本文選題：上京紀行詩 + 扈從��； 參考：《南京師范大學》2017年碩士論文

【摘要】：上京紀行詩或稱元上都扈從詩,是元朝兩都巡幸制度下的產(chǎn)物,也是本課題的主要研究對象。兩都巡幸制度自忽必烈中統(tǒng)年間制定后,終元一代不曾廢止。歷年夏初之時,皇帝均攜后宮、子嗣、百官以及親王從大都到上都避暑,一是維穩(wěn)邊塞,二是回溯民族文化、不忘初心。這一活動的隨行者眾多,其中囊括了翰林、御史、編修等重要的文官,同時更為文人出塞提供了便利機會,出現(xiàn)了中國歷史上第二次文人出塞高潮,也形成了為數(shù)眾多的上京紀行詩。從上都到大都的紀行詩皆是針對具體地理坐標、具體事件而寫的時人心靈史,各個具有文化意義的地理坐標已經(jīng)構(gòu)成了可供切入的研究主線。其中影射的文化交融、多民族文化碰撞、異民族統(tǒng)治下的文人心態(tài)均可附于獨特的地理意象、地理抒情中。本文試圖借助文化地理學、地域文學視角對上京紀行詩進行整合性的文化闡釋。上京紀行詩是在元朝空前統(tǒng)一的盛況下誕生的極富文化意蘊和思想內(nèi)涵的新議題,屬于國境之內(nèi)的異域書寫。居庸關(guān)、長城以北的塞北地域,漠南、漠北等游牧民族活動的地域,對以往的漢族王朝而言,是騎置難至、轍跡罕及之處,卻在元代成為文人可以耳聞目見、真切感受的地域。除了書寫異域,草原都城上京以及都城輻射下的蒙古族文化圈也是一個全新的內(nèi)容。異域、政治中心、游牧民族文化中心,這是漢語表義系統(tǒng)所要納入的全新知識,文人尤其是漢族文人將如何處理這些新型問題與自我的關(guān)系,這是本次研究所要探討的重要問題。從宏觀角度看,本文進行的是文獻基礎(chǔ)上的專題研究。全文由緒論、正文四章和結(jié)語構(gòu)成。本文試圖從文化地理學和空間理論中尋求統(tǒng)籌文化闡釋的直觀方法,針對紀行詩發(fā)生的現(xiàn)實條件——旅行,在地理點的線性鋪展中尋求文化、歷史因素重疊較多、對元代詩人感性認知影響較大的地理空間,進行文化闡釋。針對上京紀行詩內(nèi)容的集中程度,從圍繞上京的詩作和圍繞扈從途中紀行的詩作入手,從以居庸關(guān)、長城為敘述背景的舊時邊塞地域,作為異域都城的上都空間,“江南”地域空間與“塞北”之間的關(guān)聯(lián)性等三個研究專題進行“文學——文人——文化”式的探討。
[Abstract]:It is the product of the system of visiting the two capital in Yuan Dynasty and the main research object of this subject. Since the establishment of the Hu Bilie, the last generation of the Yuan Dynasty has not been abolished. At the beginning of summer, the emperor took the imperial palace, children, hundreds of officials and princes from most to the summer, one is to maintain the border fortress, the other is to trace back to the national culture, and not forget the original ideals and aspirations. This activity was accompanied by a large number of people, including Hanlin, imperial history, editing and other important civil servants. At the same time, it provided a convenient opportunity for the literati to come out of the barrier, and there was the second high tide of literati in Chinese history. It also formed a large number of poems in Beijing. From the upper capital to most of the Ji Xing poems are aimed at the specific geographical coordinates, specific events and write the history of the human mind, each of the geographical coordinates with cultural significance has become the main line of research that can be cut into. Among them, the cultural blending of insinuation, the collision of multi-national culture and the mentality of literati under the rule of different nationalities can be attached to the unique geographical image and geographical lyricism. In this paper, the author tries to explain the integration of Shangjing's poems with the help of cultural geography and regional literature. In the Yuan Dynasty, a new topic of cultural meaning and ideological connotation was born under the unprecedented unity of the Yuan Dynasty, which belongs to the foreign writing within the boundary of China. Juyongguan, north of the Great Wall, north of Saibei, desert south, desert north and other areas of nomadic activities, for the past Han dynasty, it is difficult to ride, ruts rarely reached, but in the Yuan Dynasty become literati can hear, see and see, really feel the region. In addition to writing exotic land, the grassland capital city in Beijing and the Mongolian cultural circle under the capital city radiation is also a new content. Alien, political center, nomadic culture center, this is the new knowledge to be included in the Chinese semantic system. How will the literati, especially the Han literati, deal with these new problems and the relationship between themselves and themselves? This is an important issue to be explored in this study. From the macro point of view, this paper is based on the literature of the thematic study. The full text consists of an introduction, four chapters and a conclusion. This paper attempts to seek an intuitive method of cultural interpretation from cultural geography and space theory, aiming at the realistic condition of the occurrence of Ji Xing poem-travel, and seeking culture in the linear spread of geographical points, the historical factors overlap more. Cultural interpretation of the geographical space in which the perceptual cognition of the poets of the Yuan Dynasty has a great influence. In view of the concentration degree of the content of the poetry of the excursion, starting with the poetry of the Shangjing and the poetry of the excursion along the way, starting with the old frontier fortress region with Juyongguan and the Great Wall as the narration background, as the upper capital space of the foreign capital city, the paper points out that the former frontier fortress area with the narration background of Juyongguan and the Great Wall. The relationship between the regional space and the north of the Yangtze River is discussed in the form of literature-literati-culture.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22

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