《檀香刑》的敘事策略研究
發(fā)布時間：2018-09-13 09:50
【摘要】：莫言的《檀香刑》,這部被認為是“21世紀中國文學(xué)的第一部重要作品的長篇小說”,一問世便引起了學(xué)界的關(guān)注。研究者們紛紛從文學(xué)與民間、文學(xué)鄉(xiāng)土化、歷史寫作等角度對《檀香刑》進行了深入的研究。筆者在經(jīng)過對《檀香刑》的反復(fù)閱讀和分析后,發(fā)現(xiàn)小說在敘事方面頗具匠心。《檀香刑》作為莫言“撤退”后的第一部小說,在敘事策略上汲取了民間文化的豐富營養(yǎng),表現(xiàn)出了較多的民間氣息和純粹的中國風(fēng)格。所以,在西方敘事學(xué)理論和民間故事文本互為參照的基礎(chǔ)上對《檀香刑》進行敘事策略研究是有一定理論意義和價值的。本文的緒論對《檀香刑》敘事策略研究這一選題的研究背景和對象、研究現(xiàn)狀以及選題的研究意義、方法和創(chuàng)新性等方面進行了簡明扼要的概述,以期讀者能夠?qū)x題的基礎(chǔ)、論文的研究思路有一定的了解。第一章敘事結(jié)構(gòu)和敘事時間,從線索、結(jié)構(gòu)順序、聯(lián)結(jié)方式、對比四個方面對《檀香刑》的結(jié)構(gòu)邏輯進行了剖析,分析了《檀香刑》中的順序、聯(lián)結(jié)、對比帶給小說的節(jié)奏感和和諧感。通過對故事時間和敘事時間及其中的文化內(nèi)涵的研究,感受《檀香刑》中敘事時間所展現(xiàn)的深刻的人文性和豐厚的文化意蘊。第二章故事人物,論述了小說如何站在民間立場上以新口吻講述了舊故事,解讀莫言如何從另一個角度解讀歷史,展示了新歷史主義小說的啟蒙意義和民間姿態(tài)。對其中著墨最多的主要人物也進行了全面剖析,著重分析了小說中看似癡傻卻道破真諦的傻子趙小甲形象。論述了莫言如何在獨特的敘事安排中完成了對歷史故事和人物的全新敘寫。第三章敘事視角和敘事語言,分析了戲曲對《檀香刑》的影響,語言的動作性以及角色語言的個性特征。敘事語言與敘事視角息息相關(guān),通過對角色視角的著重分析,展示了小說人物各有特色的敘事語言。此外,全知視角是小說寫作中最常用的視角,論文對莫言不落窠臼、別出心裁地在全知視角中運用流動視角、環(huán)形視角和輻射形視角的敘事技巧進行了解讀。第四章敘事意象,對《檀香刑》中敘事意象的選擇、組合、類型和功能進行了分析。意象是高濃度的文化密碼,莫言繼承了中國傳統(tǒng)敘事作品中的智慧和謀略,通過對檀香、刑具、龍椅、佛珠等意象的組合等手段,融合了外來的現(xiàn)代思潮和敘事經(jīng)驗,豐富了小說意象的含義。結(jié)語部分概括了本文的主要內(nèi)容,對敘事學(xué)在中國的研究成果進行了概括,對立足于中國敘事學(xué)研究莫言《檀香刑》的原因和意義進行了論述,并對莫言小說的敘事學(xué)研究進行了展望。論文在對《檀香刑》文本細讀的基礎(chǔ)上,對該小說的敘事結(jié)構(gòu)、時間、人物、故事、語言、視角、意象等方面的敘事策略進行了詳細闡述,從敘事學(xué)角度重新剖析《檀香刑》,力圖為莫言的小說的敘事學(xué)研究提供一點參考。
[Abstract]:Mo Yan's Honolulu punishment, which is regarded as "the first important novel of Chinese literature in the 21st century", has aroused the attention of scholars. Researchers have deeply studied sandalwood punishment from the perspectives of literature and folk, localization of literature and historical writing. After reading and analyzing Sandalwood punishment repeatedly, the author finds that the novel has a great deal of heart in narrative. As the first novel after Mo Yan's retreat, the writer draws rich nutrition from folk culture in narrative strategy. Show more folk atmosphere and pure Chinese style. Therefore, it is of certain theoretical significance and value to study the narrative strategy of Sandalwood punishment on the basis of the western narrative theory and folk story text. The introduction of this paper gives a brief overview of the research background and object, the research status, the significance, the method and the innovation of the topic, so that the readers can choose the basis of the topic. The research idea of the thesis has certain understanding. The first chapter analyzes the structure logic of sandalwood punishment from four aspects: clue, structure sequence, connection mode, and analyzes the order and connection of sandalwood punishment. Contrast brings the sense of rhythm and harmony to the novel. Through the study of story time, narrative time and its cultural connotation, we can feel the profound humanism and rich cultural implication of narration time in Honolulu punishment. In the second chapter, the author discusses how the novel tells the old story in a new tone from a folk standpoint, how Mo Yan interprets the history from another angle, and shows the enlightenment significance and folk attitude of the new historicism novel. The main characters with the most painting are also comprehensively analyzed, focusing on the image of the fool Zhao Xiaojia, who seems to be silly but who has broken through the truth in the novel. This paper discusses how Mo Yan completed a new narrative of historical stories and characters in his unique narrative arrangement. The third chapter analyzes the influence of drama on Honolulu punishment, the action of language and the personality characteristics of character language from the perspective of narrative and narrative language. Narrative language is closely related to narrative perspective. In addition, omniscient perspective is the most commonly used perspective in novel writing. Chapter four analyzes the choice, combination, type and function of narrative image in Honolulu punishment. Image is a high concentration of cultural code, Mo Yan inherited the wisdom and strategy of Chinese traditional narrative works, through the combination of the images of sandalwood, torture, dragon chair, Buddha beads, and so on, he integrated the foreign modern thoughts of thought and narrative experience, such as the combination of images, such as sandalwood, torture, dragon chair, Buddha bead, etc. It enriches the meaning of novel image. The conclusion summarizes the main contents of this paper, summarizes the research results of narratology in China, and discusses the reasons and significance of the study of sandalwood punishment based on Chinese narratology. The narratology of Mo Yan's novels is prospected. On the basis of reading the text of Honolulu punishment, the paper elaborates the narrative strategy of the novel, such as narrative structure, time, character, story, language, visual angle, image and so on. The reanalysis of sandalwood punishment from the perspective of narratology tries to provide some references for the narratology study of Mo Yan's novels.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.42
