本文關(guān)鍵詞：文化操縱與利用:意識(shí)形態(tài)與翻譯文學(xué)經(jīng)典的建構(gòu)——以20世紀(jì)五六十年代中國(guó)的翻譯文學(xué)為研究中心，由筆耕文化傳播整理發(fā)布。

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translation literature

     Hunan Translation Literature in the Early of 20th Century and Hunan Culture

     20世紀(jì)前期湖南翻譯文學(xué)與湖湘文化

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     Modern Translation Literature and the Effect of the Exchange in Literature and Art between China and the West in Early 20th Century

     近代翻譯文學(xué)與20世紀(jì)初中西文藝交流的影響

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     Ideology and the Formation of the the Canons of Translation Literature in 1950s and 1960s of the 20~(th) Century

     文化操縱與利用:意識(shí)形態(tài)與翻譯文學(xué)經(jīng)典的建構(gòu)——以20世紀(jì)五六十年代中國(guó)的翻譯文學(xué)為研究中心

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     On interaction between translation literature and translation language culture based on Hermeneutics theory

     從闡釋學(xué)理論論翻譯文學(xué)與譯語(yǔ)文化的互動(dòng)

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     Foreign literature,translation literature,or Chinese literature:towards a literary translation perspective in the contexts of contemporary Deconstruction and comparative literature

     外國(guó)文學(xué),翻譯文學(xué),抑或中國(guó)文學(xué)?——走向一種當(dāng)代解構(gòu)主義和比較文學(xué)雙重語(yǔ)境下的文學(xué)翻譯觀

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     Relevance theory has been widely applied to studying utterance interpretation, translation, literature and so on.

     關(guān)聯(lián)理論對(duì)話語(yǔ)理解提供了較強(qiáng)的解釋力,被廣泛應(yīng)用于文學(xué),翻譯等學(xué)科研究。

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     Novels translated by Lin are the beginning of modern translation literature,and the real outset of China's acceptance of foreign literature.

     “林譯小說(shuō)”是近代翻譯文學(xué)的開(kāi)始,為現(xiàn)代中國(guó)接受外國(guó)文學(xué)影響的真正開(kāi)端。

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     The program combines translation, literature and linguistic theories with translation practice and courses aimed at improving comprehensive linguistic capability.

     學(xué)生在校期間，轉(zhuǎn)喻在翻譯教學(xué)運(yùn)用中特別要注重翻譯的實(shí)踐，，并且要關(guān)注其中的諸多關(guān)系，諸如語(yǔ)言和文化、英漢比較、翻譯評(píng)論以及翻譯歷史等，并簡(jiǎn)要介紹國(guó)內(nèi)外翻譯理論發(fā)展?fàn)顩r。

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     Miscomprehensions in Translation Literature and Their Implications

     翻譯著述中的理解錯(cuò)位及其啟示

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     This thesis, based on the explanation of Andre Lefevere's theory hypothesis about the constraints of ideology in the translation process, by focusing on the poetry translation in China from the 1920s to 1930s, explores the relationship between ideology and the translation literature.

     本文試以中國(guó)二三十年代外國(guó)詩(shī)歌翻譯為研究,探討在文化多元系統(tǒng)中占主導(dǎo)地位的意識(shí)形態(tài)對(duì)當(dāng)時(shí)詩(shī)歌翻譯的諸多影響,包括翻譯標(biāo)準(zhǔn)的流變、翻譯主題的多元化以及譯作詩(shī)體結(jié)構(gòu)與創(chuàng)作手法。

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     Translation and Feminine Literature

     翻譯與女性文學(xué)——朱虹教授訪談錄

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     third on the literature of translation;

     三要著重發(fā)展翻譯文學(xué) ;

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     translation.

     三是翻譯。

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查詢“translation literature”譯詞為用戶自定義的雙語(yǔ)例句
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  translation literature

A review of machine translation literature did not address the issue of how to translate names between languages with different orthography.

The development of literature of translation in 30's has its historical background. It experienced the phases with various characteristics, forming its striking features as a whole. It greatly influenced the Chinese literature at that time. The establishment of translation theory and a lot of translation works also marked the prosperity of translation literature in 1930's.

三十年代翻譯文學(xué)長(zhǎng)足發(fā)展有其歷史原因。它經(jīng)歷過(guò)各有特色的發(fā)展時(shí)期 ,又形成了鮮明的整體特色 ,極大地影響了三十年代中國(guó)文學(xué)。此外 ,翻譯理論的建設(shè)和翻譯陣地的出現(xiàn) ,也是三十年代翻譯文學(xué)走向繁榮的標(biāo)志。

A seemingly simplest question in the field of translation, defining translation involves much complexity, depth and attraction for its diversity and characteristics at home and abroad, which reflects the state of art in the domain. It is an interesting fact that, after thousands of years of practice, it turns out that no single definition has won worldwide acceptance, though one can easily come by a definition in the translation literature. The present article is an attempt to analyze this peculiar phenomenon....

A seemingly simplest question in the field of translation, defining translation involves much complexity, depth and attraction for its diversity and characteristics at home and abroad, which reflects the state of art in the domain. It is an interesting fact that, after thousands of years of practice, it turns out that no single definition has won worldwide acceptance, though one can easily come by a definition in the translation literature. The present article is an attempt to analyze this peculiar phenomenon.

“翻譯” (本文指文學(xué)翻譯 )的定義在翻譯這門學(xué)科里是個(gè)看似最簡(jiǎn)單的問(wèn)題 ,然而因其在國(guó)內(nèi)和國(guó)外林林總總、各具特色 ,顯露出復(fù)雜、深刻而又色彩斑斕的一面 ,折射出當(dāng)前該學(xué)科領(lǐng)域熱門話題———翻譯理論的種種縮寫(xiě)。當(dāng)翻譯活動(dòng)經(jīng)歷了幾千年悠久的歷史后 ,卻仍無(wú)一條翻譯定義為世人公認(rèn) ,而當(dāng)今世界形形色色的翻譯定義又俯拾即是 ,“這是一個(gè)頗耐玩味的事實(shí)”。在此 ,文章對(duì)這一獨(dú)特的現(xiàn)象作了分析

This paper made an analysis of a random collection of miscomprehensions from translation literature, showing that in the course of interlingual translating, comprehension is of paramount importance and very hard. Based on the analysis, some implications have been drawn for translators, translation theorists and teachers. It has also raised some questions concerning the relationship between translation theory and practice in the hope that due attention should be paid to it.

本文分析了部分翻譯著述中的理解錯(cuò)位實(shí)例 ,說(shuō)明了翻譯過(guò)程中理解的重要和艱難 ,并根據(jù)對(duì)這些實(shí)例的分析得出幾點(diǎn)對(duì)于翻譯工作者、翻譯理論以及外語(yǔ)教學(xué)工作的啟示 ,同時(shí)也提出了幾個(gè)有關(guān)翻譯理論與實(shí)踐方面的問(wèn)題 ,望能引起有關(guān)人員的重視。

  本文關(guān)鍵詞：文化操縱與利用:意識(shí)形態(tài)與翻譯文學(xué)經(jīng)典的建構(gòu)——以20世紀(jì)五六十年代中國(guó)的翻譯文學(xué)為研究中心，由筆耕文化傳播整理發(fā)布。