【摘要】：在評(píng)述當(dāng)下寫(xiě)作中,對(duì)于80后的研究,成果紛呈。尤其是80后在文壇展露之初,其作為一個(gè)文化現(xiàn)象,被許多學(xué)者、批評(píng)家評(píng)述。隨著時(shí)間的推移,80后個(gè)體逐漸成熟,其展露出不同的寫(xiě)作特質(zhì)和追求。以往的研究對(duì)于個(gè)案的分析較為缺乏。其研究成果大多集中在幾位具有商業(yè)價(jià)值的代表作家身上,例如韓寒、郭敬明、張悅?cè)�、春�?shù)等。一方面,這些研究成果概括了80后的集體特質(zhì),使他們作為一種文學(xué)現(xiàn)象為眾人所知,另一方面,也由此遮蔽了80后作家書(shū)寫(xiě)的其他特質(zhì)。本文選取兩位具有代表性的80后作家:一位是追逐現(xiàn)代主義步伐,撰寫(xiě)都市青春之歌的笛安;一位是扎根鄉(xiāng)土,敘寫(xiě)生活之重與女性生存境遇的馬金蓮。本文以性別和代際為視角,運(yùn)用敘事學(xué)的方法,對(duì)二者的選材、主題、敘事手法進(jìn)行分析。展現(xiàn)80后在書(shū)寫(xiě)青春成長(zhǎng)時(shí)的不同特征,通過(guò)關(guān)聯(lián)對(duì)比,展現(xiàn)二人在面臨相同時(shí)代背景下,所共有的精神困惑和情感追求。本文分四個(gè)部分,第一部分緒論,介紹選題的意義和目的。論述為什么選擇研究80后,以及為何選擇笛安和馬金蓮兩人。她們的比較是基于什么樣的共同點(diǎn)。第二部分介紹笛安的敘事藝術(shù),從都市的繁華與蒼涼、青春的縱情和幻滅以及童話敘事三個(gè)方面進(jìn)行闡釋。第三部分介紹馬金蓮的敘事藝術(shù),從鄉(xiāng)村的落寞與堅(jiān)守、鄉(xiāng)村中的女性境遇、童年視角與日常倫理進(jìn)行解讀。第四部分為二者的比較,前兩小節(jié)通過(guò)童話敘事、青春成長(zhǎng)的描寫(xiě)找到二人精神世界的關(guān)聯(lián)點(diǎn)。最后兩個(gè)小節(jié),引述文學(xué)與市場(chǎng)理論,闡明兩人在當(dāng)下聲名不相當(dāng)?shù)木売伞?br/>[Abstract]:In the review of the present writing, for the post-80s research, the results are numerous. Especially at the beginning of the post-80s, as a cultural phenomenon, it has been commented by many scholars and critics. With the passage of time, the post-80s individuals gradually mature, showing different writing characteristics and pursuit. Previous research on the case analysis is relatively lacking. Most of the research results are focused on several representative writers with commercial value, such as Han, Guo Jingming, Zhang Yuelan, Chunshu and so on. On the one hand, these achievements generalize the collective characteristics of the post-80s writers, making them known as a literary phenomenon, on the other hand, they also obscure the other characteristics of the post-80s writers. This paper selects two representative post-80s writers: one is Desan, who pursues modernism and writes the song of urban youth; the other is Ma Jinlian, who takes root in the country and describes the importance of life and the living conditions of women. This paper, from the perspective of gender and intergenerational, uses narratology to analyze the selection of materials, themes and narrative techniques. It shows the different characteristics of the post-80s generation in the writing of youth growth, and through the correlation comparison, shows the common spiritual confusion and emotional pursuit of the two people in the same background of the times. This article is divided into four parts, the first part of the introduction, introduce the significance and purpose of the topic. This paper discusses why we chose to study the post-80s and why we chose Desan and Ma Jinlian. Their comparison is based on what they have in common. The second part introduces Desan's narrative art, from three aspects of urban prosperity and desolation, youth indulgence and disillusionment, and fairy tale narration. The third part introduces Ma Jinlian's narrative art, from the perspective of rural loneliness and adherence, the situation of women in the countryside, childhood perspective and daily ethics. The fourth part is the comparison of the two, the first two sections through fairy tale narration, the description of youth to find the spiritual world of the two connected points. The last two subsections, quoting literature and market theory, explain why they are not quite famous in the present.
【學(xué)位授予單位】：華中科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I206.7

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本文編號(hào)：2240348