本文編號：2240823
[Abstract]:Mo Yan's Honolulu punishment, which is regarded as "the first important novel of Chinese literature in the 21st century", has aroused the attention of scholars. Researchers have deeply studied sandalwood punishment from the perspectives of literature and folk, localization of literature and historical writing. After reading and analyzing Sandalwood punishment repeatedly, the author finds that the novel has a great deal of heart in narrative. As the first novel after Mo Yan's retreat, the writer draws rich nutrition from folk culture in narrative strategy. Show more folk atmosphere and pure Chinese style. Therefore, it is of certain theoretical significance and value to study the narrative strategy of Sandalwood punishment on the basis of the western narrative theory and folk story text. The introduction of this paper gives a brief overview of the research background and object, the research status, the significance, the method and the innovation of the topic, so that the readers can choose the basis of the topic. The research idea of the thesis has certain understanding. The first chapter analyzes the structure logic of sandalwood punishment from four aspects: clue, structure sequence, connection mode, and analyzes the order and connection of sandalwood punishment. Contrast brings the sense of rhythm and harmony to the novel. Through the study of story time, narrative time and its cultural connotation, we can feel the profound humanism and rich cultural implication of narration time in Honolulu punishment. In the second chapter, the author discusses how the novel tells the old story in a new tone from a folk standpoint, how Mo Yan interprets the history from another angle, and shows the enlightenment significance and folk attitude of the new historicism novel. The main characters with the most painting are also comprehensively analyzed, focusing on the image of the fool Zhao Xiaojia, who seems to be silly but who has broken through the truth in the novel. This paper discusses how Mo Yan completed a new narrative of historical stories and characters in his unique narrative arrangement. The third chapter analyzes the influence of drama on Honolulu punishment, the action of language and the personality characteristics of character language from the perspective of narrative and narrative language. Narrative language is closely related to narrative perspective. In addition, omniscient perspective is the most commonly used perspective in novel writing. Chapter four analyzes the choice, combination, type and function of narrative image in Honolulu punishment. Image is a high concentration of cultural code, Mo Yan inherited the wisdom and strategy of Chinese traditional narrative works, through the combination of the images of sandalwood, torture, dragon chair, Buddha beads, and so on, he integrated the foreign modern thoughts of thought and narrative experience, such as the combination of images, such as sandalwood, torture, dragon chair, Buddha bead, etc. It enriches the meaning of novel image. The conclusion summarizes the main contents of this paper, summarizes the research results of narratology in China, and discusses the reasons and significance of the study of sandalwood punishment based on Chinese narratology. The narratology of Mo Yan's novels is prospected. On the basis of reading the text of Honolulu punishment, the paper elaborates the narrative strategy of the novel, such as narrative structure, time, character, story, language, visual angle, image and so on. The reanalysis of sandalwood punishment from the perspective of narratology tries to provide some references for the narratology study of Mo Yan's novels.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.42
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相關(guān)期刊論文 前3條
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2 黃發(fā)有;;莫言的“變形記”[J];當(dāng)代作家評論;2006年06期
3 張清華;莫言與新歷史主義文學(xué)思潮——以《紅高粱家族》、《豐乳肥臀》、《檀香刑》為例[J];海南師范學(xué)院學(xué)報(社會科學(xué)版);2005年02期
，本文編號：2240823
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