發(fā)布時間：2018-06-10 12:48

  本文選題：芙蓉出水 + 批評意象��； 參考：《武漢大學(xué)》2017年碩士論文

【摘要】：批評意象指一種存在于意象批評活動中,用于傳達(dá)某種文學(xué)理念或批評觀點(diǎn)的"盡意之象"。在我國,意象批評作為古代文論中最具代表性的批評方法之一,一直以來都是學(xué)界的研究熱點(diǎn),相對來說,"批評意象"的研究領(lǐng)域就甚為冷清。故本文選擇以南北朝時期"芙蓉出水"批評意象作為研究對象,旨在通過對這一經(jīng)典批評意象的生成進(jìn)行初步的探索,為中國古代文論的打開一個新的研究范疇。"芙蓉出水"是最有影響力的批評意象之一。其由劉宋詩僧湯惠休提出,因鐘嶸《詩品》的引用而揚(yáng)名,歷經(jīng)唐代"清水出芙蓉"、宋代"秋水芙蓉"的變體意象發(fā)展,逐漸演變?yōu)閷χx靈運(yùn)詩歌,以及對清新自然文風(fēng)的專用象喻代指。同時,"芙蓉出水"作為與"錯彩鏤金"所喻"人工美"相對的"自然美"之代表,也一直是中國美學(xué)界長盛不衰的研究熱點(diǎn)之一。此外,該意象在文論外的領(lǐng)域也展現(xiàn)出長足的生命力,作為常見成語被廣泛使用。本文共分三章。緒論部分對"芙蓉出水批評意象"做了界定,同時梳理了當(dāng)前的研究現(xiàn)狀。尤其是緒論中提出的"意象批評六要素",即世界、批評家、批評客體、意、批評意象和讀者,它們相互作用形成了整個意象批評的生發(fā)過程,是本文展開批評意象研究的理論基礎(chǔ)。第一章《"芙蓉出水"批評意象的形成背景》中,主要分析了在南朝的時代背景下,作為"芙蓉出水"批評意象和批評客體間共通的"內(nèi)在之意":"自然"和"麗"這兩大美學(xué)概念是如何在玄佛合流、文人審美、個人抒情等多方面因素影響下生成的。同時通過歷時性梳理"芙蓉出水"在文學(xué)作品中的變遷,得到"芙蓉"意象具有自然明麗之物色美,同時象喻女性美,象喻君子之高潔,并在佛教思想影響下產(chǎn)生了"出淤泥而不染"的新內(nèi)涵。第二章《南朝時期"芙蓉出水"批評意象的建立》中,首先采用歷時性文本分析法,確定湯惠休"芙蓉出水"批評意象先于"初發(fā)芙蓉"批評意象提出;且通過語源分析,得出其是佛教文化影響下的產(chǎn)物。其次進(jìn)入"芙蓉出水"批評意象的具體生發(fā)過程中,分析該批評意象其實(shí)是由批評家湯惠休引入佛教觀念,借"芙蓉出水"稱贊謝靈運(yùn)作品出塵脫俗,并由此來貶斥顏延之詩"錯彩鏤金"之世俗。本文的創(chuàng)新點(diǎn)主要有二:一是通過文獻(xiàn)整理,簡歷表格,從歷時性角度整體梳理了一遍唐五代前"芙蓉出水"意象的發(fā)展與變遷,并借此解決了一些如"芙蓉出水"、"初發(fā)芙蓉"發(fā)生先后之類的文學(xué)史問題;二是利用"意象批評六要素"對意象批評整體建構(gòu)過程進(jìn)行了解構(gòu),理清了"芙蓉出水"批評意象的生發(fā)過程,以及各要素在其中發(fā)揮的作用。
[Abstract]:Critical imagery refers to a "image" that exists in the activities of image criticism and is used to convey some literary ideas or critical views. In our country, image criticism, as one of the most representative methods of criticism in ancient literary theory, has always been a hot research field in the academic world. The article chooses the criticism image of "lotus water" as the research object in the northern and Southern Dynasties. It aims to open a new research category for the ancient Chinese literary theory through the preliminary exploration of the creation of this classic criticism image. "Lotus water" is one of the most influential and critical images. It was proposed by Tang Huixiu, the poem monk of Liu Song, because of Zhong Rong's poem. In the Tang Dynasty, the variation image of "autumn water Hibiscus" in the Song Dynasty developed into a special image metaphor for Xie Lingyun's poetry and the fresh and natural style of writing. At the same time, "lotus water", as the representative of "natural beauty", as opposed to "artificial beauty" as "artificial beauty", has always been the long Chinese aesthetic circle. In addition, the image has also shown great vitality in the field of literary theory, which is widely used as a common idiom. This article is divided into three chapters. The introduction part of the introduction of the "lotus water critical image" is defined, and combed the current research status. Especially in the introduction of the "six elements of image criticism", namely The world, the critic, the criticism object, the meaning, the criticism image and the reader, they interact with each other to form the process of the whole image criticism, which is the theoretical basis for the study of the criticism image. In the first chapter, the background of the formation of the critical image of "lotus water" is mainly analyzed as the critical image of the "lotus water" under the background of the Southern Dynasties. The two aesthetic concepts, "nature" and "beauty", are created by many factors such as "nature" and "beauty", which are influenced by many factors such as the synflow of metaphysics, the aesthetic of the literati, and the individual Lyric. The beauty of women, like the Gao Jie of the gentleman, and the new connotation of "out of mud without dyed" under the influence of Buddhist thought. In the second chapter, in the establishment of the criticism image of the "lotus water" in the Southern Dynasties, the author first adopted the diachronic text analysis to determine the criticism image of "Fu Rong out of the water" before the criticism image of "first Furong". It is concluded that it is the product of the influence of the Buddhist culture. Secondly, during the specific birth process of the critical image of "lotus water", the critical image was analyzed by Tang Huixiu, a critic, which was introduced into the Buddhist concept, and by the "lotus water", he praised Xie Lingyun's works for its dust and vulgarity, and was criticized by this to the secular of Yan Yanzhi's poetry. There are two main new points: first, through the literature review, resume form, from the diachronic perspective, the development and changes of the "lotus water" image before the Tang and Five Dynasties are combed, and some literary history problems such as "lotus water" and "first Furong" have been solved, and the two is to use the "six elements of image criticism" to build the image criticism as a whole. The construction process was deconstructed, and the birth process of the critical image of "lotus water coming out" was clarified, and the role played by various elements in it was also clarified.
【學(xué)位授予單位】：武漢大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I206.2

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本文編號：2003279