本文選題：灞橋風(fēng)雪 + 灞橋　； 參考：《求索》2017年05期

【摘要】："灞橋風(fēng)雪"是詩學(xué)中的流行話語和重要典故,無論在詩學(xué)理論還是詩歌創(chuàng)作上都產(chǎn)生了深遠(yuǎn)的影響。在詩學(xué)理論上,它體現(xiàn)了詩思源于生活、好詩出于風(fēng)雪苦吟、"清"詩出于寒士苦辭的創(chuàng)作觀念。它也是詩歌創(chuàng)作中的重要典故,常出現(xiàn)在雪景詩、詠春詩和閑適詩中。至晚在南宋,灞橋風(fēng)雪題材進(jìn)入繪畫領(lǐng)域,"灞橋風(fēng)雪覓詩"和"灞橋騎驢覓詩"成為人物畫中的重要題材,并產(chǎn)生了以灞橋風(fēng)雪畫為審美對象的題畫詩。由詩入畫,再由畫而題詩,風(fēng)雪的環(huán)境和覓詩的主題沒有多大變化,但覓詩的主角鄭綮卻常常被孟浩然代替,這是由于孟浩然詩人和隱士的雙重身份更契合風(fēng)雪覓詩的高雅情趣。
[Abstract]:Baqiao snow storm is a popular discourse and an important allusion in poetics, which has a profound influence on poetics theory and poetry creation. In poetics theory, it embodies the idea that poetry originates from life, good poetry from wind and snow and bitter songs from Qing Dynasty. It is also an important allusion in poetry creation, it often appears in snowscape poetry, poetry of singing spring and leisure poems. Late in the Southern Song Dynasty, the subject matter of snow and snow in Baqiao entered the field of painting. "Baqiao snow and snow seeking poem" and "Baqiao donkey seeking poem" became important subjects in figure painting, and the painting poems with Baqiao snow and snow painting as aesthetic object were produced. There is not much change in the environment of snow and snow and the theme of poetry seeking, but the main character of the poem, Zheng Chuang, is often replaced by Meng Haoran. This is due to Meng Haoran poet and hermit dual identity more in line with the elegant taste of snow poetry.
【作者單位】： 江西科技師范大學(xué)文學(xué)院;
【基金】：江西省社會科學(xué)研究“十二五”規(guī)劃項(xiàng)目(13WX02)
【分類號】：I207.22

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