本文選題：初唐后妃 + 后妃生活　； 參考：《湘潭大學(xué)》2017年碩士論文

【摘要】：初唐后妃詩作為唐代詩歌的一部分,雖說不能與唐代男性主流文學(xué)抗衡,也是唐代文學(xué)重要的補充和點綴。初唐后妃們在后宮中凝結(jié)了自己的豐富情感世界,并用詩歌真誠而多樣態(tài)地表達自己內(nèi)心的思考和情感。本論文以初唐后妃詩為研究對象,探討初唐后妃詩歌的詩學(xué)淵源、整體風(fēng)貌、藝術(shù)特質(zhì)及其本體價值,也對初唐后妃詩的局限給予實事求是的評述。第一章緒論,首先對后妃詩歌進行界定,并對初唐后妃詩進行甄別,糾正長期以來對初唐后妃詩的一些誤讀,以此,更加準(zhǔn)確地把握初唐后妃詩歌的邊界與內(nèi)涵。本章還對初唐后妃詩的學(xué)術(shù)研究現(xiàn)狀進行梳理與評述。第二章介紹初唐后妃詩的歷史淵源及客觀背景。第三章與第四章是本論文的主體,分別從內(nèi)容和形式方面探討了初唐后妃詩歌的特質(zhì)。在題材上,初唐后妃詩主要表達后妃內(nèi)心情感、休閑娛樂、唱和應(yīng)制和宗廟祭祀等內(nèi)容。在藝術(shù)上,初唐后妃詩歌的體制多樣化,句式以五言為主。主體風(fēng)格顯得大氣包舉與曉暢鮮活。而在審美意象的運用上,初唐后妃善于運用具有陰柔美的妝飾意象和具有高雅美的松桂意象,它們分別暗示出初唐后妃生活的主體層面:綺靡的物質(zhì)生活和對精神自由的向往。固然,初唐后妃詩數(shù)量不多,必然存在著自己的局限性。但初唐后妃詩歌有自己的創(chuàng)作特質(zhì),加上后妃們特殊的政治地位,使得這些詩歌有其特有的價值和貢獻,包括對唐代新詩風(fēng)的促進、對山水詩歌的拓展以及對律詩發(fā)展的推動。本論文既有總體上歸納初唐后妃詩歌的共性,又注意分析初唐后妃詩所作詩歌的創(chuàng)作個性,共性與個性的統(tǒng)一才構(gòu)成一個具有研究意義的真實文本。本論文試圖從殘缺留存的詩歌中,盡力解釋和還原初唐后妃最真實的面貌和隱秘的情感。在這筆珍貴的女性文化遺產(chǎn)中,客觀、真實地挖掘出本屬于她們的價值和光彩,以豐富并完善唐代文學(xué)。
[Abstract]:As a part of Tang Dynasty poetry, imperial concubine poetry in early Tang Dynasty can not compete with male mainstream literature in Tang Dynasty, but it is also an important supplement and embellishment of Tang Dynasty literature. In the early Tang Dynasty, the imperial concubines condensed their rich emotional world in the palace, and expressed their inner thoughts and emotions in a sincere and varied manner. This thesis takes the poems of the imperial concubine in the early Tang Dynasty as the research object, discusses the poetics origin, the overall style, the artistic characteristic and the Noumenon value of the poetry of the imperial concubine in the early Tang Dynasty, and gives a realistic comment on the limitations of the poems of the imperial concubine in the early Tang Dynasty. In the first chapter, the author defines the poems of imperial concubines in the early Tang Dynasty, discriminates them, and corrects the misreading of them for a long time, so as to grasp more accurately the boundaries and connotations of the poems of imperial concubines in the early Tang Dynasty. This chapter also reviews the academic research of imperial concubines in the early Tang Dynasty. The second chapter introduces the historical origin and objective background of the imperial concubine poems in the early Tang Dynasty. The third and fourth chapters are the main body of this paper, respectively from the content and form of the characteristics of the imperial concubine poetry in the early Tang Dynasty. In terms of subject matter, poems of imperial concubines in the early Tang Dynasty mainly expressed her inner feelings, leisure and entertainment, singing and should system and temple sacrifices. In art, the early Tang Dynasty imperial concubine poetry system diversification, sentence pattern is mainly five characters. The main body style appears to be lively and lively. In the application of aesthetic image, the imperial concubine of the early Tang Dynasty was good at using the image of adornment with yin and softness and the image of pine and cinnamon with high elegance, which respectively implied the subject level of the life of the concubine in the early Tang Dynasty: the infamous material life and the yearning for spiritual freedom. Of course, the early Tang Dynasty imperial concubine poetry quantity is not many, must have own limitation. But the poems of imperial concubines in the early Tang Dynasty had their own characteristics of creation and special political status, which made these poems have their unique value and contribution, including the promotion of the new style of poetry in the Tang Dynasty, the expansion of landscape poetry and the promotion of the development of legal poems. This thesis not only generalizes the generality of imperial concubine poems in early Tang Dynasty, but also analyzes the creative individuality of poems written by imperial concubines in early Tang Dynasty. The unity of generality and individuality constitutes a real text with research significance. This thesis tries to explain and restore the real appearance and secret emotion of the concubine in the early Tang Dynasty. In this precious cultural heritage of women, objectively and truthfully excavate the value and luster that belongs to them in order to enrich and perfect the literature of Tang Dynasty.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22

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本文編號：2054364