本文選題：新時期 + 甘肅詩歌�。� 參考：《寧夏大學(xué)》2015年碩士論文

【摘要】：甘肅擁有悠久厚重的歷史文化,自古以來從不缺乏創(chuàng)作家們對詩歌的熱情實(shí)踐,這片荒涼貧瘠的土地上孕育了豐碩的詩歌果實(shí)。隨著思想解放和改革開放的進(jìn)程,甘肅詩歌的發(fā)展進(jìn)入了歷史的新時期,迎來了繼五、六十年代之后的第二個創(chuàng)作高潮期。從七十年代末到八十年代,日益寬松的政治文化背景為甘肅詩歌的復(fù)蘇提供了良好的外在環(huán)境,厚重的地域文化積淀則成為催發(fā)甘肅詩歌成長的天然酵母。在各種詩歌浪潮跌宕起伏的新時期,甘肅詩人以積極自覺的創(chuàng)作姿態(tài)和讓人稱贊的創(chuàng)作成績使甘肅詩歌成為西部文學(xué)中崛起的一塊高地,在新時期初期的中國詩壇展現(xiàn)出別具一格的詩歌風(fēng)貌。筆者選取新時期1977年至1989年這一時期甘肅詩歌創(chuàng)作作為研究對象,運(yùn)用社會歷史批評和文本細(xì)讀批評相結(jié)合的研究方法,把甘肅詩歌創(chuàng)作置于中國當(dāng)代新詩史和西部文學(xué)的背景之上,結(jié)合八十年代的文化語境,力圖梳理甘肅詩歌在新時期復(fù)蘇和發(fā)展的過程,并重點(diǎn)結(jié)合時代背景對文本作品進(jìn)行細(xì)讀分析,以定位新時期初期甘肅詩歌創(chuàng)作的價值與意義。本論文主體部分共分為三章：第一章主要論述在新時期思想解放運(yùn)動的推動下甘肅詩歌的復(fù)蘇過程,具體分析在“歸來的歌”、“朦朧詩”和“大學(xué)生詩潮”等思潮的影響下甘肅詩歌創(chuàng)作所體現(xiàn)出的特征。第二章主要論述西部詩潮與甘肅詩歌的發(fā)展,分析甘肅詩人作為西部詩潮的重要力量是如何表現(xiàn)出鮮明的西部意識的。第三章是新時期甘肅詩人的個案研究,主要以何來、李老鄉(xiāng)、林染、匡文留作為研究對象論述其詩歌創(chuàng)作的個性魅力。結(jié)語部分總結(jié)了新時期初期甘肅詩歌的創(chuàng)作成就與價值意義,并指出其局限性所在。
[Abstract]:Gansu has a long and rich history and culture. Since ancient times, it has never lacked the enthusiasm of the writers to practice poetry, and this desolate and barren land has given birth to the rich fruits of poetry. With the process of ideological emancipation and reform and opening up, the development of Gansu poetry entered a new historical period and ushered in the second creative high period after the fifties and sixties. From the late 1970s to the 1980s, the increasingly relaxed political and cultural background provided a good external environment for the revival of Gansu poetry, and the heavy accumulation of regional culture became the natural yeast to promote the growth of Gansu poetry. In the new period of various poetic waves, Gansu poets, with positive and conscious creative posture and praiseworthy achievements, made Gansu poetry a rising highland in western literature. In the early stage of the new era, the Chinese poetry world showed a unique style of poetry. The author chooses Gansu poetry creation from 1977 to 1989 in the new period as the research object, and uses the research method of combining social and historical criticism and textual criticism. Putting the creation of Gansu poetry on the background of Chinese contemporary new poetic history and western literature, and combining the cultural context of the eighties, this paper tries to sort out the process of the recovery and development of Gansu poetry in the new period. In order to locate the value and significance of Gansu poetry creation in the early stage of the new period, the text works are carefully read and analyzed in combination with the background of the times. The main part of this thesis is divided into three chapters: the first chapter mainly discusses the process of resuscitation of Gansu poetry under the impetus of the ideological liberation movement in the new period, and analyzes concretely in the song of return. Under the influence of the trend of thought, such as "obscure poem" and "the tide of college students' poetry", the characteristics of Gansu's poetry creation are reflected. The second chapter mainly discusses the development of the western poetry tide and Gansu poetry, and analyzes how Gansu poets, as an important force of the western poetry tide, show a bright western consciousness. The third chapter is a case study of Gansu poets in the new period. The conclusion summarizes the creation achievement and value significance of Gansu poetry in the early stage of the new period, and points out its limitation.
【學(xué)位授予單位】：寧夏大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：I207.25

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本文編號：1801252