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孫應(yīng)時(shí)及其詩歌研究

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【摘要】:孫應(yīng)時(shí)(1154-1206),字季和,號燭湖居士,南宋中期詩人和理學(xué)家。他有《燭湖集》二十卷傳世,其中詩作600余首,但目前為止其人其詩并沒有引起學(xué)界研究的重視。本文從孫應(yīng)時(shí)的家世生平、交游活動、詩歌題材、詩學(xué)思想和詩歌藝術(shù)特色等五個(gè)方面進(jìn)行研究,力求對孫應(yīng)時(shí)及其詩歌有一個(gè)較為全面的把握。第一章主要梳理孫應(yīng)時(shí)的家世和生平,并在此基礎(chǔ)上分析孫應(yīng)時(shí)的家世和生平對其詩歌創(chuàng)作產(chǎn)生的影響。在家世方面,其父孫介對作詩的喜好和家庭內(nèi)部頻繁的唱和活動是孫應(yīng)時(shí)少年時(shí)期詩歌創(chuàng)作的重要誘因;在生平方面,艱辛的為官和入幕經(jīng)歷使得孫應(yīng)時(shí)后期的詩歌常表現(xiàn)出對歸隱的渴望。第二章主要對孫應(yīng)時(shí)的交游活動進(jìn)行考察。孫應(yīng)時(shí)交游拓展的重要時(shí)期分為居鄉(xiāng)求學(xué)、為官黃巖、東湖講學(xué)、四川入幕和為官常熟五個(gè)階段,其交游對象以理學(xué)大儒和同僚為主,為官常熟時(shí)期與江湖詩人的來往是他交游對象的一大新變。第三章是對孫應(yīng)時(shí)詩歌題材內(nèi)容的分類探討。根據(jù)孫應(yīng)時(shí)詩歌的具體內(nèi)容將其分為山水紀(jì)游詩、唱和交游詩、即事感懷詩三類,其中山水紀(jì)游詩是研究的重點(diǎn)。第四章是對孫應(yīng)時(shí)理學(xué)觀念下詩學(xué)思想的研究。孫應(yīng)時(shí)在給友人寫的序跋和書信中提出“無詩令人俗”、“詩人不俗故窮”、“詞不如詩”、“作詩如飲酒”等觀點(diǎn),而這些觀點(diǎn)是與當(dāng)時(shí)的文壇觀念,特別是理學(xué)觀念密不可分的。第五章是對孫應(yīng)時(shí)詩歌藝術(shù)特點(diǎn)的分析。本章將其藝術(shù)特點(diǎn)分為藝術(shù)風(fēng)格和藝術(shù)手法兩個(gè)部分考察。在孫詩的藝術(shù)風(fēng)格中,我們能看到其平易自然的一面,也能看到雄奇沉郁的一面,同時(shí),他詩歌中亦流露出理學(xué)氣和江湖氣的一面。在孫詩的藝術(shù)手法中,以文為詩和擬人、疊詞手法的使用較為突出。此外,論文附錄對《燭湖集》中收錄有誤的五首詩歌進(jìn)行了辨誤,并且輯佚了八首孫應(yīng)時(shí)的詩歌。
[Abstract]:Sun Yingshi (1154-1206), Zhouhe, Zhouhu Jushi, poet and Neo-Confucianism in the Southern Song Dynasty. He has 20 volumes of Candle Lake, among which more than 600 poems have not been paid attention to by scholars. This paper studies Sun Yingshi's family life, social activities, poetic themes, poetic thoughts and poetic artistic characteristics, and tries to have a more comprehensive grasp of Sun Yingshi and his poems. The first chapter mainly combs Sun Yingshi's family background and life story, and on this basis analyzes the influence of Sun Yingshi's family background and life story on his poetry creation. In the aspect of family life, his father, Sun Jie's preference for poetry writing and the frequent singing activities within his family were the important inducements for Sun Yingshi's poetry creation in his youth. Sun Yingshi's late poems often show a desire for retreat because of his hard work as an official and an entry into the curtain. The second chapter mainly studies Sun Yingshi's social activities. The important period of Sun Yingshi's friendship and development was divided into five stages: studying in the village, studying for the official Huang Yan, lecturing in the East Lake, entering the curtain in Sichuan and Changshu as the official. The main objects of his friends were Neo-Confucianism and his colleagues. The communication between Guan Changshu and the river poet is a new change of his friends. The third chapter discusses the classification of the content of Sun Yingshi's poems. According to the specific content of Sun Yingshi's poems, it is divided into three types: landscape poems, singing poems and friendship poems. The fourth chapter is the study of Sun Yingshi's poetics under the concept of Neo-Confucianism. In his prefaces and letters to his friends, Sun Yingshi put forward such viewpoints as "no poetry makes people vulgar", "poets are not vulgar and poor", "poetry is not as good as poetry" and "making poems like drinking", and these views are in line with the literary concepts of the time. In particular, the concept of Neo-Confucianism is inseparable. The fifth chapter is the analysis of the artistic characteristics of Sun Yingshi's poetry. This chapter divides its artistic characteristic into two parts: artistic style and artistic technique. In the artistic style of Sun's poetry, we can see its natural side, but also can see the magnificent gloomy side, at the same time, his poetry also shows the Neo-Confucianism and the quack air side. In the artistic technique of Sun's poems, Wen is regarded as poetry and personification, and the use of reduplicating words is more prominent. In addition, the appendix distinguishes the five poems collected in the Book of Candle Lake and eight poems by Sun Yingshi.
【學(xué)位授予單位】:南京師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:I207.22

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