發(fā)布時(shí)間：2018-05-02 07:36

  本文選題：元代后期 + 東南沿海��； 參考：《寧夏大學(xué)》2016年碩士論文

【摘要】：作為元代后期詩(shī)文創(chuàng)作中心的東南沿海地區(qū),涌現(xiàn)出這樣一群詩(shī)人：他們受當(dāng)時(shí)繁榮發(fā)展的商業(yè)經(jīng)濟(jì)和都市文化影響,思想觀念、生活方式及審美風(fēng)尚均發(fā)生了很大改變,且不同程度地反映在詩(shī)歌創(chuàng)作當(dāng)中。在他們筆下,一直以來(lái)為文人所不齒的商人群體及經(jīng)商行為開(kāi)始走向前臺(tái),并一改往日之形象；在他們筆下,充分體現(xiàn)出當(dāng)時(shí)的都市經(jīng)濟(jì)及文化對(duì)文人創(chuàng)作影響的廣泛性和深刻性；在他們筆下,顯示出元代詩(shī)歌乃至整個(gè)中國(guó)古代詩(shī)歌,到元代后期發(fā)生了一些變化,脫離了一直以來(lái)的發(fā)展軌跡。種種現(xiàn)象表明,這一詩(shī)人群體及其詩(shī)歌創(chuàng)作不僅為元代詩(shī)歌注入了新鮮元素,亦為整個(gè)中國(guó)古代詩(shī)歌增添了色彩,從而充分證明了該課題的研究?jī)r(jià)值。但是學(xué)術(shù)界關(guān)于這方面內(nèi)容卻極少涉及。本文以元代后期的都市經(jīng)濟(jì)及文化影響為切入點(diǎn),對(duì)東南沿海詩(shī)人群體進(jìn)行界定和論述,主要分五部分展開(kāi)：第一部分是引言,著重介紹了論文的研究現(xiàn)狀、研究意義、研究思路及研究方法。第二部分是論文的第一章,首先對(duì)元代后期東南沿海詩(shī)人群體進(jìn)行界定,并對(duì)主要成員的生平經(jīng)歷進(jìn)行介紹。然后從元代后期的政治、經(jīng)濟(jì)、文化以及部分群體成員之間的紐帶關(guān)系幾個(gè)方面論述了該詩(shī)人群體的形成。第三部分是論文的第二章,主要論述了該詩(shī)人群體在都市經(jīng)濟(jì)及文化影響下的詩(shī)歌創(chuàng)作所呈現(xiàn)出的題材取向和風(fēng)格取向。其中,題材取向主要表現(xiàn)為：詩(shī)人參與文學(xué)活動(dòng)的記錄；商業(yè)社會(huì)圖景的描寫(xiě)與商人形象的塑造；詩(shī)人生活方式世俗化的呈現(xiàn)以及女性和愛(ài)情入詩(shī)的常態(tài)化。風(fēng)格取向主要表現(xiàn)為：氣勢(shì)雄放、語(yǔ)辭淺白和意趣淺淡。第四部分是論文的第三章,主要對(duì)元代后期東南沿海詩(shī)人群體及其詩(shī)歌創(chuàng)作的地位和影響進(jìn)行分析說(shuō)明。這部分從兩個(gè)方面展開(kāi),一是在元代后期的地位及影響；二是在后世的地位和影響。第五部分是論文的結(jié)語(yǔ),對(duì)前文所述內(nèi)容進(jìn)行系統(tǒng)梳理,并得出結(jié)論：元代后期東南沿海詩(shī)人群體及其詩(shī)歌創(chuàng)作,不僅為元代詩(shī)歌注入了新鮮血液,而且為整個(gè)中國(guó)古代詩(shī)歌增添了色彩。并進(jìn)而指出論文的不足之處。
[Abstract]:As the center of poetry and prose creation in the late Yuan Dynasty, a group of poets emerged: they were influenced by the flourishing commercial economy and urban culture at that time, and their ideology, life style and aesthetic style were greatly changed. And reflected in different degrees in poetry creation. In their writings, the group of businessmen and their business behavior, which had long been disparaged by the literati, began to come to the front and change their image of the past; in their works, It fully reflects the extensive and profound influence of urban economy and culture on the literati's creation; in their works, it shows that the poetry of Yuan Dynasty and even the whole ancient Chinese poetry have undergone some changes by the late Yuan Dynasty. From the track of development has been. All kinds of phenomena show that this group of poets and their poetry creation not only injected new elements into the poetry of Yuan Dynasty, but also added color to the whole ancient Chinese poetry, which fully proved the research value of this subject. However, the academic community on this aspect of the content is rarely involved. Based on the impact of urban economy and culture in the late Yuan Dynasty, this paper defines and discusses the group of poets in the southeast coastal area, mainly divided into five parts: the first part is the introduction, focusing on the research status quo and significance of the paper. Research ideas and methods. The second part is the first chapter of the paper, first of all, the southeast coastal poets in the late Yuan Dynasty were defined, and the life experiences of the main members were introduced. Then it discusses the formation of the poet group from the political, economic, cultural and the ties between some members of the group in the late Yuan Dynasty. The third part is the second chapter of the thesis, which mainly discusses the theme orientation and style orientation of the poet group under the influence of urban economy and culture. Among them, the theme orientation mainly displays as follows: the poet participates in the literature activity record, the commercial society picture description and the businessman image mold, the poet life style secularization present and the female and the love enters the poem normality. The style orientation is mainly as follows: vigorous and vigorous, simple language and shallow interest. The fourth part is the third chapter of the thesis, mainly to the late Yuan Dynasty southeast coastal poets and their poetry creation status and influence were analyzed and explained. This part is carried out from two aspects, one is the position and influence in the late Yuan Dynasty, the other is the status and influence in the later generations. The fifth part is the conclusion of the thesis, which systematically combs the contents mentioned above, and draws the conclusion that the poets and their poetry creation in the late Yuan Dynasty not only injected fresh blood into the poetry of the Yuan Dynasty. And for the whole ancient Chinese poetry added color. And then pointed out the shortcomings of the paper.
【學(xué)位授予單位】：寧夏大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：I207.22

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