本文選題：文本主題 + 知生　； 參考：《南方文壇》2017年04期

【摘要】：正在魯敏的小說里,我辨認出死亡。有時候,死亡被每個漢字、每個語詞、每句話濃墨重彩地渲染著,聲勢浩大地宣誓著它對文本主題的所有權(quán);有時候,它靜靜地趴在小說的空白處,像一個龐然巨獸,發(fā)出咻咻的氣息;有時候,你以為擺脫了它,卻在猝不及防的時候與它迎面相逢,并奇異地踏上了另外一條小路�？梢哉f,死亡是魯敏小說顯在或潛在的主題、結(jié)構(gòu)甚至信念。我有一種預(yù)感——如果不談?wù)撍劳?我們可能對魯敏一無所知。
[Abstract]:In Lu Min's novel, I recognized death. Sometimes, death is rendered by every Chinese character, every word, every sentence, vociferously vowing its ownership of the theme of the text; sometimes it lies quietly in the blanks of the novel, like a giant beast of Pang Ran. Sometimes you think you've got rid of it, but when you're caught off guard, you meet it head-on and set off on a strange path. It can be said that death is the theme, structure and even belief of Lu Min's novels. I have a hunch that if we don't talk about death, we may not know anything about Lu Min.
【作者單位】： 中國作家協(xié)會;
【分類號】：I207.42
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本文編號：1776810