本文選題：清人焚稿 + 社會意念�。� 參考：《文學(xué)遺產(chǎn)》2017年05期

【摘要】：焚稿,是一種阻斷作品傳播的手段,從社會學(xué)角度看,具有走出緊張的社會關(guān)系和控制對個人的損害等作用;從文學(xué)角度看,則是通過直觀與內(nèi)省,照察境界不高的既成作品,對自我和他者眼中的失敗之作進行凈化處理。清人焚稿行為之烈、規(guī)模之大、所涉之廣都遠遠超過了以往任何一代。如果還原歷史現(xiàn)場,可以尋繹某些特殊歷史事件的脈絡(luò),同時發(fā)現(xiàn):清人極為日�；奈淖謽I(yè),不免會產(chǎn)生一定程度的寫作疲憊,淡化了文學(xué)的崇高感和文人的優(yōu)越感,也引發(fā)了對文學(xué)價值的思考。清代大量焚稿現(xiàn)象具有一定的隱私性,其發(fā)生有著復(fù)雜的原因,需要在深入研究的基礎(chǔ)上揭示這一社會意念的本質(zhì)特點,以及作為一種文學(xué)批評行為的意義。
[Abstract]:The burning of manuscripts is a means of blocking the dissemination of works. From a sociological point of view, it has the function of stepping out of the tense social relations and controlling the damage to the individual; from the literary point of view, it is through intuitive and introspection to examine the existing works with a low level. Purify the failure in the eyes of the self and the other. The intensity and scale of the burning of manuscripts in the Qing Dynasty were far more extensive than any previous generation. If the historical scene is restored, the context of some special historical events can be traced, and at the same time, it is found that the extremely daily writing industry of the Qing people will inevitably produce a certain degree of writing fatigue, desalinating the sense of nobility in literature and the sense of superiority of literati. It also leads to thinking about the value of literature. The phenomenon of mass burning of manuscripts in Qing Dynasty has some privacy, and its occurrence has complicated reasons. It is necessary to reveal the essential characteristics of this social idea and its significance as a kind of literary criticism on the basis of in-depth study.
【作者單位】： 蘇州大學(xué)文學(xué)院;
【基金】：國家社會科學(xué)基金重點項目“清代江南文人日常生活與文學(xué)創(chuàng)作研究”(項目編號16AZW009)階段性成果
【分類號】：I206.2
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本文編號：1787746