本文關(guān)鍵詞：日本漢文小說《警醒鐵鞭》研究　出處：《北京外國(guó)語大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

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【摘要】：《警醒鐵鞭》是一部日本紀(jì)夢(mèng)題材的章回體漢文小說,創(chuàng)作于明治初期。紀(jì)夢(mèng)題材的小說在韓國(guó)和越南的漢文學(xué)史的發(fā)展中都占有一席之地,但是在日本,無論是數(shù)量還是影響規(guī)模上,相比于同在東亞文化圈的韓、越,都有所遜色。目前可知的日本紀(jì)夢(mèng)題材的漢文小說僅有《警醒鐵鞭》一部,且在很長(zhǎng)時(shí)間內(nèi),在日本本土和中國(guó)的研究界都沒有得到重視,所以相關(guān)研究資料相對(duì)空缺。本論文立足于《警醒鐵鞭》文本,從中日文化、文學(xué)比較的視角,通過聯(lián)系作品創(chuàng)作時(shí)代背景與作者生平等材料,采用主題探究、敘事學(xué)分析等方法,細(xì)致厘清并闡述作品的創(chuàng)作思想、主題內(nèi)涵、藝術(shù)成就等內(nèi)容,以期增加相關(guān)研究的完善度。本論文分為五個(gè)大部分:第一部分為論文的緒論,在這一部分主要闡述論文研究對(duì)象選擇的緣由及意義,以及關(guān)于《警醒鐵鞭》的成書、版本、作者生平等內(nèi)容。同時(shí)梳理相關(guān)問題的研究現(xiàn)狀,為進(jìn)一步研究做好基礎(chǔ)性工作。第二部分從作品的主題分析入手,通過考察文本內(nèi)容與創(chuàng)作的時(shí)代背景,探究作品蘊(yùn)含的多重文化意蘊(yùn),從空間指向、道德模式和宗教文化三個(gè)方面對(duì)作品的文化意蘊(yùn)進(jìn)行歸類闡發(fā)。第三部分通過分析作品的文體特征和敘事特征,探尋作品的藝術(shù)技巧�！毒谚F鞭》作為一部日本漢文小說,深受中國(guó)古典小說的影響,這一點(diǎn)在藝術(shù)特征上尤為明顯。無論是章回體的形式還是圓形敘事結(jié)構(gòu),都能在中國(guó)明清小說中覓得源頭;第四部分從比較的視域,運(yùn)用影響研究的方法,一方面探究中國(guó)古典文學(xué)在主題和形式上對(duì)于《警醒鐵鞭》的影響;另一方面,也努力挖掘作品由于自身所處的社會(huì)環(huán)境與文化環(huán)境與中國(guó)的不同,而產(chǎn)生的與中國(guó)古典小說的差異性。第五部分對(duì)論文的研究成果進(jìn)行總結(jié),得出結(jié)論,嘗試對(duì)作品的得失進(jìn)行評(píng)點(diǎn),并對(duì)論文中由于材料的缺失等原因而無法進(jìn)行考證和研究的問題提出存疑。
[Abstract]:"warning Tiebin" is a Japanese novels written in the early Meiji period. The novels of Ji Meng have a place in the history of Chinese literature in Korea and Vietnam, but in Japan. Both the number and the scale of the influence, compared with the East Asian cultural circle of South Korea, is inferior. At present, the Japanese Ji Meng theme of the Chinese novel only "alert iron whip" one, and in a very long time. In Japan and China, the research community has not been paid attention to, so the relative lack of relevant research materials. This paper is based on the text of "alert iron whip", Sino-Japanese culture, literature comparison perspective. By connecting with the background of the creation time and the author's life, the author uses the methods of theme inquiry and narratology analysis to clarify and elaborate the creative thought, the connotation of the theme, the artistic achievement and so on. This paper is divided into five parts: the first part is the introduction of the paper, in this part, it mainly explains the reason and significance of the choice of the research object. And about the "alert iron whip" of the book, the version, the author's life and other content. At the same time combing the research status quo of related issues, for further research to do a good job of basic work. The second part from the theme of the work analysis. By investigating the content of the text and the background of the creation, the author explores the multi-cultural implication of the works, and points out from the space. The third part analyzes the stylistic characteristics and narrative characteristics of the works through the analysis of their stylistic and narrative characteristics. As a Japanese Chinese novel, it is deeply influenced by Chinese classical Chinese novels. Both the form of Zhang Hui and the circular narrative structure can be found in the Chinese novels of Ming and Qing dynasties. 4th part from the perspective of comparison, using the method of impact research, on the one hand, to explore the theme and form of classical Chinese literature on the "alert iron whip"; On the other hand, it also tries to excavate the differences between the works and Chinese classical novels because of their own social and cultural environment. Part 5th summarizes the research results of the thesis. In conclusion, the author tries to comment on the gains and losses of the works, and puts forward doubts about the problems that the research and research can not be carried out because of the lack of materials in the paper.
【學(xué)位授予單位】：北京外國(guó)語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I313.074

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