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在技術(shù)的視角下對(duì)生態(tài)建筑的美學(xué)研究

發(fā)布時(shí)間:2018-01-08 19:24

  本文關(guān)鍵詞:在技術(shù)的視角下對(duì)生態(tài)建筑的美學(xué)研究 出處:《沈陽(yáng)建筑大學(xué)》2015年碩士論文 論文類(lèi)型:學(xué)位論文


  更多相關(guān)文章: 生態(tài)建筑 建筑技術(shù) 生態(tài)技術(shù) 建筑美學(xué) 技術(shù)美學(xué)


【摘要】:近幾年來(lái),人們的活動(dòng)和發(fā)展對(duì)自然環(huán)境造成了嚴(yán)重的破壞。自然環(huán)境和人居環(huán)境的惡化,迫使人們重新審視人與自然、建筑與自然環(huán)境的關(guān)系!翱沙掷m(xù)發(fā)展”的觀(guān)念迫使建筑師們開(kāi)始思考如何解決建筑與自然環(huán)境、自然能源的相互關(guān)系。生態(tài)建筑就是在這樣的背景下應(yīng)運(yùn)而生。在后現(xiàn)代主義六大建筑流派里,除了生態(tài)主義建筑本身就側(cè)重生態(tài)理念外,其他物種建筑流派都或多或少的與生態(tài)主義建筑有關(guān)聯(lián)。隨著經(jīng)濟(jì)的發(fā)展和人們審美意識(shí)的覺(jué)醒,人們將注意力集中于建筑三原則“堅(jiān)固、實(shí)用、美觀(guān)”中的“美觀(guān)”。人們對(duì)建筑空間的需求已不在滿(mǎn)足于基本生存功能和物質(zhì)需求,更希望它能夠滿(mǎn)足人們的精神需求并且體現(xiàn)時(shí)代之美。因此,對(duì)生態(tài)建筑美學(xué)的研究已被人們所關(guān)注。建筑技術(shù)是建筑創(chuàng)作和建筑發(fā)展的立足之本。新材料、新技術(shù)、新結(jié)構(gòu)已經(jīng)為建筑師進(jìn)行現(xiàn)代建筑的創(chuàng)作的提供了重要的表現(xiàn)手段。由于能源危機(jī),生態(tài)、綠色和節(jié)能建筑成為建筑行業(yè)的主流。生態(tài)建筑的發(fā)展依托于新材料、新技術(shù)和新結(jié)構(gòu)。因此,生態(tài)建筑技術(shù)美學(xué)的確立與發(fā)展與當(dāng)代社會(huì)的思想和文化、經(jīng)濟(jì)與科技以及藝術(shù)的發(fā)展密切相關(guān)。本文以對(duì)生態(tài)建筑美學(xué)的研究為指導(dǎo),以技術(shù)的發(fā)展對(duì)生態(tài)建筑的影響為線(xiàn)索進(jìn)行研究。對(duì)生態(tài)建筑技術(shù)美學(xué)的研究離不開(kāi)對(duì)建筑美學(xué)、生態(tài)建筑、生態(tài)美學(xué)、建筑技術(shù)和技術(shù)美學(xué)的研究。首先,從美學(xué)的研究出發(fā)到建筑美學(xué)和生態(tài)建筑美學(xué)的研究,進(jìn)而得出建筑美學(xué)必然走向生態(tài)美學(xué)。其次,生態(tài)建筑從技術(shù)層面分為低技術(shù)生態(tài)建筑、適宜技術(shù)生態(tài)建筑、高技術(shù)生態(tài)建筑。從材料、技術(shù)和結(jié)構(gòu)這三個(gè)方面進(jìn)行研究,來(lái)歸納出生態(tài)建筑的技術(shù)美學(xué)。再次,以生態(tài)建筑造型的美學(xué)原則和美學(xué)法則為依據(jù),分別從設(shè)計(jì)思路、基本形體、構(gòu)成方式、和表現(xiàn)形態(tài)這四個(gè)方面來(lái)詮釋生態(tài)建筑的技術(shù)美學(xué)的演繹。最后,本文從生態(tài)建筑的美學(xué)價(jià)值出發(fā),提出來(lái)對(duì)生態(tài)建筑技術(shù)美學(xué)發(fā)展方向的展望和在中國(guó)的未來(lái)發(fā)展。
[Abstract]:In recent years, people's activities and development have caused serious damage to the natural environment, and the deterioration of the natural environment and human settlement environment, forcing people to re-examine man and nature. The relationship between architecture and natural environment. The concept of "sustainable development" forces architects to think about how to solve the problem of architecture and natural environment. In the six major architectural schools of post-modernism, in addition to the ecological architecture itself focus on the ecological concept. With the development of economy and the awakening of people's aesthetic consciousness, people will focus on the three principles of architecture "firm, practical." People's demand for architectural space is no longer satisfied with the basic living function and material needs, and it is hoped that it can meet the spiritual needs of people and reflect the beauty of the times. The study of ecological architecture aesthetics has been paid attention to. Architectural technology is the base of architectural creation and development. New materials, new technology. The new structure has provided the architects with important means of expression for the creation of modern architecture. Because of the energy crisis, ecology. Green and energy-saving buildings have become the mainstream of the construction industry. The development of ecological architecture depends on new materials, new technologies and new structures. Therefore, the establishment and development of ecological architecture technology aesthetics and contemporary social ideology and culture. Economy is closely related to the development of science and technology and art. This paper is guided by the study of ecological architecture aesthetics. The research on the technology aesthetics of ecological architecture is inseparable from the research of architectural aesthetics, ecological architecture, ecological aesthetics, architectural technology and technological aesthetics. From the study of aesthetics to the study of architectural aesthetics and ecological architecture aesthetics, it is concluded that architectural aesthetics is bound for ecological aesthetics. Secondly, ecological architecture is divided into low-technology ecological architecture from the technical level. Suitable technology ecological building, high-tech ecological building. From the material, technology and structure of these three aspects of research, to sum up the ecological architecture of the technical aesthetics. Again. Based on the aesthetic principles and principles of ecological architecture modeling, this paper interprets the interpretation of the technical aesthetics of ecological architecture from four aspects: design idea, basic form, form of composition, and form of expression. Based on the aesthetic value of ecological architecture, this paper puts forward the prospect of the development direction of ecological architecture technology aesthetics and its future development in China.
【學(xué)位授予單位】:沈陽(yáng)建筑大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2015
【分類(lèi)號(hào)】:TU201.5

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