【摘要】：徐小斌是當(dāng)代文壇一位敘事風(fēng)格鮮明的作家,自1981年發(fā)表處女作《春夜靜悄悄》以來(lái),在小說(shuō)創(chuàng)作上漸漸形成了自己的特色:不僅題材廣泛、神秘,人物鮮明、復(fù)雜,語(yǔ)言生動(dòng)、雋永,而且也擁有了自己的敘事策略。論文以徐小斌的小說(shuō)文本為研究對(duì)象,以文本細(xì)讀為主要研究方法,運(yùn)用敘事學(xué)和修辭學(xué)的相關(guān)理論,從三個(gè)方面對(duì)徐小斌小說(shuō)的敘事策略進(jìn)行探究:第一章分析徐小斌小說(shuō)的視角策略。在小說(shuō)視角的建構(gòu)過(guò)程中,徐小斌借鑒話本小說(shuō)視角的寫(xiě)法,采用了小說(shuō)視角的流動(dòng)性策略和現(xiàn)場(chǎng)感策略。首先,她以全知視角與限知視角的交叉使用構(gòu)成整篇小說(shuō)的流動(dòng)視角,形成小說(shuō)視角的流動(dòng)性。其次,她通過(guò)模擬傳統(tǒng)的說(shuō)書(shū)情境,插入第二人稱(chēng)標(biāo)識(shí)“你”,形成小說(shuō)視角的現(xiàn)場(chǎng)感。第二章分析徐小斌小說(shuō)的結(jié)構(gòu)策略。在小說(shuō)結(jié)構(gòu)的布局上,徐小斌主要采取了情節(jié)的模式化策略和人物的對(duì)立式策略。首先,通過(guò)對(duì)姐妹情誼和兩性婚戀情節(jié)的反復(fù)書(shū)寫(xiě),其小說(shuō)形成了兩種較為典型的情節(jié)模式:姐妹情誼模式和兩性婚戀模式。其次,通過(guò)設(shè)置一組組對(duì)立式的人物形象,小說(shuō)形成了一種典型的人物模式:二元對(duì)立的純潔女性與妖嬈女性。第三章分析徐小斌小說(shuō)的修辭策略。在小說(shuō)修辭的選擇上,徐小斌主要運(yùn)用了譬喻和象征。首先,她以日常生活中司空見(jiàn)慣的事物作為譬喻的本體和喻體,使小說(shuō)語(yǔ)言更加生動(dòng)、形象。其次,她選用水(不同形態(tài))和女巫作為象征修辭的本體,使小說(shuō)呈現(xiàn)出多層意蘊(yùn)內(nèi)涵,增添了小說(shuō)語(yǔ)言的厚重感。作為一位有著30多年創(chuàng)作經(jīng)驗(yàn)的小說(shuō)家,徐小斌在創(chuàng)作方面已經(jīng)形成了自己的敘事策略,有自己的敘事方法,這也是她小說(shuō)創(chuàng)作的一大特色。徐小斌的創(chuàng)作仍在繼續(xù),其小說(shuō)將會(huì)在一次次的敘事中日臻完善。
[Abstract]:Xu Xiaobin is a writer with a bright narrative style in contemporary literary circles. Since he published his first novel "Spring Night quietly" in 1981, he has gradually formed his own characteristics in the creation of novels: not only is the subject matter wide, mysterious, the characters bright and complex, The language is vivid, meaningful, and has its own narrative strategy. The thesis takes Xu Xiaobin's novel text as the research object, takes the text careful reading as the main research method, uses the related theories of narratology and rhetoric. This paper probes into the narrative strategies of Xu Xiaobin's novels from three aspects: the first chapter analyzes the visual angle strategies of Xu Xiaobin's novels. In the process of constructing the novel perspective, Xu Xiaobin uses the novel visual angle writing method for reference, and adopts the fluidity strategy and the scene feeling strategy of the novel visual angle. First of all, she uses the omniscient perspective and the restricted perspective to form the flowing perspective of the whole novel and forms the fluidity of the novel perspective. Second, she simulates the traditional storytelling situation and inserts the second person to identify you to form the scene of the novel perspective. The second chapter analyzes the structure of Xu Xiaobin's novels. In the layout of the novel structure, Xu Xiaobin mainly adopts the plot pattern strategy and the character opposite strategy. Firstly, through the repeated writing of sisterhood and bisexual love, two typical plot patterns are formed: sisterhood and bisexual love. Secondly, by setting up a group of opposing characters, the novel forms a typical character pattern: dualistic pure women and enchanting women. The third chapter analyzes the rhetorical strategies of Xu Xiaobin's novels. In the choice of novel rhetoric, Xu Xiaobin mainly uses metaphor and symbolism. First of all, she takes the common things in her daily life as the figurative Noumenon and metaphor, which makes the novel language more vivid and vivid. Secondly, she chooses water (different forms) and witches as the body of symbolic rhetoric, so that the novel presents multiple connotations and adds the thick feeling of the language of the novel. As a novelist with more than 30 years' creative experience, Xu Xiaobin has formed his own narrative strategy and has her own narrative method, which is also a major feature of her novel creation. Xu Xiaobin's creation is still continuing, and his novels will be perfected day by day in narration.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.42

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