本文選題：葉彌 + 短篇小說(shuō)��； 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：葉彌是當(dāng)代蘇州作家群里獨(dú)具創(chuàng)作個(gè)性的女作家,她不僅對(duì)短篇小說(shuō)寫(xiě)作有獨(dú)特創(chuàng)作理念,而且具有清醒文體意識(shí)。她專注于短篇小說(shuō)的寫(xiě)作和革新,其創(chuàng)作獲得了魯迅文學(xué)獎(jiǎng)等諸多國(guó)內(nèi)獎(jiǎng)項(xiàng),還屢次被中國(guó)小說(shuō)排行榜收錄。葉彌的短篇小說(shuō),極具獨(dú)特的思想和藝術(shù)價(jià)值,其小說(shuō)文體更具有獨(dú)特性,在當(dāng)代小說(shuō)家中別具一格。本論文旨在以葉彌的短篇?jiǎng)?chuàng)作為研究對(duì)象,從文本細(xì)讀出發(fā),力圖對(duì)葉彌短篇小說(shuō)進(jìn)行總體把握和系統(tǒng)分析。本文試從短篇理念、審美內(nèi)涵、文體建構(gòu)、敘事藝術(shù)、價(jià)值意義五個(gè)方面展開(kāi)研究和論述:第一章主要解析葉彌短篇小說(shuō)觀與其創(chuàng)作之間的關(guān)系。首先,認(rèn)為葉彌的生活經(jīng)歷、個(gè)性對(duì)短篇小說(shuō)的審美內(nèi)涵、文體建構(gòu)、敘事策略形成了影響;其次,通過(guò)對(duì)葉彌短篇小說(shuō)的題材來(lái)源和創(chuàng)作手段分析,可以看出她的作品取材貼近現(xiàn)實(shí)但寫(xiě)法上具有現(xiàn)代意味,認(rèn)為她是一個(gè)關(guān)注現(xiàn)實(shí)又具有現(xiàn)代主義精神的作家。第二章主要深入解讀葉彌短篇小說(shuō)的審美內(nèi)涵層面。通過(guò)闡述其小說(shuō)的三種情感模式:反常的情愛(ài)、詩(shī)意的情愛(ài)和悲慘的情愛(ài),認(rèn)為葉彌善于抓住小說(shuō)內(nèi)在的情感流動(dòng)來(lái)進(jìn)行創(chuàng)作;葉彌的寫(xiě)作貼近生活,作品以瑣碎的日常生活為切入口,關(guān)注現(xiàn)代人的窺視心理和生存困境,挖掘出生活表象背后的本質(zhì)內(nèi)核;此外,對(duì)人的關(guān)注引發(fā)葉彌對(duì)人性的深度觀照,作品極力呈現(xiàn)了物欲熏心對(duì)人性的沖擊和異化,同時(shí)葉彌又虛構(gòu)了“花碼頭——白菊灣”空間,通過(guò)批判現(xiàn)代人性的變異、塑造理想人物,表現(xiàn)出重建人類精神家園的文學(xué)追求。第三章主要探討葉彌短篇小說(shuō)的文體建構(gòu)。采用文本細(xì)讀的方法,結(jié)合短篇小說(shuō)理論,認(rèn)為葉彌短篇小說(shuō)取材上大多采用了“橫截面”式手段,以生活的片段構(gòu)建故事;小說(shuō)情節(jié)的組織上注重巧妙地設(shè)置線索,并注意以留白藝術(shù)擴(kuò)充文本的敘事空間;小說(shuō)敘事上的節(jié)制則源于含蓄、不確定性的結(jié)尾和阻斷技巧的熟練運(yùn)用。第四章主要分析葉彌短篇小說(shuō)的敘事藝術(shù)。結(jié)構(gòu)上,葉彌的短篇小說(shuō)多數(shù)采用了線性結(jié)構(gòu),同時(shí)嘗試了其他類型的小說(shuō)結(jié)構(gòu)模式;視角上,選擇以全知敘事講述故事,非常善于在一篇小說(shuō)中進(jìn)行視角的靈活轉(zhuǎn)換;語(yǔ)言上,葉彌善用日常的口語(yǔ),用詞節(jié)制、樸素,兼具幽默、反諷形成的趣味性,和淡雅、詩(shī)意的品格。第五章則對(duì)葉彌短篇小說(shuō)的文學(xué)史價(jià)值進(jìn)行定位。在前文對(duì)葉彌短篇小說(shuō)的審美內(nèi)涵、文體構(gòu)建、敘事策略的分析之上,肯定了她的短篇寫(xiě)作精神,并認(rèn)為她為中國(guó)當(dāng)代文學(xué)貢獻(xiàn)了特立獨(dú)行的小人物形象,創(chuàng)作呈現(xiàn)出重建人的精神性的文學(xué)追求;她的現(xiàn)實(shí)主義“小敘事”寫(xiě)作策略和兼具細(xì)膩、硬朗的文體風(fēng)格,對(duì)當(dāng)代短篇小說(shuō)寫(xiě)作形成了啟示;最后,論文評(píng)價(jià)了作家評(píng)論介入的寫(xiě)作特色對(duì)文本的損益效果,辯證的對(duì)葉彌短篇小說(shuō)進(jìn)行文學(xué)史的定位。
[Abstract]:Ye Mi is a unique female writer in the contemporary Suzhou writers group. She not only has a unique creative idea of short story writing, but also has a conscious stylistic consciousness. She focuses on the writing and innovation of short stories. She has won many domestic awards such as the Lu Xun prize in literature, and has been repeatedly included in the list of Chinese novels. The novel, which has unique ideological and artistic value, has a unique style and unique style in contemporary novelists. This thesis aims to take the short text of Ye Mi as the object of study. From the detailed reading of the text, this thesis tries to make a general grasp and analysis of Ye Mi's short stories. Construction, narrative art and value meaning are studied and discussed in five aspects: the first chapter mainly analyzes the relationship between the view of the short story of Ye Mi and his creation. First, the author thinks that the life experience of Ye Mi, the personality of the short story, the aesthetic connotation of the short story, the