本文選題：高曉聲 + 苦難書寫　； 參考：《南京師范大學(xué)》2015年碩士論文

【摘要】：高曉聲是當(dāng)代著名作家,自1951年便開始從事小說(shuō)創(chuàng)作,直至晚年,仍是筆耕不輟。其作品受到讀者廣泛的歡迎。高曉聲的小說(shuō)以穩(wěn)健細(xì)致的刻畫、幽默深沉的語(yǔ)言為我們呈現(xiàn)了自新中國(guó)成立以來(lái)農(nóng)民和知識(shí)分子在不同的社會(huì)時(shí)期因外部的左傾錯(cuò)誤和內(nèi)在頑固的國(guó)民性而導(dǎo)致的種種苦難。這種苦難書寫不僅僅為我們提供了一種生活和心理上的苦難景象,也為我們展現(xiàn)了人之生存中個(gè)體所遭遇的處境和本真的生存狀態(tài)。在這樣的苦難書寫中,我們看到高曉聲溫情與批判并存的創(chuàng)作心理,親歷與旁觀同在的創(chuàng)作身份,熱烈與冷靜共處的創(chuàng)作姿態(tài)。總之,正是高曉聲自身的苦難經(jīng)歷與啟蒙立場(chǎng)的精神向往為其作品提供了多個(gè)層面的解讀。同時(shí),更期望通過對(duì)高曉聲小說(shuō)中苦難書寫的研究,在文學(xué)史的長(zhǎng)河中定位出高曉聲小說(shuō)的獨(dú)特存在。本文以苦難的角度研究高曉聲的小說(shuō)創(chuàng)作,并且又對(duì)其苦難書寫進(jìn)行了多維的觀照。首先對(duì)高曉聲的苦難書寫進(jìn)行概述,從文本入手對(duì)苦難書寫進(jìn)行分類整理,將其小說(shuō)中的苦難書寫分為三個(gè)主題范式：鄉(xiāng)村的物質(zhì)苦難,歷史遺留的苦難,知識(shí)分子的苦難。三個(gè)主題,涵蓋了高曉聲小說(shuō)的苦難書寫內(nèi)容,從不同角度指向苦難書寫這一文學(xué)母題。其次對(duì)高曉聲苦難書寫的敘事美學(xué)進(jìn)行分析,從中發(fā)現(xiàn)高曉聲苦難書寫?yīng)毺氐膶徝里L(fēng)格,即幽默手法呈現(xiàn)出“笑中含淚”的敘事內(nèi)涵,白描技巧暗含著“溫情脈脈”的敘事情緒,雙重身份帶來(lái)“雙聲合唱”的敘事視角。最后從文學(xué)史的角度對(duì)高曉聲的苦難書寫進(jìn)行厘定。高曉聲小說(shuō)的苦難書寫以其融入自身經(jīng)歷的底層意識(shí)的抒發(fā)、激憤憂郁的知識(shí)分子式的冷峻批判、彰顯人性光輝的情感救贖,在文學(xué)史的苦難書寫中綻放出自己的風(fēng)采。但同時(shí)也存在一些間距感缺失下的苦難書寫的不足,如沉溺于苦難底層敘述難以自超越苦難意識(shí)的缺失等。
[Abstract]:Gao Xiao-sheng, a famous contemporary writer, has been engaged in novel writing since 1951. His works were widely welcomed by readers. Gao Xiao-sheng 's novels are characterized with steady and meticulous features, and the humorous and profound language presents all kinds of tribulations caused by the external left-leaning errors and the internal stubbornness of the national character of peasants and intellectuals in different social periods since the founding of the people's Republic of China. This kind of suffering writing not only provides us with a kind of life and psychological suffering scene, but also shows us the situation and the real living state of the individual in the human existence. In the writing of such suffering, we can see Gao Xiao-sheng 's creative psychology of co-existence of warmth and criticism, the creation identity of experiencing and watching with the onlookers, and the creative posture of warm and calm coexistence. In a word, it is Gao Xiao-sheng 's own suffering experience and spiritual yearning for enlightenment position that provide many levels of interpretation for his works. At the same time, we hope that through the study of the suffering writing in Gao Xiaosheng's novels, the unique existence of Gao Xiaosheng's novels will be located in the long stream of literary history. This paper studies Gao Xiao-sheng 's novel creation from the angle of suffering, and gives a multidimensional view of his suffering writing. Firstly, it summarizes Gao Xiao-sheng 's suffering writing, classifies the suffering writing from the text, and divides the suffering writing in his novels into three main paradigms: the country's material suffering, the historical suffering, and the intellectuals' suffering. Three themes, covering the suffering writing content of Gao Xiao-sheng 's novels, point to the literary motif of suffering writing from different angles. Secondly, it analyzes the narrative aesthetics of Gao Xiao-sheng 's suffering writing, and finds out that Gao Xiao-sheng 's suffering writing has a unique aesthetic style, that is, the humorous technique shows the narrative connotation of "tears in laughter". The narrative emotion of "tender vein" is implied in the technique of white drawing, and the dual identity brings the narrative angle of "double chorus". Finally, from the perspective of literary history, Gao Xiaosheng's suffering writing is determined. The suffering writing of Gao Xiao-sheng 's novels is characterized by the expression of his own consciousness of his own experience, the indignation and melancholy of the cold criticism of intellectuals, the brilliant emotional redemption of human nature, and the blooming of his own style in the writing of suffering in the history of literature. But at the same time, there are some shortcomings of suffering writing under the absence of distance, such as indulging in suffering understatement, it is difficult to transcend the lack of suffering consciousness and so on.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42

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本文編號(hào)：2004458