發(fā)布時(shí)間：2018-07-27 12:32

【摘要】：詞律研究是詞學(xué)研究的一個(gè)重要方面,歷來是學(xué)者關(guān)注的重點(diǎn)。隨著研究方法的進(jìn)步與研究材料的不斷豐富,詞學(xué)批評(píng)與詞學(xué)理論的建構(gòu)不斷完善,但在詞律研究方面,歷來的詞譜專書,或由于研究方法的缺陷,或由于研究范圍的限制,呈現(xiàn)出片面性的傾向,不能完整地反映其面貌。全唐五代詞可稱為詞的濫觴,與音樂仍然保持著密切的關(guān)系,這時(shí)期的詞調(diào)呈現(xiàn)出不同于后世的獨(dú)特風(fēng)貌,有的詞調(diào)為后人繼承發(fā)展,為詞的繁榮奠定了堅(jiān)實(shí)的基礎(chǔ),有的詞調(diào)卻由于各類原因就此消亡。目前卻并未有專門的著作詞譜對(duì)其進(jìn)行詳細(xì)的分析描述,本文以曾昭岷主編的《全唐五代詞》正編部分為底本,對(duì)其中的四十至五十字小令進(jìn)行窮盡式搜索,主要參考《廣韻》,對(duì)每一個(gè)字的聲、韻、調(diào)進(jìn)行分析后,總結(jié)各詞調(diào)詞體,將其用韻情況與詩韻以及十六攝進(jìn)行對(duì)比分析,試圖以此分析當(dāng)時(shí)的韻部特點(diǎn)。對(duì)詞譜、文學(xué)史、語音史等方面都具有一定的作用。本文共分為六個(gè)部分,具體內(nèi)容如下:緒論部分包括本文選題的理由和意義、國內(nèi)外目前的研究現(xiàn)狀,對(duì)本文的體例作出一定的說明;第一章詞的綜述,主要是對(duì)于詞的總體情況作出說明,對(duì)詞調(diào)的意義、詞譜的產(chǎn)生與流變作出說明,并簡要介紹最早的文人詞集《花間集》與《尊前集》,本文所收詞作多源于此;第二章和第三章具體詞譜研究,對(duì)本文所收二十三個(gè)詞牌,共計(jì)一百四十一首詞,進(jìn)行了系統(tǒng)的分析和歸納,總結(jié)出了這二十三個(gè)詞牌的詞譜,并列出詞作進(jìn)行說明;第四章從四十五至五十字小令看全唐五代詞的用韻對(duì)一百四十一首詞的用韻情況進(jìn)行的統(tǒng)計(jì)與分析,以列表的形式將其與二百零六韻與十六攝進(jìn)行對(duì)比,試圖從中發(fā)現(xiàn)全唐五代時(shí)期的用韻和語音特點(diǎn);最后一部分為結(jié)語,對(duì)全文內(nèi)容作出總結(jié)與概括說明。
[Abstract]:The study of ci-Rhythm is an important aspect of ci-study and has always been the focus of scholars. With the progress of research methods and the enrichment of research materials, the construction of ci criticism and ci theory has been improved. However, in the study of ci and Rhythm, there have always been special books on the lexical spectrum, either because of the defects of the research methods or because of the limitation of the scope of the study. The tendency to present one-sidedness cannot reflect its appearance completely. Ci in the whole Tang and five dynasties can be called as the origin of ci, and it still maintains close relationship with music. The ci tone of this period presents a unique style and features different from those of later generations, some of which are inherited and developed by later generations and laid a solid foundation for the prosperity of ci. Some words have died because of various reasons. At present, however, there are no specialized works on the ci spectrum to carry out a detailed analysis and description. This article takes Zeng Zhaomin's "ci of the whole Tang and five dynasties" as the basis, and makes an exhaustive search of the 40 to 50 word orders among them. After analyzing the sound, rhyme and tone of each word, the author summarizes the style of every word, compares the rhyme with the rhyme of poetry and sixteen pictures, and tries to analyze the characteristics of the prosody at that time. It plays an important role in ci spectrum, literary history, phonetic history and so on. This paper is divided into six parts, the specific contents are as follows: the introduction part includes the reasons and significance of this topic, the current research situation at home and abroad, to a certain extent, the style of this article; the first chapter of the summary of the word, It mainly explains the general situation of ci, the meaning of ci tone, the generation and evolution of ci spectrum, and briefly introduces the earliest collection of literati ci "Hua Jian Ji" and "respect the former Collection", from which most of the ci works received in this paper come from. The second chapter and the third chapter concrete word spectrum research, has carried on the systematic analysis and the induction to this article 23 word boards, altogether 141 words, has summed up these 23 words sign word spectrum, and has listed the word writing to carry on the explanation; The fourth chapter looks at the statistics and analysis of the rhyme of 141 poems in the whole Tang and five dynasties from 45 to 50 characters, and compares them with 206 rhymes and sixteen photographs in the form of a list. This paper tries to find out the features of rhyme and pronunciation in the whole Tang and five dynasties. The last part is the conclusion, which summarizes and generalizes the content of the full text.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.23

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本文編號(hào)：2147841