本文選題：全唐五代詞 + 小令�。� 參考：《山東師范大學》2017年碩士論文

【摘要】：詞起源于唐五代時期,其內容通俗,形式靈活多變。作為我國古典格律詩體之一,詞體的重要性不容忽視。明清以來,越來越多的學者致力于詞譜書的編纂,直至清光緒年間萬樹《詞律》二十卷和康熙年間王奕清等人奉詔編制的《欽定詞譜》的出現(xiàn)才“標志著詞體格律整理的完成”。諸多研究詞學的著作在專業(yè)領域取得了重要成就,但也存在缺點,例如收錄的詞牌或過于龐雜或十分有限,分體不夠完備或不夠準確,也存在內容編排不夠合理、不方便查閱的問題。另外,以往出現(xiàn)的詞譜書所歸納總結出的格律都是以名家名篇為依據(jù),雖然是在多個朝代的詞作上進行分析歸體,但是缺少窮盡式的研究,尤其是關于唐五代詞的聲律至今沒有比較系統(tǒng)的研究。本文在吸取前人研究成果的基礎上,對唐五代詞二十九字至四十字小令的詞律進行系統(tǒng)全面的研究。論文以曾昭岷、曹濟平、王兆鵬、劉尊明編撰的《全唐五代詞》為底本,同時參照各詞人作品集、吸收近年來詞學研究的最新成果加以�？薄１疚墓卜譃榫w論、唐五代詞概說、具體詞譜分析、用韻研究、結語五個部分,具體內容如下:第一部分為緒論,主要論述本文的選題緣由、分析目前學界對唐五代詞譜的研究現(xiàn)狀及研究方向指出前人研究的不足,提出本文的研究方向和方法。第二部分為唐五代詞概說,主要介紹唐五代詞的源流以及其詞調、詞牌在宋代的變遷。第三部分從第三章至第五章,為具體詞譜分析。對本文研究范圍內的一百五十五首詞進行了系統(tǒng)的分析和歸納,總結出了每個詞牌的詞譜,并列出詞作進行說明。第四部分對所研究詞作的用韻情況進行統(tǒng)計與分析,以列表的形式將其與二百零六韻與十六攝進行對比,試圖從中發(fā)現(xiàn)唐五代時期詞的用韻和語音特點;結語部分,對全文的研究內容做出總結概括。
[Abstract]:It originated in the period of the Tang and Five Dynasties. Its content is popular and its form is flexible. As one of the classical style poems of our country, the importance of the word body can not be ignored. Since the Ming and Qing Dynasties, more and more scholars have devoted themselves to the compilation of the book of words until the Qing Dynasty, and until the Qing Dynasty, the law of word > twenty volumes and the imperial edict compiled by Wang Yiqing and other edict in Kangxi during the period of the Qing Dynasty A number of studies in the study of CI have made important achievements in the professional field, but there are also shortcomings. For example, the cards included are too complex or very limited, the body is not complete or inaccurate, and there is a problem that is not reasonable and convenient to look up. In addition, it has appeared in the past. It is based on the famous text, although it is analyzed in many dynasties, but there is no exhaustive study, especially on the sound and rhythm of the Tang and five pronoun. In this paper, the five pronouns of the Tang and five pronouns are twenty-nine characters on the basis of the achievements of the predecessors. The thesis is a systematic and comprehensive study of the forty word order. The thesis is based on Zeng Zhao Min, Cao Jiping, Wang Zhaopeng, and Liu Zunming's "five pronouns of the whole Tang Dynasty", and collates the latest achievements in the study of Ci Poetry in recent years. This article is divided into the thread theory, the generality of the Tang and five pronouns, the specific word spectrum analysis, the rhyme study, The conclusion is as follows: the first part is as follows: the first part is the introduction, which mainly discusses the origin of this article, analyzes the current research status of the Tang and Five Dynasties and points out the shortcomings of the previous research, and puts forward the research direction and method in this paper. The second part is the overview of the Tang and five pronouns, mainly introducing the origins of the Tang and five pronoun and the origin of the Tang and five pronouns. The third part, from third chapters to fifth chapters, makes a systematic analysis and induction of the one hundred and fifty-five words in the scope of the study, sums up the word spectrum of each word card, and lists the words of the words. Fourth parts make statistics on the use of the rhyme of the research words. In the form of a list, the analysis is compared with the two hundred and six rhymes and the sixteen, trying to find out the features of the verse and speech in the period of the Tang and Five Dynasties, and the concluding part of the paper makes a summary of the research content of the full text.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.23

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