【摘要】：中國(guó)知識(shí)分子的誕生、衍化與整個(gè)現(xiàn)代化過程相因相契,他們作為文化生產(chǎn)與傳承的主體,始終承擔(dān)著社會(huì)價(jià)值取向、人類終極意義的建構(gòu)和闡釋使命。文學(xué)中的知識(shí)分子敘事在一定意義上是作家鏡像式地反觀自身的行為,折射出知識(shí)分子生存狀態(tài)與精神境遇的變遷。90年代以來(lái),隨著市場(chǎng)經(jīng)濟(jì)的展開,知識(shí)分子從“文化英雄”滑落至社會(huì)邊緣,作家的敘事策略發(fā)生了從建構(gòu)到解構(gòu)的驟變,文學(xué)中呈現(xiàn)出一系列價(jià)值失落、欲望沉淪的儒生百態(tài)圖,主題意蘊(yùn)也日趨多元,敘事風(fēng)格從寫實(shí)走向反諷,共同構(gòu)成這一時(shí)期紛繁復(fù)雜的敘事景觀。90年代以來(lái)的知識(shí)分子小說(shuō)敘事不僅具有自身的審美內(nèi)涵與闡釋價(jià)值,同時(shí)與轉(zhuǎn)型期的歷史文化語(yǔ)境、作家主體的知識(shí)分子身份意識(shí)有著內(nèi)在關(guān)聯(lián),兼具文學(xué)敘事、審美價(jià)值與思想文化價(jià)值。本文立足于“20世紀(jì)90年代以來(lái)”這一特定的時(shí)間概念所框定的論述空間,采取審美闡釋與理論剖析,史與論相結(jié)合的研究思路,首次對(duì)90年代以來(lái)的知識(shí)分子敘事進(jìn)行梳理與系統(tǒng)研究,在認(rèn)真發(fā)掘其獨(dú)特審美內(nèi)涵的同時(shí),廓清錯(cuò)綜復(fù)雜的精神癥候,透視當(dāng)下知識(shí)分子的生存境遇。緒論部分,首先對(duì)“知識(shí)分子”進(jìn)行譜系式溯源,其次對(duì)20世紀(jì)小說(shuō)中的知識(shí)分子形象做簡(jiǎn)要回顧,最后對(duì)論題的選題依據(jù)及研究現(xiàn)狀做詳致說(shuō)明;第一章主要從懸空性、犬儒性與悲劇性著手,結(jié)合重點(diǎn)作品,歸納90年代以來(lái)知識(shí)分子形象審美內(nèi)涵的衍變特征;第二章從主題學(xué)層面,以知識(shí)分子的生存性不安、信仰危機(jī)與重續(xù)啟蒙精神為主線,集中探尋知識(shí)分子小說(shuō)的弒父、逃離、瘋癲、欲望、虛無(wú)、救贖等主題意蘊(yùn);第三章從祛魅化的反諷敘事、多元化的敘述視角兩方面深入解析,力圖凸顯90年代以來(lái)知識(shí)分子敘事的總體風(fēng)格。
[Abstract]:The birth and evolution of Chinese intellectuals are closely related to the whole process of modernization. As the main body of cultural production and inheritance, they are always bearing the social value orientation and the mission of constructing and explaining the ultimate meaning of human beings. In a certain sense, the narrative of intellectuals in literature is a mirror reflection of their own behavior, reflecting the changes of intellectuals' living state and spiritual circumstances since the 1990s, with the development of the market economy. The intellectuals fell from "cultural hero" to the social edge, the narrative strategy of the writer changed from construction to deconstruction, and a series of lost values and desires of Confucian students appeared in literature, and the theme meaning was becoming more and more diverse. The narrative style from realism to irony constitutes the complex narrative landscape of this period. The narrative of intellectuals' novels since the 1990s has not only its own aesthetic connotation and explanatory value, but also the historical and cultural context in the transition period. The intellectual identity consciousness of the main body of the writer is intrinsically connected with literary narration, aesthetic value and ideological and cultural value. Based on the discussion space defined by the special time concept "since the 1990s", this paper adopts the research ideas of aesthetic interpretation and theoretical analysis, and the combination of history and theory. It is the first time to comb and systematize the narration of intellectuals since the 1990s, to explore its unique aesthetic connotation, to clarify the complex spiritual symptoms and to see through the living conditions of the intellectuals at present. In the introduction part, we first trace the genealogical origin of "intellectuals", then briefly review the image of intellectuals in the novels of the 20th century. Finally, we give a detailed explanation of the basis of the topic and the current research situation. Cynicism and tragedy, combined with key works, sum up the evolvement characteristics of intellectual image aesthetic connotation since 1990s. The second chapter focuses on intellectuals' existential uneasiness, belief crisis and renewed enlightenment spirit. Focusing on the intellectual novel of patricide, escape, madness, desire, nothingness, redemption and other themes; chapter three from the disenchantment of irony narrative, diversified narrative perspective in-depth analysis, It tries to highlight the overall style of intellectuals' narrative since the 1990's.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42

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