本文關(guān)鍵詞：甘肅慶陽地區(qū)傳統(tǒng)民間舞蹈文化探析　出處：《西北民族大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 甘肅慶陽 民間舞蹈 文化探析

【摘要】：民間舞蹈是人民群眾集體智慧和藝術(shù)創(chuàng)造的結(jié)晶,通過不同方式的優(yōu)美的舞蹈動作來展現(xiàn)當(dāng)?shù)厝藗兊乃枷肭楦�。慶陽位于中國的甘肅省,是古時候的"北地",這片富饒之地自古便受到大自然的辟護(hù),坐擁黃土高原的獨(dú)特地理優(yōu)勢,溝壑、山梁所構(gòu)筑的雄壯景色隨處可見,而生活在這邊土地上的勞動人民自古便開始了辛勤勞作,用自己的雙手創(chuàng)造著屬于自己的財富,同時也為后人留下了豐富的民間文化和藝術(shù),用這種形式傳承著屬于他們的精神力量。而慶陽的傳統(tǒng)舞蹈就是其藝術(shù)表現(xiàn)形式之一,這種舞蹈帶有很強(qiáng)的藝術(shù)風(fēng)格并融合了多樣的表現(xiàn)題材,極具表現(xiàn)力,廣受贊賞,逐漸成為慶陽民間的寶貴財富之一。這種原生態(tài)的舞蹈,攜帶著只屬于那片黃土高原的雄渾和壯美,無時不刻不體現(xiàn)著該地區(qū)的地域風(fēng)格。本文在弘揚(yáng)民間傳統(tǒng)文化的背景下,對于甘肅慶陽地區(qū)的地理環(huán)境及歷史文化背景做了相關(guān)考察,并基于以上背景對于甘肅慶陽地區(qū)傳統(tǒng)民間舞蹈的流變、起源、傳播及其在社會中的主要功能做了深入探究。運(yùn)用文獻(xiàn)研究法、田野調(diào)查法、個案分析法等主要方法對于慶陽徒手秧歌、荷花舞、寧縣高蹺、華池五蝠鼓等慶陽地區(qū)代表性傳統(tǒng)民間舞蹈做了細(xì)致分析。最后,通過分析慶陽地區(qū)傳統(tǒng)民間舞蹈文化,總結(jié)了傳統(tǒng)民間舞蹈在特定地域環(huán)境中的凝結(jié)升華,并結(jié)合當(dāng)代時代特點(diǎn),探析了慶陽地區(qū)傳統(tǒng)舞蹈的當(dāng)代延伸。本篇文章,筆者根據(jù)慶陽地區(qū)歷史,著重分析了清仰起去傳統(tǒng)民間舞蹈的流變過程,為慶陽地區(qū)舞蹈研究注入了新的血液。而在研究慶陽地區(qū)代表性舞蹈的過程中,采用田野調(diào)查法深入實(shí)踐,分別分析了徒手秧歌、荷花舞、寧縣高蹺、華池五蝠鼓的淵源、藝術(shù)形態(tài)、文化價值及當(dāng)今內(nèi)涵延伸。
[Abstract]:Folk dance is the crystallization of people's wisdom and artistic creation, to show the local people's thoughts and feelings through different ways of graceful dance movements. Qingyang is located in the China province of Gansu, is the ancient "North", this piece of fertile land since ancient times by the nature of the provision of support, unique geographical advantages, with loess the plateau gully, built the ridge majestic scenery can be seen everywhere, people living in this land since ancient times began to work hard, with their own hands to create their own wealth, but also left a rich folk art and culture for future generations, this form of inheritance in their mental strength. Qingyang's traditional dance is the art form of this dance with strong artistic style and incorporate a variety of themes, very expressive, widely admired, gradually become the Qing Yang folk one of the most precious treasures. The folk dance, carrying only belong to the Loess Plateau's magnificence and splendor, does not reflect the regional style. This paper in carrying forward the traditional folk culture background, for the Gansu Qingyang area geographical environment and historical and cultural background of the study based on the above background, and the origin of evolution, for the traditional folk dance in Gansu Qingyang area, and the main function of communication in society has done in-depth research. Using the literature research, field investigation, case analysis and other methods mainly for Qingyang hand lotus dance, stilt yangko dance, county, five in Qingyang Huachi bat drum representative the traditional folk dance is also analyzed in detail. Finally, through the analysis of Qingyang traditional folk dance culture, summarizes the traditional folk dance in a specific geographical environment in setting up China, combined with the The characteristics of contemporary era, discusses the extension of contemporary traditional dance in Qingyang area. In this article, according to the Qingyang history, focuses on the analysis of the Qing Dynasty up to the rheological process of traditional folk dance, has injected new blood for the study of dance in Qingyang. In the process of study in Qingyang area representative dance in the field investigation law into practice, respectively analyzes the unarmed lotus dance, stilt yangko dance, county, origin, Huachi five bat drum art form, and the extension of cultural value connotation.

【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J722.21

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本文編號：1401709