本文選題：宋詩選本 + 宋藝圃集　； 參考：《河南師范大學(xué)》2015年碩士論文

【摘要】：本文主要采用考證與歸納相結(jié)合、量化與比較并重的研究方法,梳理與總結(jié)明代宋詩選本在明代的發(fā)展?fàn)顩r,并探討其在詩學(xué)史上的價(jià)值和意義。第一章緒論部分介紹本文的選題緣起、研究現(xiàn)狀、研究方法和意義。第二章重點(diǎn)分析宋詩在明人觀念中的升降變化,由明初的“宋無詩”到“宋有詩”狀況的改善,在此基礎(chǔ)上宋詩也實(shí)現(xiàn)了從“信不及唐”到“視唐真無愧色”的逆襲。第三章通過梳理現(xiàn)今可考的15家明代宋詩選本,總結(jié)明代宋詩選本特點(diǎn),即選詩標(biāo)準(zhǔn)上的“以唐范宋”。并辯證地討論明代宋詩選本對清代宋詩選本產(chǎn)生的優(yōu)劣影響:一方面保留了大量的宋詩文獻(xiàn),成為清代宋詩選本的文獻(xiàn)來源之一,但另一方面,明代宋詩選本存在的刪改與漏抄等弊病也被清代宋詩選本所沿襲。第四、五、六章則分別選取三部具有代表性的宋詩選本進(jìn)行個(gè)案研究。產(chǎn)生于不同時(shí)代背景的三部選本具有各自的鮮明特色。第四章所論述的《宋藝圃集》產(chǎn)生于嘉靖時(shí)期,此時(shí)“尊唐抑宋”仍是詩壇主流詩學(xué)觀念,李勜雖身為復(fù)古派成員之一,但不滿于時(shí)人對宋詩的一概摒棄,因此廣為搜集宋詩文獻(xiàn),編選此書。本章介紹了《宋藝圃集》的編選方式,詳細(xì)分析了該選的編次特征、選詩標(biāo)準(zhǔn)、詩學(xué)特征,并從宋朝詩歌流派研究和宋詩大家的個(gè)體研究中,表現(xiàn)出李勜對復(fù)古派詩學(xué)觀的一定程度的叛離,但最終沒有完全擺脫復(fù)古派的束縛;在第五章中首先分析三篇立場不同的序文,得出“一代有一代之詩”的共同結(jié)論,表明在萬歷朝此詩史觀已經(jīng)深入人心。繼而又關(guān)注《宋元名家詩選》中選錄的宋朝詩人群體以及詩歌風(fēng)格,從而探究詩選所體現(xiàn)出的“詩在布衣”的詩學(xué)觀念和清雅幽隱的審美趣味,與萬歷時(shí)期興起的閑賞文化相契合。第六章中,重點(diǎn)通過對《石倉宋詩選》和《宋藝圃集》在文獻(xiàn)來源、總體選詩情況、詩人群體三個(gè)方面的對比分析,從而得出《石倉宋詩選》的特色,即是對南宋遺民詩人群體的關(guān)注�！妒瘋}宋詩選》的問世是明末士子身處亂世忠節(jié)大義觀念的詩化表達(dá)。
[Abstract]:This article mainly adopts the research method of combining textual research and induction, quantifying and comparing, combing and summing up the development of selected poems of Ming Dynasty and Song Dynasty in Ming Dynasty, and discussing its value and significance in the history of poetics. The first chapter introduces the origin of the topic, research status, research methods and significance. The second chapter focuses on the rise and fall of Song poetry in the concept of Ming people, and the improvement of the situation from Song Wu-shi to Song You-poetry in the early Ming Dynasty. On this basis, Song poetry also realizes the counterattack from "not believing in the Tang Dynasty" to "seeing the Tang Dynasty without a deserved Color". The third chapter summarizes the characteristics of the selected poems of Ming Dynasty and Song Dynasty by combing 15 selected poems of Ming Dynasty and Song Dynasty, that is, "taking Tang Fan and Song Dynasty" as the standard of poetry selection. And dialectically discusses the good and bad influence of Song poetry anthology of Ming Dynasty on Song poetry anthology of Qing Dynasty: on the one hand, it retains a large number of Song poetry documents, and becomes one of the literature sources of Song poetry anthology in Qing Dynasty, but on the other hand, The excision and omission of selected poems in Ming Dynasty and Song Dynasty were followed by Song poetry anthology in Qing Dynasty. The fourth, fifth and sixth chapters choose three representative anthologies of Song poetry for case study. The three anthologies, which originated from different times, have their own distinctive characteristics. The collection of Song Yipu, which is discussed in the fourth chapter, came into being in Jiajing period. At this time, "respecting the Tang Dynasty and restraining the Song Dynasty" was still the mainstream poetic concept in the poetry world. Although Li Wei was one of the members of the retro school, he was dissatisfied with the abandonment of all the poems of the Song Dynasty. Therefore, extensive collection of Song poetry literature, compilation of this book. This chapter introduces the way of compiling the Collection of Song Art Pu, analyzes in detail the choreography characteristics, the standard of poetry selection, the characteristics of poetics, and studies the genre of poetry in Song Dynasty and the individual study of the poets in Song Dynasty. In the fifth chapter, the author first analyzes three prefaces with different positions, and draws the common conclusion of "the poem of a generation has a generation", which shows a certain degree of rebellion from Li's view of the retro school's poetics, but does not completely break away from the bondage of the retro school in the end; in the fifth chapter, three prefaces with different positions are analyzed first, and the common conclusion is drawn. It shows that the historical view of this poem has been deeply rooted in the hearts of the people in Wanli Dynasty. Then it pays close attention to the poets of the Song Dynasty and the style of poetry in the selected poems of the Song Dynasty and Yuan Dynasty, so as to explore the poetic concept of "poetry in cloth" and the aesthetic taste of elegance and seclusion, which is embodied in the selected poems. And the rise of the Wanli period of leisure culture coincides with. In the sixth chapter, through the comparative analysis of the sources of literature, the general situation of poetry selection, and the poets' group, the characteristics of Shi Cang Song Poems are obtained through the comparative analysis of Shi Cang Song Poems and Song Yipu Collection. The coming out of Shi Cang Song Poems is the poetic expression of the concept of the great righteousness of Shikang Song Dynasty in the late Ming Dynasty.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 王運(yùn)熙;;總集與選本[J];古典文學(xué)知識;2004年05期

2 申屠青松;;明代宋詩選本論略[J];南京師范大學(xué)文學(xué)院學(xué)報(bào);2007年04期

3 王友勝;;論《宋藝圃集》的文獻(xiàn)價(jià)值與文獻(xiàn)闕失[J];中國韻文學(xué)刊;2011年01期

4 張波;;國家圖書館藏明刻本《宋元詩》初探[J];文獻(xiàn);2013年01期

，

本文編號：1834052