本文選題：閻連科 + 民間資源　； 參考：《信陽師范學(xué)院》2015年碩士論文

【摘要】：閻連科作品的創(chuàng)作離不開民間資源,他把民間視為其創(chuàng)作現(xiàn)實(shí)主義的領(lǐng)域,他的作品不管在其哪個(gè)時(shí)期的文學(xué)創(chuàng)作中,都離不開民間資源。本文以閻連科的作品為研究對(duì)象,從文藝學(xué)的角度分析民間資源對(duì)作品創(chuàng)作的重要性。 閻連科作品中故事的敘述是與民間資源緊密聯(lián)系在一起的。閻連科的作品始于民間,民間資源是他的作品發(fā)展創(chuàng)作的源泉,河南作家特有的歷史質(zhì)感使他對(duì)這片土地有著濃厚的感情。閻連科的作品創(chuàng)作很多來源于這片土地,他的作品中有著各種各樣民間故事的影子,有些似曾相識(shí),有些熟悉而又陌生,這是因?yàn)殚愡B科把它們加工再創(chuàng)造,用這些大家都熟悉的故事模式,講述不一樣的奇異世界。 閻連科作品中人物的塑造離不開民間資源。很多民間人物都給了他創(chuàng)作的靈感,他故事中人物的原型,可能是一個(gè)市井小民,也可能是一個(gè)基層公務(wù)員,正是這些平凡的存在,給了他特殊的靈感,勾勒出了一個(gè)個(gè)性格奇特的小說人物。 在他的作品中運(yùn)用了大量的民間資源,有很多作品的敘事明線是由民間資源支撐起來的,例如《藝妓芙蓉》里面的祥符調(diào),《耙耬天歌》里面用親人的血肉做藥引的民間土方等。故事的敘述圍繞著這些民間話題展開,把矛盾沖突擴(kuò)大化,把個(gè)個(gè)原本平常的故事描寫的震撼而又魔幻,筑造出一個(gè)個(gè)光怪陸離的世界。 從整體上說,民間資源的運(yùn)用使閻連科的作品包滿而豐富起來。多姿多彩的民間資源,賦予了他的作品繽紛的色彩,貼近人民生活,使人們更容易接受。形式多樣的小說主題本該使他的作品顯得雜亂,卻因作品中共同區(qū)域特色,相同的民間風(fēng)俗而貼近一體,形成四個(gè)系列,慢慢組成了專屬于他的“耙耬山脈”與“瑤溝世界’ 本文以閻連科系列作品為研究對(duì)象,在吸取前人的研究成果的基礎(chǔ)上運(yùn)用歸納、總結(jié)的研究方法,來研究閻連科是怎么運(yùn)用民間資源來進(jìn)行文學(xué)敘事的。希望通過研究,能反映出閻連科作品所特有的民間性,從而展現(xiàn)出民間資源對(duì)于他作品創(chuàng)作的意義。
[Abstract]:The creation of Yan Lianke's works can not be separated from the folk resources. He regards the folk as the realm of his creative realism, and his works are inseparable from the folk resources in any period of his literary creation. Taking Yan Lianke's works as the object of study, this paper analyzes the importance of folk resources to the creation of works from the point of view of literature and art. The narration of the story in Yan Lianke's works is closely related to folk resources. Yan Lianke's works started from the folk, and folk resources were the source of his works' development and creation. The unique historical texture of Henan writers made him have strong feelings for this land. Yan Lianke created a lot of his works from this land. In his works, there are shadows of various folk stories, some familiar and unfamiliar. This is because Yan Lianke processed them and recreated them. Use these familiar story patterns to tell different strange worlds. The portrayal of characters in Yan Lianke's works is inseparable from folk resources. Many folk figures have given him inspiration for his creation. The archetype of the characters in his story may be a local citizen or a grass-roots civil servant. It is these ordinary existence that give him special inspiration. It sketches out the characters of a strange novel. A large number of folk resources have been used in his works, and the narrative lines of many works have been supported by folk resources, such as the auspicious tune in Furong of Geisha, the folk earthwork which is induced by the blood and flesh of relatives, and so on. The narration of the story revolves around these folk topics, expands the contradiction and conflict, and creates a strange world with the shock and magic of the original ordinary story description. On the whole, the use of folk resources makes Yan Lianke's works full and rich. The colorful folk resources endow his works with colorful colors, close to the people's life and make them more acceptable. The various themes of his novels should have made his works seem messy, but because of the common regional characteristics and the same folk customs in his works, they came close to one, forming four series. Slowly formed his own "rake mountain range" and "Yao ditch world 'this article takes Yan Lianke series works as the research object, uses the induction, the summary research method on the basis of absorbing the predecessor's research result, To study Yan Lianke how to use folk resources to carry out literary narration. It is hoped that the study can reflect the folk character of Yan Lianke's works and thus show the significance of folk resources to his works.
【學(xué)位授予單位】：信陽師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42

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本文編號(hào)：2050558