清末民初這一特定歷史時期所獨具的敏感性與復雜性,在這個時代的女性的精神風貌與社會名望等諸多成就中,也有著相應的體現(xiàn)。在中國傳統(tǒng)宗法社會中,女性因其從屬地位而缺少平等實現(xiàn)人生價值的坦途。然而在世變之際,在西學東漸、歐風美雨的浸染下,生而為"人"的主體自我意識正漸漸蘇醒,晚清社會涌現(xiàn)出了一大批先覺女性,她們接受平等教育,識文斷字,用文學作品抒發(fā)內心訴求;她們跨越閨門,進入到社會公共空間,尋求獨立話語權;她們在解構又重新建構的過程中,不僅關注個體生命,還上升到家國之思。若考察這一時期的女性作家群體,秋瑾是其中不得不提的一員大將。秋瑾的創(chuàng)作體裁多樣,詩、詞、歌、文、彈詞小說均有涉及,縱觀其創(chuàng)作,不難找尋出時代思潮更迭的清晰脈絡,她激進又敏感,她的生命走向與其文學存在激起了特有的反應鏈。本文試從秋瑾這一生命個體及其所激起的時代漣漪的解讀,窺探清末民初約百年來女性文學之魂與時代命運交感的深度。第一章主要探討秋瑾的詩文小說創(chuàng)作。根據(jù)學界已有的研究可以發(fā)現(xiàn),秋瑾的文學創(chuàng)作大致可以分三個時期,即少女時期(1896年前)、嫁入王家居湘時期(1896年至1903年)、居京以后(1903年至1907年)。少女時期的作品與以往的女性文學無異,題材選擇上不外乎詠物詠史抒發(fā)對未來的美好想象,基調簡單明快,充滿了天真少女的氣息。然而包辦婚姻葬送了秋瑾的一切憧憬,創(chuàng)作于此期的詩文大多抒發(fā)內心的不滿與痛苦,放棄家庭走上革命之路的思想也初現(xiàn)端倪。最后一段時期的創(chuàng)作可謂是真正的革命高歌,通篇都洋溢著戰(zhàn)斗的激情。彈詞《精衛(wèi)石》的創(chuàng)作可看做秋瑾的自傳小說,她的作品深深鼓舞和啟發(fā)了第一代女作家群體,在秋瑾的引領下,中國女性文學揭開了嶄新的篇章。第二章主要探討秋瑾政治意識的思想根源以及晚清女性的多元景觀。波伏娃在《第二性》中談到:女性不是天生的,是后天養(yǎng)成的。到底是何種傳統(tǒng)滋養(yǎng)了她?筆者試圖從古已有之的杰出婦女形象中尋求答案。而對與秋瑾同時期的女性群像的描述,更有利于觸摸到女性文學發(fā)展的清晰脈搏。第三章主要探討秋瑾遇難后清末民初的輿論報道,以及以秋瑾為原型的各種體裁的文學創(chuàng)作。自從秋瑾于軒亭口就義后,關于此案件的研究一直未曾停歇,以今人的眼光回望歷史難免有失偏頗,故筆者搜集了若干當時的新聞報道,參看了諸多小說劇本,試圖理清秋瑾之死的來龍去脈及時代意義。對這二者的考察也更有利于今人全面總結秋瑾形象。第四章主要探討了晚清以及近代以來秋瑾及其形象的被接受過程。秋瑾的故友是筆者重點考察的對象,通過她們的詩文唱和,足以可見相互間強大的情感紐帶。而舞臺熒幕上秋瑾形象的塑造傳神表現(xiàn)了后人對其人其事的看法,其形象在屢次改變的過程中,秋瑾身上更多的人性光輝被挖掘出來,這其實也象征著中國社會思潮的變化,實際上,更是文化的一種進步。
[Abstract]:The sensitivity and complexity of the unique in the late Qing Dynasty in the particular historical period, in this era of female spirit and social prestige and so many achievements, also has a corresponding expression. China in traditional patriarchal society, women because of their subordinate status and lack of realization of equal value of life is alive. However, on the occasion of change in the west, and the influences of Western culture and civilization under the influence of being "human" self consciousness is gradually awakening in the late Qing Dynasty, the emergence of a large number of those women, they receive equal education, able to read, with literary works to express their inner demands; across the apartment door, into the public space, to seek independent discourse process; they are again in the deconstruction of construction, not only pays attention to the individual life, also rose to national affairs. If during this period of women writers, Qiu Jin is one to mention a general of autumn. Jin creation of diverse genres, poetry, words, music, literature, Tanci novels are involved, throughout the creation, is not difficult to find a clear trend of the times change, her radical and sensitive, her life to its literary existence sparked a chain reaction characteristic. This paper attempts to interpret from the Qiu Jin era ripples the individual life and what, at the end of the Qing Dynasty on depth of female literature of soul and destiny sympathetic about 100 years. The first chapter mainly discusses Qiu Jin's prose fiction. According to the existing academic research can be found in Qiu Jin's literary creation can be roughly divided into three periods, namely the maiden (before 1896), married king Home Furnishing Hunan period (1896 to 1903), Beijing (1903 to 1907). After the maiden works the same as with the previous female literature, the choice of subject matter is nothing more than the chanting to express the beauty of the future good imagination, simple and lively tone, Full of innocent girl breath. However the arranged marriage ruined all of Qiu Jin's vision, in the period of the creation of poetry mostly express dissatisfaction and pain of the heart, to give up the family walk on the road of revolution thought also emerged. The last period of creation which is a real revolution high throughout the song, are filled with a battle < > passion. Tanci Jingwei stone works can be seen as Qiu Jin's autobiographical novel, her works are deeply encouraged and inspired the first generation of female writers, under the guidance of Qiu Jin, China female literature has opened a new chapter. The second chapter mainly discusses the pluralistic landscape ideological roots of political consciousness in the late Qing Dynasty and Qiu Jin Beauvior talked about women. < > in secondary: women are not born, is acquired. In the end is what tradition nourish her? I try to find the answer from the existing image of outstanding women. While the autumn with Jin A group of women during the period of the description, more conducive to touch the clear pulse of the development of female literature. The third chapter mainly discusses the public opinion report in late Qing Dynasty after the death of Qiu Jin, as well as a variety of genre based on Qiu Jin's literary creation. Since Qiu Jin in Xuanting in martyrdom, research about the case has not ceased, with modern people's eyes looking back on history inevitably biased, so the author collected several news reports at the time, see a lot of novels of script, trying to clarify sequence of events and significance of Qiu Jin's death. The study of these two is also more conducive to our comprehensive summary of the image of Qiu Jin. The fourth chapter mainly discusses the late Qing Dynasty, and Qiu Jin's image was in modern times a former friend of Qiu Jin is the acceptance process. The paper focuses on the object, through their poems and sing, enough to see the interaction of strong emotional bonds. And the stage screen Image of Qiu Jin's vivid performance of the view and future generations, its image in the process of frequent changes, Qiu Jin's humanity more excavated, it also symbolizes the change of social thought China, in fact, is also a kind of cultural progress.

【學位授予單位】：南京大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：I206.5

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