本文選題：張岱 + 小品��； 參考：《華中師范大學(xué)》2017年碩士論文

【摘要】：本文主要采用文學(xué)理論和文獻(xiàn)考證的方法,對(duì)張岱小品的文學(xué)概念、文獻(xiàn)情況、文學(xué)內(nèi)部特征等進(jìn)行論證和辨析。首先,初步明確“小品”在具體時(shí)代的概念內(nèi)涵,通過對(duì)小品一詞概念的充分辨析,構(gòu)建一個(gè)基本的理論框架。其次,回歸到本文的具體研究對(duì)象——張岱的小品,明晰其小品文獻(xiàn)的形態(tài)樣貌、體例特征、內(nèi)容情感等。再次,對(duì)張岱小品的世俗化形態(tài)分別加以說明和論證。最后,對(duì)張岱小品“性靈”特征的來源和表現(xiàn)進(jìn)行探索和論證。本文主體部分主要分為四章,與此同時(shí),編撰附錄四個(gè),附于全文主體部分之后。第一章為“小品”概念的辨析,分別從文體、文學(xué)審美范式和文學(xué)風(fēng)尚等方面進(jìn)行考證和論析,通過對(duì)晚明文人們對(duì)小品的談?wù)搧肀嫖鏊木唧w概念內(nèi)涵,從而對(duì)“小品”這一概念有一個(gè)明確的理性認(rèn)識(shí),并以此為本文研究的理論前提。第二章是對(duì)張岱小品著作的文獻(xiàn)形態(tài)予以分別探析,從它的成書時(shí)間、版本情況、文章體例、傳播情況等加以梳理和考證,對(duì)比分析其與晚明小品這一概念的理論契合處。第三章為張岱小品世俗化形態(tài)的分析論證,運(yùn)用世俗化理論和晚明文學(xué)思潮對(duì)張岱小品所呈現(xiàn)的市民化、享樂化與風(fēng)俗化等世俗形態(tài)進(jìn)行理據(jù)性說明。第四章是對(duì)張岱小品所呈現(xiàn)出的“性靈”特征的一個(gè)論析,分別從性靈最初的文字內(nèi)涵,其受晚明性靈文學(xué)的影響,以及其小品呈現(xiàn)性靈的具體表現(xiàn)來論證。附錄部分為《小品概念的演進(jìn)——魏晉至元》、《四庫全書總目對(duì)小品的述評(píng)》、《張岱小品的文獻(xiàn)著錄及使用情況》以及《張岱小品序跋補(bǔ)遺與評(píng)點(diǎn)輯錄》,主要是對(duì)小品概念的一個(gè)縱向梳理,為“小品” 一詞在晚明時(shí)期的具體概念提供佐證。同時(shí),從張岱小品的文獻(xiàn)和后世文人對(duì)其小品的點(diǎn)評(píng)情況,來客觀了解張岱小品外在與內(nèi)在的真實(shí)樣貌。
[Abstract]:This article mainly uses the literature theory and the literature textual research method, carries on the demonstration and the analysis to the Zhang Dai sketch literature concept, the literature situation, the literature internal characteristic and so on. First of all, the concept connotation of "sketch" in the specific era is made clear, and a basic theoretical framework is constructed by fully discriminating the concept of "sketch". Secondly, return to the specific research object of this article-Zhang Dai's sketch, clarify the shape and appearance, style characteristics, content emotion and so on. Thirdly, the secularization form of Zhang Dai's essay is explained and demonstrated separately. Finally, the author explores and demonstrates the origin and performance of Zhang Dai's short essay "sexual Spirit". The main body of this paper is divided into four chapters, at the same time, the appendix four, attached to the main part of the full text. The first chapter is the differentiation and analysis of the concept of "essay", respectively from the aspects of style, literary aesthetic paradigm and literary fashion, etc. Thus, the concept of "sketch" has a clear rational understanding, and this is the theoretical premise of this study. The second chapter is to analyze the literature form of Zhang Dai's short works, from the time of its completion, edition, style, dissemination and so on to comb and textual research, comparative analysis of the late Ming Dynasty sketch this concept of theoretical convergence. The third chapter is the analysis and argumentation of the secularization form of Zhang Dai's essay, which is based on the theory of secularization and the literary trend of the late Ming Dynasty. The fourth chapter is a discussion and analysis of the characteristics of "spirit" in Zhang Dai's essay, respectively, from the original text connotation of the spirit, its influence by the literature of the spirit of the late Ming Dynasty, as well as the concrete performance of the short essay showing the spirit of nature. The appendix part is "the evolution of the concept of sketch-Wei, Jin to Yuan", "the commentary of the general heading of Siku", "the literature description and use of Zhang Dai's short works" and "the preface and postscript of Zhang Dai's short works and comments", which is mainly about small works. A vertical combing of the product concept, To provide evidence for the specific concept of the term "sketch" in the late Ming Dynasty. At the same time, from the literature of Zhang Dai's essays and the comments made by later literati on them, we can objectively understand the real appearance of Zhang Dai's essays.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.62

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 羅宗強(qiáng);;試析明代后期文學(xué)思想的世俗化傾向[J];天津社會(huì)科學(xué);2012年06期

2 蔣寅;;“神韻”與“性靈”的消長(zhǎng)——康、乾之際詩學(xué)觀念嬗變之跡[J];北京大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2012年03期

3 蔣國保;;儒學(xué)的民間化與世俗化——論泰州學(xué)派對(duì)“陽明學(xué)”的超越[J];南京大學(xué)學(xué)報(bào)(哲學(xué).人文科學(xué).社會(huì)科學(xué)版);2007年06期

4 黃開發(fā);;一個(gè)晚明小品選本與一次文學(xué)思潮[J];文學(xué)評(píng)論;2006年02期

5 陳水云;周云;;論晚明小品的世俗性[J];海南師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2006年01期

6 胡益民;張岱卒年及《明史紀(jì)事本末》作者問題再考辨[J];復(fù)旦學(xué)報(bào)(社會(huì)科學(xué)版);2004年05期

7 熊禮匯;略論公安派性靈說對(duì)晚明小品文發(fā)展之影響[J];天府新論;2004年02期

8 趙伯陶;17世紀(jì):小品精神的末路[J];武漢大學(xué)學(xué)報(bào)(人文科學(xué)版);2003年05期

9 陳平原;“都市詩人”張岱的為人與為文[J];文史哲;2003年05期

10 胡益民;張岱卒考辨[J];安徽大學(xué)學(xué)報(bào);2002年05期

相關(guān)博士學(xué)位論文 前1條

1 張海新;張岱及其詩文研究[D];復(fù)旦大學(xué);2011年

相關(guān)碩士學(xué)位論文 前1條

1 吳崇鳳;晚明江南市井文化管窺[D];中南民族大學(xué);2013年

，

本文編號(hào)：2071035