style construction and the narrative strategy; secondly, through the source of the subject matter of the short stories. With the analysis of the means of creation, it can be seen that her works draw close to reality but have modern meaning in writing, and that she is a writer who is concerned with reality and modernism. The second chapter is mainly to interpret the aesthetic connotation of Ye Mi short stories. By elaborating the three emotional modes of his novels, the uncommon love and poetic Love and misery love, think that Ye Mishan holds the inner emotion flow of the novel to make the creation; ye Ma's writing is close to life, the work takes the trivial daily life as the cutting entrance, pays attention to the modern people's peep psychology and the existence predicament, excavates the essential kernel behind the life appearance; in addition, the attention to people causes the leaf to the human nature. In depth, the works show the impact and alienation of the desire of materialism to the human nature. At the same time, Ye Ming also fictitious "flower Wharf - white chrysanthemum bay" space, by criticizing the variation of modern human nature, shaping the ideal characters, showing the literary pursuit of the reconstruction of the spiritual home of human beings. The third chapter mainly discusses the style construction of the short stories of Ye Mi. The method of text reading, combined with the short story theory, thinks that most of the short stories are used by the "cross section" method to construct the story with the fragments of life. The organization of the plot pays attention to the cleverly setting up the clues and pays attention to the narrative space of expanding the text with the white art; the narrative restraint of the novel is derived from implicit. The fourth chapter mainly analyzes the narrative art of Yami's short stories. On the structure, most of his short stories are linear, and other types of novel structure patterns are tried. From the angle of view, the narrative tells the story with omniscient narrative, and is very good at the perspective of a novel. In the language, in language, Ye Mishan uses daily spoken language, uses words to control, simple, humorous, ironic and elegant, poetic character. The fifth chapter makes a position on the literary history value of the short story of Ye Mi. On the preceding article, it affirms the aesthetic connotation, style construction and narrative strategy of Ye Mi short stories. Her short writing spirit, and thought that she contributed to the Chinese contemporary literature, made a unique image of small characters, and created a literary pursuit of reconstructing the spirit of the people; her realistic "small narrative" writing strategy and a delicate, hard style style made a revelation to the contemporary short story writing; finally, the paper evaluated it. The writing characteristics of writers' comments intervene the effect of the text's gains and losses, and dialectically define the literary history of Ye Mi's short stories.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.427

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