本文選題：老舍 + 傳統(tǒng)京劇��； 參考：以京劇為媒介

【摘要】：以傳統(tǒng)京劇尤其是忠君劇目為媒介,抗戰(zhàn)時(shí)期老舍將傳統(tǒng)忠君思想轉(zhuǎn)化為忠于國(guó)家和民族的戰(zhàn)時(shí)觀念,賦予了"忠"觀念以現(xiàn)代性的"認(rèn)同"含義。他以新京劇等通俗文藝形式熱情謳歌民眾不惜犧牲性命保家衛(wèi)國(guó)的忠誠(chéng)英勇,還借取京劇臉譜的類型化人物表現(xiàn)方法,系統(tǒng)地塑造出出賣(mài)國(guó)族的"不忠者"群像,不遺余力地進(jìn)行諷刺、鞭撻,體現(xiàn)出作家對(duì)戰(zhàn)爭(zhēng)時(shí)期各色靈魂的深層關(guān)注,也更直觀地傳達(dá)了對(duì)熟爛社會(huì)文化的深遠(yuǎn)憂思。
[Abstract]:Taking the traditional Peking Opera, especially the opera repertoire of loyal monarch as the medium, Lao She transformed the traditional idea of loyal monarch into the wartime concept of loyalty to the country and nation during the Anti-Japanese War, and endowed the concept of loyalty with the modern meaning of "identity". He enthusiastically eulogized the loyalty and bravery of the people at the expense of their lives in popular literary forms such as New Beijing Opera. He also took advantage of the typology of Peking Opera's facial makeup to systematically portray the "unfaithful" group images of the betraying nation. Spare no effort to satirize, whip, reflect the writer's deep concern for the various souls during the war, but also more intuitively convey the profound concern for the familiar and rotten social culture.
【作者單位】： 河南大學(xué)文學(xué)院;
【基金】：作者參與的河南省高校哲學(xué)社會(huì)科學(xué)創(chuàng)新團(tuán)隊(duì)項(xiàng)目“哲學(xué)與二十世紀(jì)中國(guó)文學(xué)思潮”(2016-CXTD-03)的階段性成果
【分類號(hào)】：I206.6
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本文編號(hào)：1804817