本文選題：班固 + 賦學思想　； 參考：《寧夏大學》2017年碩士論文

【摘要】：班固的文學理論繼承了漢初以來的文學理論成果,是漢代文學理論集大成者,其文學思想中以賦學思想成就最為顯著。班固的賦學思想受其儒家思想的影響,同時繼承了漢代已有理論成果并對自身的創(chuàng)作經(jīng)驗作以理論總結(jié),為后來的賦學發(fā)展及文學理論的成熟提供了借鑒和啟發(fā),影響深遠。本文大致由這樣三章構(gòu)成:班固的賦學思想受儒家思想的影響,大體上是對儒家傳統(tǒng)文學觀的發(fā)展弘揚,并在此基礎(chǔ)上,加入自己基于對漢賦理論認識和創(chuàng)作經(jīng)驗體悟的闡發(fā),形成了以探索漢賦源流體征、注重漢賦“諷”“頌”與言志功能、提倡漢賦藝術(shù)審美為主體的賦學理論體系,體現(xiàn)出以“尊儒宗經(jīng)”為核心、強調(diào)文學對現(xiàn)實的作用以及漢賦在功能上向儒家傳統(tǒng)詩論中“美刺”的回歸、注重人的情感在文學發(fā)生中的作用等特征。班固的賦學思想開啟了漢人以儒家眼光來審視漢賦的時代,對漢賦的發(fā)展影響深遠。班固的漢賦創(chuàng)作體現(xiàn)著班固的賦學思想。以《兩都賦》為代表的賦頌類作品基本上反映了班固的頌漢思想,貫徹了班固“諷”、“頌”并重的功能主張,《幽通賦》對抒情言志的嘗試,則體現(xiàn)出班固對此類作品的重視和對文章抒情性的張揚�！秲啥假x》發(fā)揮司馬相如的“賦家之心”,借用鋪排、華詞麗句等鑄造了文采上的可觀和體制上的宏大,《兩都賦》的意主平和,《幽通賦》的哀而不傷以及《答賓戲》的怨而不怒則是班固堅守儒家溫雅蘊藉的結(jié)果。班固的漢賦創(chuàng)作實踐和體現(xiàn)著班固的賦學思想,其賦學思想在作品中能夠一一對應,漢賦創(chuàng)作和漢賦理論,共同承載和體現(xiàn)著班固的賦學思想。班固的賦學思想產(chǎn)生于東漢初期復雜矛盾的經(jīng)學語境,是在以漢武帝為代表的漢代統(tǒng)治者對漢賦宏大內(nèi)容與諷諫主旨的影響下以及漢人賦論傳統(tǒng)的基礎(chǔ)上形成的,代表了漢代賦論的發(fā)展高度,影響深遠。班固賦學思想的意義首先在于在繼承前人賦學理論基礎(chǔ)上的突破與創(chuàng)新,將漢賦作為獨立的研究對象,采用儒家文學的研究視角和研究方法進行研究,引導漢人以儒家的視角來審視漢賦,開啟了漢賦發(fā)展的新紀元;其次,班固提出的“古詩之流”說,涉及到對漢賦本身,而非功利目的的研究,在當時經(jīng)學一統(tǒng)天下的文學批評領(lǐng)域中打開了一個突破口,為同時代乃至后世的文學批評提供了一個嶄新的視角;同時,拓展了現(xiàn)實主義的表現(xiàn)內(nèi)容,確立了后世文學或批判或歌頌的兩種思想表現(xiàn)主題,完善了儒家文學理論;其成功的漢賦創(chuàng)作也促進了鋪排手法與用典的普及,為文學表現(xiàn)手法的發(fā)展繁榮做出了貢獻。
[Abstract]:Ban Gu's literary theory inherits the achievements of literature theory since the beginning of Han Dynasty.Ban Gu's Fu study thought was influenced by his Confucian thought. At the same time, he inherited the existing theoretical achievements of Han Dynasty and summed up his own creative experience, which provided reference and inspiration for the later development of Fu theory and the maturity of literary theory.This article is composed of three chapters: ban Gu's theory of Fu is influenced by Confucianism, which is the development and development of Confucian traditional literary view, and on this basis, he adds his own interpretation of Han Fu theory and creation experience.It forms a theoretical system of Fu, which explores the source of Han Fu, pays attention to the function of "satire", "Ode" and "aspiration", and advocates the art aesthetic of Han Fu as the main body of Fu theory system, which embodies the core of "respecting Confucianism and Zong Jing".It emphasizes the function of literature to reality, the return of Han Fu to "beauty thorn" in Confucian traditional poetics, and the function of human emotion in the occurrence of literature.Ban Gu's Fu thought opened an era in which Han people looked at Han Fu from the Confucian perspective, which had a profound influence on the development of Han Fu.Ban Gu's creation of Han Fu embodies his thought of Fu study.The Ode works represented by du du Fu basically reflect Ban Gu's thought of chanting Han Dynasty, carry out his function of "irony" and "Ode", and attempt to express his feelings and aspirations by "Youtong Fu".It reflects the importance that Ban Gu attaches to this kind of work and the publicity of the lyricism of the article. [both of them] give play to Sima Xiangru's "the heart of the Fu family" and borrow from the arrangement.Hua ci Li sentence and so on have cast the considerable and the system grandeur on the literary work, the meaning of "two Fu" is peaceful, the "Youtong Fu" is sad but not hurt, and the "answer to the object" is the result of Bangu's adherence to the gentle and elegant meaning of the Confucianists.Ban Gu's writing practice of Han Fu and his thought of Fu study can correspond to one by one in his works. The creation of Han Fu and the theory of Han Fu are carrying and embodying Bangu's theory of Fu together.Ban Gu's Fu thought originated from the complicated and contradictory context of Confucian classics in the early Eastern Han Dynasty. It was formed on the basis of the influence of the rulers of the Han Dynasty, represented by Emperor Wu of the Han Dynasty, on the grand content of the Han Fu and the mockery of the remonstrating purport, as well as on the basis of the tradition of the Fu theory of the Han people.It represents the development of the Fu theory in the Han Dynasty and has a profound influence.The significance of Ban Gu Fu's thought lies in the breakthrough and innovation on the basis of inheriting the previous Fu theory, taking Han Fu as the independent research object and adopting the Confucian literature research angle and research method to carry on the research.Guiding Han people to examine Han Fu from the perspective of Confucianism opened a new era for the development of Han Fu. Secondly, the theory of "stream of ancient poetry" put forward by Ban Gu involves the study of Han Fu itself rather than utilitarian purpose.At that time, it opened a breakthrough in the field of literary criticism, which was dominated by Confucian classics, and provided a new angle of view for contemporary and even future generations of literary criticism. At the same time, it expanded the content of realism.It has established two kinds of ideological expression themes of literature or criticism or praise in later generations and perfected the Confucian literary theory. Its successful creation of Han Fu has also promoted the popularization of laying out techniques and the use of allusions and contributed to the development and prosperity of literary expression techniques.
【學位授予單位】：寧夏大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22

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