本文選題：張承志 + 散文創(chuàng)作��； 參考：《山西師范大學(xué)》2015年碩士論文

【摘要】：最初以創(chuàng)作小說(shuō)而享譽(yù)文壇的張承志，自1992年4月出版了第一部散文集《綠風(fēng)土》后，他將文學(xué)創(chuàng)作的重心轉(zhuǎn)移到散文領(lǐng)域，結(jié)集出版的散文集主要有《荒蕪英雄路》、《清潔的精神》、《牧人筆記》、《以筆為旗》等。在張承志的散文創(chuàng)作中，不同程度的延續(xù)了小說(shuō)中關(guān)于題材、主題、語(yǔ)言、風(fēng)格的特征，本文選取張承志1990年代散文作為研究對(duì)象，探尋他在散文創(chuàng)作初期的創(chuàng)作態(tài)度，面對(duì)現(xiàn)實(shí)社會(huì)中的文化缺失，他將如何建立自己的批判意識(shí)、發(fā)掘心靈的棲息地，本文主要從1990年代散文文化背景、主題意蘊(yùn)、藝術(shù)特征三個(gè)方面進(jìn)行論述。 首先，對(duì)1990年代張承志散文創(chuàng)作的文化背景進(jìn)行分析，通過(guò)對(duì)1990年代散文發(fā)展現(xiàn)狀、作者在1990年代由小說(shuō)到散文的文體轉(zhuǎn)向來(lái)說(shuō)明他選擇散文的深層原因，即對(duì)張承志的文學(xué)創(chuàng)作而言，1990年代的社會(huì)轉(zhuǎn)型是一個(gè)具有過(guò)渡性質(zhì)的特殊時(shí)期，他需要選擇更能真實(shí)表達(dá)他思想的散文文體，抒發(fā)內(nèi)心的沉思；其次，對(duì)張承志1990年代散文作品的主題意蘊(yùn)進(jìn)行論述，通過(guò)對(duì)“愛(ài)”的書寫、“以筆為旗”的批判、學(xué)術(shù)散文中的責(zé)任意識(shí)、“在中國(guó)信仰”來(lái)展現(xiàn)他的散文作品對(duì)當(dāng)時(shí)社會(huì)的理性批判、對(duì)貧困境遇下艱難生存的底層人民的人文關(guān)懷；最后，，從散文藝術(shù)特征方面分析張承志1990年代的散文作品，通過(guò)對(duì)行文結(jié)構(gòu)、語(yǔ)言風(fēng)格、意象與意境在散文作品中的獨(dú)特性來(lái)深層論述張承志的散文創(chuàng)作特征。
[Abstract]:Zhang Chengzhi, who was first famous for his novels, since the publication of his first prose collection, Green Land, in April 1992, shifted the focus of his literary creation to the field of prose. The essays published in the collection mainly include the road of the barren hero, the spirit of cleanliness, the notes of the herdsmen, the pen as the flag, and so on. In Zhang Chengzhi's prose creation, the characteristics of theme, theme, language and style in the novel have been continued to some extent. This paper selects the prose of the 1990s as the object of study, and explores his creative attitude in the early stage of prose creation. In the face of the lack of culture in the real society, he will establish his own critical consciousness and explore the habitat of the soul. This paper mainly discusses the cultural background, theme implication and artistic characteristics of prose in the 1990s. First of all, through the analysis of the cultural background of Zhang Chengzhi's prose creation in the 1990s, through the present situation of prose development in the 1990s, the author turns from novel to prose style in 1990s to explain the deep reason why he chose prose. That is to say, for Zhang Chengzhi's literary creation, the social transformation in the 1990s is a special period with a transitional nature. He needs to choose a prose style that can express his thoughts more truthfully and express his inner contemplation; secondly, This paper discusses the theme implication of Zhang Chengzhi's prose works in the 1990s. Through the writing of "Love" and the critique of "taking pen as the flag", the sense of responsibility in academic prose is discussed. "belief in China" shows the rational criticism of his prose works to the society at that time, and his humanistic concern for the underclass people who are struggling to survive under the circumstances of poverty. Finally, it analyzes Zhang Chengzhi's prose works in the 1990s from the aspect of the artistic characteristics of prose. This paper discusses the characteristics of Zhang Chengzhi's prose creation through the uniqueness of the structure of prose, language style, image and artistic conception in prose works.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.67

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